Variety's Scores

For 17,849 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17849 movie reviews
  1. On a moment to moment basis, however, picture continuously skirts very close to the ludicrous in its advanced-stage grimness and outre forms of torture foreplay.
  2. Remote, non-involving and finally incomprehensible.
  3. More uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels.
  4. An unsavory and unsatisfying blend of dumb plotting, leering lasciviousness and full-bore gore, pic should warp-speed to video shelves.
  5. An almost mirth-free, poorly conceived comedy destined to offer Ben Affleck bashers satchels full of new ammunition.
    • 19 Metascore
    • 20 Critic Score
    Appears headed for a deep-space rendezvous with audience indifference.
  6. Gratuitous sex, gruesome torture, copious amounts of gore, and garish imagery populate the picture. Those qualities might be reason enough for some to watch, although a great many others would do well to scroll right past it on their Netflix feeds.
  7. Looking good but lacking much in the way of personality or gray matter -- rather like its characters -- Valentine is a straightforward slasher pic that's acceptably scary until a weak finale.
  8. Anemic action-fantasy.
  9. Lacks the delicate tonal control and subtle smarts required for such an intended half-surreal exercise.
    • 18 Metascore
    • 20 Critic Score
    When The Beastmaster begins, it is very hard to tell what it is all about. An hour later, it is very hard to care what it is all about. Another hour later, it is very hard to remember what it was all about.
  10. Pic is hermetically sealed in a synthetic wrapping that's so total -- Sony's top-flight high-def cameras, visibly low-budget CG work, exceptionally hackneyed and imitative action and dialogue --that it arrives a nearly lifeless film.
  11. A consistently silly, occasionally funny but mostly forced account of how a mild-mannered teacher from Connecticut unwittingly triggered the Bay of Pigs fiasco.
    • 18 Metascore
    • 50 Critic Score
    Arrives carrying more baggage than a Greyhound bus, which may distract moviegoers from what is a silly but still an enjoyably written and performed romantic comedy.
    • 18 Metascore
    • 30 Critic Score
    Miami field trip only brings a pastel backdrop to the insipid infighting of the boobs in blue.
  12. A simple misfire rather than a world-class fiasco. This misguided attempt to remake Lina Wertmuller's corrosive 1974 satire as a wistful romance is only unintentionally funny in the last reel.
  13. Sidney Hall strings its audience along on a tedious journey that runs out of steam long before reaching an embarrassingly overwrought finale.
  14. Sweeney, who first invented the character while a member of the L.A.-based Groundlings comedy troupe, has almost perversely turned the relatively harmless TV character into a boorish, egotistical creep for the bigscreen. Fans of the “SNL” sketches will be disappointed. Non-fans won’t bother.
  15. An instantly forgettable trifle.
  16. Unfortunately, almost everything about the film is so unbelievable and misjudged that only the most gullible audiences will feel any transporting thrill at the end other than from the movie finally being over.
  17. [A] ruthlessly unfunny misfire.
  18. A sloppy and shoddy piece of work, filled with just about every cliche and caricature common to low-budget, low-brow comedies with predominantly African-American casts.
  19. Just when you think this nothing-burger can’t get any more exasperating, it spends a full 10 post-fadeout minutes on final credits.
  20. Time and adapters have not been kind to the fun-loving series.
  21. Little more than a mall movie designed to kill time.
  22. Bad in ways that sometimes provoke a disbelieving guffaw, but more often stir pained embarrassment.
  23. The Darkest Hour turns out to be a modestly inventive and involving variation on a standard-issue sci-fi doomsday scenario.
  24. Cross Uncle Buck with Home Alone, stir in the Hulkster, and you've got Mr. Nanny, a gonzo comedy-actioner that should entertain the under-12 and couch-potato sets.
  25. An inauspicious feature debut for director Harv Glazer and all three scenarists, the "Big"-meets-breakdancing comedy will be kickin' it to ancillary by swimsuit season.
  26. Despite the palpable air of deja vu that hangs over it like a light fog, The Devil Inside generates a fair amount of suspense during sizable swaths of its familiar but serviceable exorcism-centric scenario.

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