Variety's Scores

For 17,849 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17849 movie reviews
    • 25 Metascore
    • 60 Critic Score
    Weak script, poor acting and miscasting aside, it's the power of the subject that makes this an enjoyable ride. Writer/director Richard Brooks thoroughly researched the Territory of the compulsive gambler and captures the obsession with almost a documentary eye.
  1. A well-intentioned misfire featuring 3-D CGI animation that recalls lesser vidgames of the mid-1990s.
  2. A B movie that somehow won the lottery and got an A-movie cast and director.
  3. Ultimately there’s an intriguing arc here that rewards patience.
  4. Guy Ritchie shoots a blank with Revolver, which replays the low-life criminal shtick from his first two features with an ill-advised overlay of pretension. The action, attitude and wise-guy talk all feel moldy this time around.
  5. Impossibly vulgar, tawdry and coarse, this much-touted major studio splash into NC-17 waters is akin to being keelhauled through a cesspool, with sharks swimming alongside.
  6. It's doubtful that anyone, even executors of Greene's literary estate, will be able to discern much of the source material in this frenetic trifle.
  7. A thoroughly derivative and unengaging fantasy.
  8. The fact that none of this usually-surefire mindless stimulus is remotely inspired — let alone that the plot feels like a barely-there afterthought — turns so much cheerful sound and fury into near-senseless din.
  9. Aside from such dutiful fan service, the film is a haggardly slapdash "Bourne Identity" knockoff, never rising above the level of basic competence.
  10. Although helmer Curt Hahn champions the causes of racial justice and crusading journalism, he can't seem to find a tone that's consistent or that befits the gravity of his subject matter.
  11. As thrillers go, Shut In is conspicuously short of thrills. It’s an undistinguished and predictable hodgepodge, so blandly generic as to suggest that it was cobbled together by filmmakers referencing a how-to handbook who picked spare parts from other, better thrillers.
  12. This scrappy, draggy study in soul-crushing failure and disappointment is noteworthy primarily as a showcase for its lead actor’s most quintessentially Keanu performance in years.
  13. The latest model in the recent spate of underwhelming female star vehicles, Enough, a thriller detailing how a good wife gets back at an evil, possessive husband, is never provocative enough to generate strong emotional response.
  14. Watching the redoubtable Elizabeth Banks try to breathe life into the stillborn farce Walk of Shame is like watching a team of paramedics perform CPR on the corpse of Ulysses S. Grant.
  15. Despite an effective Jim Caviezel, this anecdotal drama never rises above the level of lightly likable.
    • 25 Metascore
    • 30 Critic Score
    Ed
    Almost painfuly modest in its ambition and accomplishment, this slow-pitch offering might tolerably amuse the under-10 crowd, but will prove borderline intolerable for everyone else.
  16. This is by any measure a dreadful movie, a chintzy, CG-encrusted eyesore that oozes stupidity and self-indulgence from every pore. Yet damned if Proyas doesn’t put it all out there with a lunatic conviction you can’t help but admire.
  17. There doesn’t appear to be any purpose at all to the random exchanges and interactions that pass for a plot.
  18. Despite stretches of skillfully sustained suspense, Apollo 18 ultimately comes across as little more than a modestly clever stunt.
  19. Not a bad picture, just utterly banal.
  20. A flagrantly derivative but modestly diverting drama.
  21. Suffers from severe problems of tone, a surfeit of undeveloped plot points and characters, and bland direction.
  22. While the sheer novelty of a feature about lacrosse may be enough to generate some audience curiosity about A Warrior's Heart, this respectably crafted but thoroughly predictable indie rarely deviates from the gameplan followed by countless other dramas about self-absorbed young hotheads who get a shot at redemption on the playing field.
    • 24 Metascore
    • 40 Critic Score
    This endless romp through the jungle, lacking any focus, fun or excitement (sexual or otherwise), seems to exist merely as a reason for husband John to find another 1001 ways to photograph wife Bo in varying stages of undress.
  23. Overall aroma of movie junk food.
  24. The five leads earn kudos for their ability to come across as something approaching credible.
  25. For those who enjoy fashion-model-looking twentysomethings yelling at each other in bathrooms while doing too much cocaine, voila! Heaven is a place called London.
  26. A mediocre ensemble comedy-drama that's not particularly funny, involving or even nostalgic.
  27. Playing with Fire . . . is a barely glorified sitcom made in the overlit and benignly smart-mouth Nickelodeon house style.

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