Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. If "Hot Rod" and "The Ex" couldn't attract an audience, this full-blown comedy miscarriage stands no chance.
  2. Slickly produced and blatantly manipulative, Bannon's hagiographic tribute is a celebratory cavalcade of career highlights and glowing testimonials that doubtless will please Palin's devoted followers, appall her fiercest critics -- and, perhaps, occasionally surprise the undecided.
  3. A half-baked comedy torn between sincere emotion and over-the-top outrageousness.
  4. While Wenders has argued intelligently in interviews for the merits of realizing character-driven drama in three dimensions, this isn’t the most helpful case-maker — not least because Norwegian writer Bjorn Olaf Johannessen’s screenplay has barely been rendered in two.
  5. Newcomer Rachel Hendrix grabs attention and sustains sympathy as a lovely yet troubled 19-year-old student determined to unlock the secrets of her past after learning the circumstances of her birth.
  6. Though performed with some perspiring conviction by Emma Watson and Ethan Hawke — as a confessed victim of cult abuse and the agnostic cop investigating her case — the pic is neither disquieting enough to take seriously, nor lurid enough for fright-night indulgence.
  7. The atmosphere is properly bizarre and in moments even scary, but there's no involving story or characters to sustain the feature-length narrative.
  8. A nail in the coffin if not the heart of teen comedies.
  9. A comedy that starts the date in a frisky mood but sours before it's time to kiss goodnight.
  10. The director doesn't display the spirit of a natural entertainer; while intellectual notions abound, he never grabs the audience by the hand to pull them into the tale emotionally.
  11. Gritty, engaging.
  12. It’s the robots — endowed here with character-rich physicality and almost human-scaled facial features — who give the film its emotional heft.
  13. Even when the blood-and-thunder hokiness of the over-the-top plot tilts perilously close to absurdity, the admirably straight-faced performances by well-cast lead players provide just enough counterbalance to sustain audience curiosity and sympathy.
  14. A generically conceived horror thriller distinguished only by its belief that more hysteria equals a more frightening movie.
  15. The Girl in the Photographs is a slasher movie filled with smug and self-absorbed characters who are not nearly as clever as they obviously assume they are.
  16. Another tired, witless and potentially lucrative attempt to spin an exhausted buddy-cop template into action-comedy gold.
  17. Culturally falling somewhere between "Sideways" and "Dumb and Dumber," this low-rent road movie similarly rides on principles of audience identification, largely minus competent helming, thesping or scripting.
  18. Jared Leto gained some 70 pounds. Seemingly following his lead, the pic itself is heavy, lethargic, and exasperating.
  19. One of the more spectacular misfires of recent years, Land of the Blind's lack of originality is only slightly exceeded by its failure to work as political satire.
  20. A very earthbound comic fantasy, a racially flip-flopped "Heaven Can Wait" redo stuck in a purgatory with just enough meager laughs to keep it from a more fiery fate.
  21. A woefully under-realized story of small-time boxers enjoying perhaps their last moment in the spotlight.
  22. That this mashup of too many familiar action-thriller elements doesn’t emerge a generic mess is a credit to all involved. That it’s passably entertaining but also instantly forgettable comes as less of a surprise.
  23. Peaks early -- like, during the first three minutes -- and rapidly goes downhill from there.
  24. The politics of "Hills 2" won't enlist any new converts to the horror ranks, but existing fans will be drawn to the combination of visceral tension, violent payoff and the patented Craven gift for innovative gore.
  25. Director Robert Luketic’s thriller Paranoia has a host of problems, but the biggest seems to be that no one in it is nearly paranoid enough.
  26. A witless undead retread served up as a vulgar revenge-of-the-dorks comedy.
  27. Reveling in its provocative absurdity, Impolex is a madly uncommercial head-scratcher that will strike a dream-logic chord in some viewers and leave others in a "My kid could do better than that" mood.
  28. This cinematic Big Mac entertains abundantly on its own second-hand merits.
  29. While thesping is not the main game here, having a cast of bright young things certainly helps, and Quaid gets in a few nice John Wayne-like moments as the no-nonsense boss.
  30. Not unlike the shiny snow globe at its center, The Santa Clause 3: The Escape Clause is a thing of consummate craftsmanship, a smoothly engineered and fundamentally lifeless object that's nevertheless capable of giving even the grinchiest moviegoers a brief attack of the warm-and-fuzzies.

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