Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. For all its structural and psychological deficiencies, it’s hard not to enjoy Fifty Shades Darker on its own lusciously limited terms.
  2. Manages to misfire in two seemingly incompatible directions. A puerile kiddie-comedy without the anarchic energy, and a schmaltzy romantic comedy without the sweetness.
  3. A shamelessly sappy family meller that bears the schmaltzy sensibility of Nora Ephron.
  4. A half-klutzy, half-engaging eccentric comedy.
  5. Pity the festival-going fool who stumbles unawares into Harmony Korine's patently abrasive, deliberately cruddy-looking mock-documentary Trash Humpers. All others -- that is, those familiar with Korine's anti-bourgeois oeuvre and know what they're in for -- will have a glorious time.
  6. A one-note celebration of violence-for-good that plays like a recruitment film for fascist thugs.
  7. What should be a plucky, whip-smart character-driven actioner about an elderly assassin fighting career obsolescence morphs into a dusty, no-stakes patchwork of clichés that shrugs off any resonance, let alone entertainment value.
  8. There’s really nothing particularly fresh in this routinely crafted, banally scripted and directed effort. Mantegna’s humorously arrogant performance is the pic’s sole distinctive element, and it’s saved for the finale. Still, it’s just not good enough to make up for the rest of the drudgery and put a smile on one’s face leaving the theater.
  9. Only real payoff is seeing the monstrosity assembled, and though that will surely earn the Dutch writer-director a cult reputation on the genre circuit, "going there" does not a movie make.
  10. The line between a good soap opera and a bad soap opera can sometimes be razor-thin. Regretting You walks the line for a while but lands on the wrong side of it.
  11. This is an especially limp star vehicle that delivers a few widely spaced moments of frivolity before what should be a quick mop-up trip to the DVD aisles.
  12. Well made but unlikable and dramatically absurd picture.
  13. Shyamalan is clearly a director-for-hire here, his disinterest palpable from first frame to last. Nowhere in evidence is the gifted "Sixth Sense" director who once brought intricately crafted setpieces and cinematic sleight-of-hand to even the least of his own movies.
  14. A feast of A-grade f/x married to a Z-grade, irony-free script.
  15. Miscast and miscalculated, Miss Conception hopes to collect on Hollywood's recent baby-on-board craze, delivering instead the least credible take on human pregnancy since Arnold Schwarzenegger gave birth in "Junior."
  16. Long on atmosphere yet short on dramatic tension.
  17. The sight and sound of Lawrence in fat-lady drag remains engaging throughout; script may often let him down, forcing him to keep things afloat almost single-handedly.
  18. This tale of mismatched lovebirds begins with considerable charm but eventually loses its winning ways with an excess of ridiculous elements.
  19. Lightweight but likable entertainment.
  20. Frank Langella's note-perfect, tour-de-force turn as a man elegantly shaping his own demise is nicely counterpointed by a shambling Elliott Gould as a bird-watching private eye.
  21. Lautner’s earnest turn, as well as those of familiar TV faces Johnson (“Bates Motel,” “The Shield”) and Zimmer (“Entourage,” “UnReal”), are hamstrung by writing that demands a certain emotional urgency while providing the performers little opportunity for surprise or nuance.
  22. After 40 or so minutes of teasing hints that its makers may have hit upon a fresh approach to found-footage thrillers, “Phoenix Forgotten” indicates the genre may be having its last gasp on life support as the movie devolves into yet another threadbare patchwork of mounting hysteria, faux cinéma vérité, and shaky-cam visual clichés.
  23. Kim’s film is a slick concoction that affords moderate guilty-pleasure fun for a while, though it goes on too long to diminishing effect.
  24. Designed for maximum corniness, The Tiger Rising peppers its action with enough references to God, upturned-to-the-heavens gazes and warm enveloping light to make clear its function as a homily.
  25. Perry knows what he’s doing. He can’t possibly think any of this is believable for one second. But it could be fun to discuss its outlandishness over a few glasses of wine.
  26. Basically a very conventional movie gussied up with a few jaw-dropping moments. Unlike genuinely amoral pics such as "Heathers" or "Shallow Grave," it never seems really comfortable with its characters' actions.
  27. A ludicrous, borderline-nonsensical supernatural concoction with a slightly redeeming sense of its own silliness.
  28. Functional if thoroughly uninspired movie. Because it clings to the comedy-action template of "48 Hrs.," pic feels like it could have been made 15 years ago.
  29. Loud, silly but kind of lame-brained fun with car chases aplenty, "Dukes" faithfully plays like an extended episode of the series, albeit with an additional gallon or so of fuel-injected raunchiness.
    • 33 Metascore
    • 40 Critic Score
    A muddled mix of sex, political corruption and murder, Jade is a jigsaw puzzle that never puts all the pieces together.

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