Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. This is the sort of numbskull non-entertainment that considers it worthwhile to fly in a martial-arts superstar like Jet Li and have him sit around firing a machine gun, pausing every so often to deliver the most awkward line readings of his career.
  2. Even under the best of circumstances, it would be late in the day for another bigscreen adventure from the Mighty Morphin Power Rangers. But coming so soon after the well-received reissue of George Lucas' Star Wars trilogy, the high-camp cheesiness ofTurbo: A Power Rangers Movie is especially unimpressive.
  3. Blurring the lines between cinema verite and fiction, writer-director Myles Berkowitz has created a winning entertainment.
  4. While the 1984 film has aged, its now-familiar jolts still pack more punch than this pic's recycled ones, which sometimes register so tepidly as to cause snickers.
  5. Though the narrative tends to be a touch too simplistic for most grown-ups, and lacks enough riotous dog action for the little ones, there’s enough bite to make things worthwhile for those who just want to enjoy a sweet, wholesome dog movie.
  6. Watts’ commitment holds the movie together. She acts as if that phone were her flesh-and-blood partner. But it’s not. It’s a device impersonating something human. And so is Lakewood.
  7. A pale reworking of its predecessor.
  8. Energetic, smarter-than-expected teen comedy.
  9. Partially biographical story of a rich kid's unplanned encounter with the Marines and his even more random romance with a schizophrenic movie starlet is contrived and emotionally incomplete, and strained further by self-consciously cockeyed dialogue.
  10. The tale of a pickpocket's redemption through love, plus a vengeance-seeking cop and assorted betrayals, Loosies weakly channels Sam Fuller's "Pickup on South Street" but without the explosive action, iconic thesping and stylistic punch.
  11. More polished and better acted than many "inspirational" biopics.
  12. Never mind the inherent titular redundancy: The Last Exorcism Part II is a generally effective sequel to the 2010 sleeper that injected at least a little new life into the heavily taxed found-footage-horror subgenre.
    • 35 Metascore
    • 30 Critic Score
    Cannoball will please those who won’t rest until they see every car in creation destroyed and aflame.
  13. The action in Kraven the Hunter is fine as far as it goes, but it rarely incites or bedazzles you.
  14. A draggy, generally laugh-free outing that wastes a perfectly good Anna Faris.
  15. Softcore horror at best, failed allegory at worst, Mirrors reflects little beyond Splat Pack auteur Alexandre Aja's desire to push his genre into less punishing and more profitable territory.
  16. The comedy's broad perfs, predictable story beats and pro but characterless packaging have a smallscreen feel.
  17. A Eurotrashy vidgame knockoff that misses its target by a mile. Numbingly unthrilling as it lurches from one violent encounter to another, the pic's dark roots in an electronic, non-dramatic medium are plain to see, and unsuspecting gamers lured to theaters will soon wish they were back home participating in the action themselves.
  18. Much of the early action, with Jonathan telling off his father, feels awkwardly staged, even tortured, a quality exacerbated by Levitas’ weakness with dialogue.
    • 35 Metascore
    • 60 Critic Score
    Enter the Ninja represents an unusual hybrid action film, an Italian Western-type story filmed as a contemporary Japanese martial arts action film in the Philippines. Results are pleasant though unspectacular.
  19. Will Wernick’s film not only fails to use that format in clever or suspenseful ways, it blows the basics of maintaining plausibility and viewer interest.
  20. It's not exactly good, but it's not bad, and far from boring.
  21. Simply put, Scream 7 isn’t very scary, and it isn’t very inventively gory (which some of the sequels have been).
  22. A contradictory creature, both insightful and dumb, sometimes innovative and sometimes just plain inept. Dreamy, funny but also weirdly disjointed, it’s as if the very film itself were stoned, just like its two pot-smoking sister protags.
  23. Henson is the right actress to play a contract killer grown weary, but as a thriller Proud Mary doesn’t quite do her justice. It’s a connect-the-dots underworld trifle, watchable and minimal...though Henson holds it together and, at moments, comes close to convincing you that you’re watching a better movie.
  24. The human dimension that gives the film brief jolts of energy never takes root. Instead, audiences are left grappling with a stuffy maze, albeit one presented with handsome production values and a filmmaker’s striking visual touch.
  25. Undone by an idea capable of hanging together for 30 minutes at best.
  26. This tepid comedy-drama is, lamentably, aptly titled.
  27. Surely one of the most frantic, virulent and foul-natured Christmas season pic ever delivered by a Hollywood studio.
  28. Though the superhero's fans have long awaited his close-up, the Devil's bounty hunter -- complete with a burning skull for a head and a killer motorcycle in flames --materializes in a movie that never measures up to his infernal potential.

Top Trailers