Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
    • 35 Metascore
    • 40 Critic Score
    Absence this time of John Denver, his chemistry with lead George Burns, and the original's solid comedy material lead to a bland, unstimulating film.
  1. Despite a fine Continental cast and gleaming production values, Czech helmer Julius Ševčík has made a muddled, maudlin hash of what ought to have been a sure thing.
  2. The sheer abundance of on-screen ornamentation isn’t quite enough to make The Huntsman: Winter’s War a beautiful film.... Still, it’s one that has been exhaustively designed by many hands — which only further shows up its inelegant patchwork in the writing department.
  3. This been-there-done-that story marks a pretty banal debut for writer-director Alain Marie, who seems far more interested in aping Refn and early-career Michael Mann than in finding his own style.
  4. Essentially recasting “Grumpy Old Men” with the senescent specters of Rocky Balboa and Jake LaMotta, the result is sporadically amusing, with some chucklesome sight gags and crowdpleasing supporting turns from Alan Arkin and Kevin Hart, yet it’s all so overcooked that it defeats its own purpose.
  5. Cleverly titled but noxious British comedy.
  6. Even the hackiest of Hollywood writers would have known how to fix its considerable script problems.
  7. This threequel is surprisingly lifeless and almost laugh-less.
  8. Despite a promising setup, pic never really goes anywhere, instead immersing viewers in a kinetic onslaught of flesh (namely, that of Milla Jovovich) and flesh-eaters (most of the rest of the cast).
  9. What is Jones trying to say with Mute? One would hardly guess this over-congested generic exercise came from the same mind as the elegant, almost minimalistic “Moon,” which made far better use of all that went unsaid.
    • 35 Metascore
    • 20 Critic Score
    All elements are of epic proportions in this Conan-Star Wars hybrid ripoff, based on the best-selling line of children’s toys. Epitome of Good takes on Epitome of Evil for nothing less than the future of the Universe, and the result is a colossal bore.
  10. The goofiness is redeemed somewhat by a wickedly violent climax — the exclamation point at the end of a rather simple sentence.
    • 35 Metascore
    • 40 Critic Score
    A poorly-written melodrama.
    • Variety
  11. The funny moments in Genie, and there are a handful of them, emerge mostly from McCarthy just tossing off lines with her dislocating insouciance.
  12. A pat, hollow exercises with few tricks (or treats) up its sleeve.
  13. Awake is bonkers in a fun way from time to time . . . but gives the distinct impression that the most interesting crises are happening off screen.
  14. Aiming to join the Jerry Bruckheimer/Michael Bay school of American movie war games, Stealth is just too dumb to make the grade.
  15. This isn't the Star Wars we've always known and at least sometimes loved.
  16. A walk on the "dark side" that moves far more slowly than limited character insight requires.
  17. Handsome but dramatically static drama.
  18. Strictly for fans of free-form, DIY hit-or-miss humor (and those who prefer a miss to a hit), pic complacently parades its alienated amateurism in the mistaken belief that half a gag is better than none.
  19. Despite enough good intentions to pave a four-lane highway, the ardently sincere but dramatically unfocused For Greater Glory plays like a multipart miniseries that has been hacked down to feature length.
  20. Venom is a textbook case of a comic-book film that’s unexciting in its ho-hum competence, and even its visual-effects bravura.
  21. Impressive as the combination may seem on paper, having Sheridan direct this sort of genre fare reps a clear miscasting of helmer and subject, as he displays no particular feel for the material and is unable to overcome the story's generic approach, lack of striking psychological ideas, and literal-minded denouement.
  22. Director Doug Liman churns out a serviceable sci-fi thriller/videogame template that plays like "The Matrix Lite" and, finally, isn't nearly as cool as its trailer.
  23. As muddled in most respects as its title, Rumor Has It... begins with an intriguing premise...but it devolves into a bland romance spiced with too little comedy.
  24. While common sense and good taste may be inclined to resist Vaughn’s garishly over-the-top style at first, the movie eventually finds its groove.
  25. The Hustle, fun as some of it is, is a tall fizzy drink in which the fizz never completely rises to the top of the glass.
  26. Little seems new compared to the first installment, except that this version is longer, louder, and perhaps "more than your eye can meet" in one sitting.
  27. Few recent movies have conceived their central female character more contemptuously -- a fanatic for a lifestyle that appears to have come from the bestselling "The Rules."

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