Variety's Scores

For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17771 movie reviews
  1. Inside Llewyn Davis is a revelatory showcase for Isaac, who sings with an angelic voice and turns a potentially unlikable character into a consistently relatable, unmistakably human presence — a reminder that humility and genius rarely make for comfortable bedfellows.
  2. Though the film brims with memorable characters, the show ultimately belongs to Ejiofor, who upholds the character’s dignity throughout.
    • 90 Metascore
    • 100 Critic Score
    It is the greatest and most elaborate comedy ever filmed, and will stand for years as the biggest hit in its field.
  3. In execution, Pixar’s 15th feature proves to be the greatest idea the toon studio has ever had: a stunningly original concept that will not only delight and entertain the company’s massive worldwide audience, but also promises to forever change the way people think about the way people think, delivering creative fireworks grounded by a wonderfully relatable family story.
  4. A stunning debut that finds its dandelion-haired heroine fighting rising tides and fantastic creatures in a mythic battle against modernity.
  5. An altogether smashing sequel to 2011′s better-than-expected “Rise of the Planet of the Apes,” this vivid, violent extension of humanoid ape Caesar’s troubled quest for independence bests its predecessor in nearly every technical and conceptual department.
    • 92 Metascore
    • 100 Critic Score
    In a decade largely devoted to male buddy-buddy films, brutal rape fantasies, and impersonal special effects extravaganzas, Woody Allen has almost single-handedly kept alive the idea of heterosexual romance in American films. Annie Hall is a touching and hilarious love story that is Allen’s most three-dimensional film to date.
  6. Wrenchingly acted, deftly manipulated and terrifyingly well made.
  7. Not just one of the great racing movies of all time, but a virtuoso feat of filmmaking in its own right, elevated by two of the year’s most compelling performances.
  8. Considering Haneke's confrontational past, this poignantly acted, uncommonly tender two-hander makes a doubly powerful statement about man's capacity for dignity and sensitivity when confronted with the inevitable cruelty of nature.
    • 100 Metascore
    • 100 Critic Score
    It happens to be a first-class film of potent importance to the art of motion pictures...a triumph for Orson Welles.
  9. Brief Encounters reps a must-see for art lovers.
  10. While no film from the narrow perspective of Israeli intelligence could purport to offer a thorough view of the conflict, what makes The Gatekeepers ultimately so compelling is its pervasive sense of moral ambiguity.
  11. Honoring all that was memorable about its forebears while taking the story to new depths of catharsis, Before Midnight stands as a unique and uniquely satisfying entry in what has shaped up to be an outstanding screen trilogy
  12. Handsomely produced and never less than hugely entertaining, Ascher's film is catnip for Kubrickians and critics both professional and otherwise.
  13. King of the Hill has all the rich satisfactions of a fine novel.
  14. A powerfully intimate domestic drama, Ordinary People represents the height of craftsmanship across the board.
    • 94 Metascore
    • 100 Critic Score
    Badlands is a unique American fairy tale...and it's an impressive debut.
  15. An exhilarating slalom through the wormholes of Christopher Nolan’s vast imagination that is at once a science-geek fever dream and a formidable consideration of what makes us human.
  16. Decidedly not revolutionary cinema, Something in the Air instead quietly demystifies its subject. The tone of the piece is wryly affectionate but never indulgent; the experiences depicted feel emotionally true and lived-in without ever catching the viewer up in a rush of intoxication or excitement.
  17. Never before has anyone made a documentary like The Act of Killing, and the filmmakers seem at a loss in terms of how to organize the many threads of what they capture...Still, essential and enraging, The Act of Killing is a film that begs to be seen, then never watched again.
  18. It’s a film that spills over with laughs (most of them good, a few of them shticky) and tears (all of them earned), supporting characters who are meant to slay us (and mostly do) with their irascible sharp tongues, and dizzyingly extended flights of physical comedy.
  19. Throughout, Payne gently infuses the film’s comic tone with strains of longing and regret, always careful to avoid the maudlin or cheaply sentimental.
  20. Racy subject aside, the film provides a good-humored yet serious-minded look at sexual self-liberation, thick with references to art, music, religion and literature, even as it pushes the envelope with footage of acts previously relegated to the sphere of pornography.
  21. Her
    What begins like an arrested adolescent dream soon blossoms into Jonze’s richest and most emotionally mature work to date, burrowing deep into the give and take of relationships, the dawning of middle-aged ennui, and that eternal dilemma shared by both man and machine: the struggle to know one’s own true self.
  22. The film’s turn toward the tragic is hardly untelegraphed, but its emotional blows still land with crushing precision.
  23. It’s a simple, even predictable story, yet textured so exquisitely and acted so forcefully as to feel almost revelatory.
  24. The film wrings an almost bizarre amount of political, humanistic and spiritual substance out of this limited frame. Kendall’s eye for untold stories, as well as his instinct for catching evocatively framed images on the fly, mark him as a name to watch.
  25. Righteous, captivating and entirely successful as single-issue-focused documentaries go, Gabriela Cowperthwaite’s film draws on startling video footage and testimonies from former orca trainers, building an authoritative argument on behalf of this majestic species.
  26. Rachel Boynton’s extraordinary Big Men should come tagged with a warning: The side effects of global capitalism may include dizziness, nausea and seething outrage.

Top Trailers