Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. A feast of HD imagery so crisp as to be almost disorienting, this is immersive experiential cinema with no firm storytelling trajectory, though viewers can read what environmental warnings they may into its rushing spectacle.
  2. Angels Are Made of Light serves as a lament for a prosperous past that can’t be reclaimed, a volatile present that affords few prospects for joy or success, and a future that’s terrifyingly uncertain.
  3. Bad Education doesn’t shy away from the humor of the situation, but it doesn’t go for the cheap laughs either.
  4. If we’ve been here before, the immaculate, somehow tender-hearted execution of About Endlessness ensures this is not a complaint.
  5. Lesage’s filmmaking, with its unhurried editing and eerily echoing music cues, is in expert sympathy with his hovering, out-of-time protagonists.
  6. Presented as if filtered through a sunny Instagram setting, Greener Grass won’t exactly make you envious of the over-idealized lifestyle it skewers, and yet it’s such a delightful place to inhabit, you won’t want to leave when the credits roll.
    • 75 Metascore
    • 90 Critic Score
    Casting Fox was a brilliant coup on De Palma’s part, since he brings with him an image of all-American boyishness and eager-beaver conservatism. Fox’s beautifully acted cowardly passivity in the face of the unthinkable challenges and implicates the viewer to examine his own conscience on the subject of Vietnam.
    • 87 Metascore
    • 90 Critic Score
    Mutiny takes its time, and plenty of it, without being guilty of a single dull moment.
  7. Western Stars isn’t a rockin’-out extravaganza; it’s intimate in its embrace. Yet it’s a moving testament to how much Bruce Springsteen has still got it. It’s a concert film you’ll want to experience with others, as a ray of light in the dark.
  8. Babyteeth works best as an abrasive four-hander, though Murphy’s limber, sensually electric direction leaves the film with little clear evidence of its theatrical origins.
    • 72 Metascore
    • 90 Critic Score
    The Out of Towners is a total delight.
  9. What gives Dark Waters its singular texture is that Todd Haynes (“Carol,” “Far From Heaven”), who has never made a drama remotely like this, colors in the scenario with an underlying dimension of personalized obsession.
  10. While its subject may be religious, The Two Popes doesn’t want to convert the viewer. Rather, as an extraordinary piece of writing — and an even more impressive showcase for its actors — it eloquently communicates the importance of giving people something to believe in.
    • 92 Metascore
    • 90 Critic Score
    Armed with a superior script by Anthony Shaffer, an excellent cast, and a top technical crew, Alfred Hitchcock fashions a firstrate melodrama about an innocent man hunted by Scotland Yard for a series of sex-strangulation murders.
    • 74 Metascore
    • 90 Critic Score
    The Panic in Needle Park is a total triumph. Gritty, gutsy, compelling, and vivid to the point of revulsion, it is an overpowering tragedy about urban drug addiction.
  11. An unostentatious but quietly dazzling meditation on womanhood in the largely patriarchal space race, Alice Winocour’s highly satisfying third feature outdoes many more lavish Hollywood efforts in evoking the otherworldly emotional disconnect that comes with space travel, all without leaving terra firma for the vast bulk of its running time.
    • 82 Metascore
    • 90 Critic Score
    Jon Cleary's novel is the basic source from which director Fred Zinnemann's inspiration springs. Between Cleary and Zinnemann lies Isobel Lennart's perceptive, virile screenplay, loaded with bright, telling lines of dialog and gentle philosophical comment. But, fine as the scenario is, it is Zinnemann's poetic glances into the souls of his characters, little hints of deep longings, hidden despairs, indomitable spirit that make the picture the achievement it is.
  12. This is both an immensely humanist film, and a tough, heartbreaking watch.
  13. Anne at 13,000 ft might look like mumblecore, but it plays as a psychological horror and a ticking-clock thriller that morphs into a wild, windswept tangle of incipient, but never quite arriving tragedy.
  14. Skirting easy cynicism to view fire, brimstone and occasional grace through Maud’s awestruck eyes, this is finally as much a sympathetic character study, a mental heath mind-map, as it is any kind of chiller. Whatever the case, it’s one hell of a debut for Rose Glass.
  15. Marcos’ print-the-legend philosophy has particular resonance in a post-truth world, although such sinister undertones sneak up on audiences in a movie that begins, innocently enough, as the latest of Greenfield’s astonishing portraits of wealth run amok.
  16. Story’s an original, and the film is a revelation — a movie that’s as deep as we’re willing to read into it, and an invaluable time capsule for summers far in our future, assuming we ever get there.
  17. In My Room presents and accepts its partial apocalypse with unquestioning calm — an extreme contrivance that merely enables an elegant, exacting character study.
  18. A classic piece of Americana, a down-home documentary that not only produces gales of laughter but also manages, by the end, to come together as a highly unlikely metaphor for the rigors of human existence.
    • 85 Metascore
    • 90 Critic Score
    This is telling, moving stuff.
  19. Bombshell is a scalding and powerful movie about what selling, in America, has become. The film is about selling sex, selling a candidate, selling yourself, selling the truth. And about how at Fox News all those things came together.
  20. Wolff has made a debut feature as impressive in its deliberate modesty and unpretentiousness as it is in matters of psychological nuance and technical skill.
    • 89 Metascore
    • 90 Critic Score
    Treasure Island, Robert Louis Stevenson's classic, has been handsomely mounted by Walt Disney. Settings are sumptuous and a British cast headed by American moppet Bobby Driscoll faithfully recaptures the bloodthirsty 18th-century era when pirates vied for the supremacy of the seas.
  21. Aaron Sorkin’s The Trial of the Chicago 7 is the rare drama about the 1960s that’s powerful and authentic and moving enough to feel as if it were taking place today.
    • 84 Metascore
    • 90 Critic Score
    Disney organization's flair for taking a homely subject and building a heartwarming film is again aptly demonstrated in this moving story set in 1869 of a Texas frontier family and an old yeller dog. Based on Fred Gipson's novel of same tag, this is a careful blending of fun, laughter, love, adventure and tragedy.

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