Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
    • 60 Metascore
    • 90 Critic Score
    Make Mine music is a 75-minute Walt Disney treat. You can call it a big short which, technically, is just what it is - 10 items pieced together in one 'musical fantasy' as it is billed - but it entertains all the way.
    • 91 Metascore
    • 90 Critic Score
    Bambi is gem-like in its reflection of the color and movement of sylvan plant and animal life. The transcription of nature in its moments of turbulence and peace heightens the brilliance of the canvas. The story [by Felix Salten] is full of tenderness and the characters tickle the heart.
    • 76 Metascore
    • 90 Critic Score
    James M. Barrie's childhood fantasy, Peter Pan, many times legit-staged, and previously filmed with live actors, is a feature cartoon of enchanting quality.
    • 78 Metascore
    • 90 Critic Score
    A delight for the juveniles and lots of fun for adults, Lady and the Tramp is the first animated feature in CinemaScope and the wider canvas and extra detail work reportedly meant an additional 30% in negative cost. It was a sound investment.
    • 66 Metascore
    • 90 Critic Score
    Bogosian commands attention in a patented tour-de-force. Supporting performances are all vividly realized, notably Michael Wincott’s drug-crazed Champlain fan invited to the studio for a tete-a-tete with the host.
    • 96 Metascore
    • 90 Critic Score
    Fantasia best can be described as a successful experiment to life the relationship from the plane of popular, mass entertainment to the higher strata of appeal to lovers of classical music.
  1. An exquisitely crafted documentary about the woman who was arguably the greatest movie critic who ever lived.
  2. While Krstić is especially good at providing noir atmosphere (jazzy, smoke-filled dives, ominous shadows, and references to Mike Hammer films), he positively excels at high-octane action.
    • 86 Metascore
    • 90 Critic Score
    The Odd Couple, Neil Simon's smash legit comedy, has been turned into an excellent film starring Jack Lemmon and Walter Matthau. Simon's somewhat expanded screenplay retains the broad, as well as the poignant, laughs inherent in the rooming together of two men whose marriages are on the rocks.
    • 65 Metascore
    • 90 Critic Score
    Clearly the coal miner's daughter's cousin by both birthright and ambition, Sweet Dreams upholds the family honor quite well, with Jessica Lange's portrayal of country singer Patsy Cline certainly equal to Sissy Spacek's Oscar-winning recreation of Loretta Lynn.
    • 56 Metascore
    • 90 Critic Score
    Oh, God! is a hilarious film which benefits from the brilliant teaming of George Burns, as the Almighty in human form, and John Denver, sensational in his screen debut as a supermarket assistant manager who finds himself a suburban Moses.
  3. In my judgment, Extremely Wicked, Shockingly Evil and Vile is an honestly unsettling and authentic inquiry into the question of who Ted Bundy was, how he operated, what his capture and trial and ongoing infamy has meant, and what, if anything, his existence tells us about our individual relationship to toxic evil.
    • 84 Metascore
    • 90 Critic Score
    A sparkling, ultra-sophisticated entertainment from Blake Edwards.
    • 81 Metascore
    • 90 Critic Score
    It’s indeed a beautiful film, one that will surely convince doubters that Muller is one of the cinema’s best cameramen. He gives the story a surface polish that hints of Edward Hopper and Georgia O’Keefe Americana paintings. Some images are positively breathtaking.
  4. The Satanic Temple’s combination of shock tactics and anti-discrimination lawsuits is check-and-mate against America creeping towards a Christian theocracy.
    • 72 Metascore
    • 90 Critic Score
    Powerfully somber dramatics have been captured from the pages of John Steinbeck's East of ed en and put on film by Elia Kazan. It is a tour de force for the director's penchant for hard-hitting forays with life.
    • 61 Metascore
    • 90 Critic Score
    Bob Fosse's remarkable film version of Julian Barry's legit play, Lenny, stars Dustin Hoffman in an outstanding performance.
    • 23 Metascore
    • 90 Critic Score
    Besides its compelling storyline, Turk 182! features outstanding performances across the board, with Hutton perfect in the role of the determined unassuming hero.
  5. Executed to near perfection in all artistic departments, this superior adaptation of the perennial favorite novel will find its core public among girls , but should prove satisfying enough to a range of audiences to make it a solid performer for Warner Bros.' family entertainment banner.
  6. A movie about cancer has no right to be as consistently amusing as Paddleton — a triumph for which credit should be spread around, even if it most deservedly goes to Ray Romano.
  7. This is "All Is Lost” with a spinning moral compass and a topical dimension that proves even more gripping than its brilliantly achieved visceral action.
  8. As someone who’s absorbed bits and pieces of the Miles Davis story over the years but never felt like I had the big picture, I found “Birth of the Cool” to be intensely gratifying. Nelson is a filmmaker with a sixth sense for how to nudge history into the present.
  9. “One Cut” captures all the craziness and exhilaration of movie-making on a minuscule budget. High-energy performances from a cast of little-knowns are perfectly tuned to the material. The outstanding technical package is a great example of how to create a Poverty Row look for what’s actually a very sophisticated filmmaking exercise.
  10. It’s the sort of unguarded drama they used to make in the ‘80s — a coming-of-age tale of unabashed earnestness — but it’s also a delirious and romantic rock ‘n’ roll parable.
  11. This terrifically engaging debut feature by playwright Paul Downs Colaizzo is the best kind of “crowdpleaser”: one that earns every emotional beat that might seem formulaic in four out of five similar enterprises.
  12. Cold Case Hammarskjöld doesn’t offer the last word about the issues it raises. But it’s a movie that should be seen, grappled with, argued with, and experienced, because the questions it plants in us are dark enough to reverberate as powerfully as answers.
  13. The new age of Brazilian protest cinema begins here, and “Divine Love” has kicked it off in dancing shoes.
  14. Knock Down the House has a clear political agenda. It wants to promote the hard work, courage and progressive policies of these women, who have all experienced financial hardship. Still, the film lets its subjects do the talking instead of cluttering things with statistics.
  15. The film is sleek and shadowy, benefiting from the fact Onah chose to shoot on celluloid and driven by stellar performances across the board.
  16. Portraits of institutional dysfunction don’t come much more urgent, and quietly bleak, than this.

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