For 17,825 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,159 out of 17825
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Mixed: 7,029 out of 17825
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Negative: 1,637 out of 17825
17825
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
The fragrant aroma of magnolias is undercut by the distinct smell of mothballs throughoutThe Loss of a Teardrop Diamond, an admirably earnest but curiously flat attempt to film a long-unproduced scenario by Tennessee Williams.- Variety
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Reviewed by
Justin Chang
The picture's attempts at comic portraiture feel sketchy at best, more or less assigning each character a single, belabored trait.- Variety
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Reviewed by
Andrew Barker
A plodding mediocrity with an almost mercenary adherence to formula.- Variety
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Reviewed by
Justin Chang
This high school horror romp tackles its bad-girl-gone-really-bad premise with eye-rolling obviousness and, fatally, a near-total absence of real scares.- Variety
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Reviewed by
Todd McCarthy
Teasingly enjoyable rubbish through the first hour, Orphan becomes genuine trash during its protracted second half.- Variety
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Reviewed by
Peter Debruge
The Vampire's Assistant is too busy making impossible claims about just how spectacular its sequels will be to serve up a self-contained story with a satisfying finale.- Variety
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Dennis Harvey
The thing-a-ma-jigs have it out with the whatch-a-ma-call-its -- as several humans scurry and scream between -- in Alien Vs. Predator, the kind of two-for-one dogfight (last repped by "Freddy Vs. Jason") that usually does more to bury a franchise than revive it.- Variety
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Rob Nelson
A film so frighteningly familiar it could well be called "Saw It Already."- Variety
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- Variety
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Reviewed by
Jordan Mintzer
A noisier, costlier version of "Children of Men," yet lacking that film's social-political significance and jaw-dropping direction.- Variety
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John Anderson
"Ghost" with a brogue, "The Notebook" without the burden of old people, this post-life comedy will have the sentimentally challenged weeping openly, while clutching desperately to the pants-legs of boyfriends and husbands who are trying to flee up the aisle.- Variety
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- Variety
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Reviewed by
Joe Leydon
An unsatisfying supernatural thriller with an effectively unsettling build-up and a frustratingly muddled pay-off.- Variety
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Scott Foundas
Are We There Yet? traps the affable Ice Cube in a dismal kiddy slapstick saga that even his considerable charisma can do little to enhance.- Variety
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Reviewed by
Derek Elley
A routine haunted child psychothriller gussied up with A-list casting.- Variety
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Reviewed by
Justin Chang
An intriguingly racy premise -- plays out to listless, unsatisfying effect.- Variety
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Robert Koehler
Except for Eisenberg's superb comic timing and his ability to make the familiar seem interesting, the high school scenes play like "Scream" outtakes.- Variety
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- Variety
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Reviewed by
Todd McCarthy
If auds swallow this odoriferous exercise in calculated career repositioning, they'll swallow anything.- Variety
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Reviewed by
Derek Elley
An unquestionably sincere but dramatically stillborn outing by veteran John Boorman.- Variety
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Ronnie Scheib
This black comedy on the making of a documentary about mail-order wives finally breaks down under the weight of its twists and turns, but mostly maintains a creepy fascination with its scuzzy characters.- Variety
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Reviewed by
David Rooney
But behind its slick veneer and the glibness of its preposterous premise and dark twists, there's a yawning absence of charm or substance in this London-set love triangle, as well as a lack of chemistry between its three leads.- Variety
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Brian Lowry
If only as much thought went into the script for this listless comedy as its marketing calculus.- Variety
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Robert Koehler
The live event was hopefully more engaging than this dull adaptation.- Variety
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Dennis Harvey
Rude, heavily contrived, pretty funny, just remotely connected to real-world youth life.- Variety
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Lisa Nesselson
Repetitive and needlessly prolonged tale does build to an inspired final scene, but it's too little, too late.- Variety
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Reviewed by
Derek Elley
15 is Asian Kid Rebels 101. So predictable it could almost be a parody of the genre -- though that would require a sense of humor above and beyond the self-reflexive comedy on display here.- Variety
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Reviewed by
Robert Koehler
Picturesque pic, however, lacks even a penalty kick's worth of tension and is paradoxically inert for a movie about guys running up and down the pitch for the glory of the U.S.- Variety
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- Variety
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Reviewed by
Eddie Cockrell
Too often depends on salty, adolescent one-liners that provide shock value guffaws but grow cumulatively wearisome.- Variety
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Reviewed by