Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. The fragrant aroma of magnolias is undercut by the distinct smell of mothballs throughoutThe Loss of a Teardrop Diamond, an admirably earnest but curiously flat attempt to film a long-unproduced scenario by Tennessee Williams.
  2. The picture's attempts at comic portraiture feel sketchy at best, more or less assigning each character a single, belabored trait.
  3. A plodding mediocrity with an almost mercenary adherence to formula.
  4. This high school horror romp tackles its bad-girl-gone-really-bad premise with eye-rolling obviousness and, fatally, a near-total absence of real scares.
  5. Teasingly enjoyable rubbish through the first hour, Orphan becomes genuine trash during its protracted second half.
  6. The Vampire's Assistant is too busy making impossible claims about just how spectacular its sequels will be to serve up a self-contained story with a satisfying finale.
  7. The thing-a-ma-jigs have it out with the whatch-a-ma-call-its -- as several humans scurry and scream between -- in Alien Vs. Predator, the kind of two-for-one dogfight (last repped by "Freddy Vs. Jason") that usually does more to bury a franchise than revive it.
  8. A film so frighteningly familiar it could well be called "Saw It Already."
  9. Worst of all, it just feels tired and recycled.
  10. A noisier, costlier version of "Children of Men," yet lacking that film's social-political significance and jaw-dropping direction.
  11. "Ghost" with a brogue, "The Notebook" without the burden of old people, this post-life comedy will have the sentimentally challenged weeping openly, while clutching desperately to the pants-legs of boyfriends and husbands who are trying to flee up the aisle.
  12. Ridiculous would-be thriller.
  13. An unsatisfying supernatural thriller with an effectively unsettling build-up and a frustratingly muddled pay-off.
  14. Are We There Yet? traps the affable Ice Cube in a dismal kiddy slapstick saga that even his considerable charisma can do little to enhance.
  15. A routine haunted child psychothriller gussied up with A-list casting.
  16. An intriguingly racy premise -- plays out to listless, unsatisfying effect.
  17. Except for Eisenberg's superb comic timing and his ability to make the familiar seem interesting, the high school scenes play like "Scream" outtakes.
  18. A movie as lacking in personality as its amnesiac protagonist.
  19. If auds swallow this odoriferous exercise in calculated career repositioning, they'll swallow anything.
  20. An unquestionably sincere but dramatically stillborn outing by veteran John Boorman.
  21. This black comedy on the making of a documentary about mail-order wives finally breaks down under the weight of its twists and turns, but mostly maintains a creepy fascination with its scuzzy characters.
  22. But behind its slick veneer and the glibness of its preposterous premise and dark twists, there's a yawning absence of charm or substance in this London-set love triangle, as well as a lack of chemistry between its three leads.
  23. If only as much thought went into the script for this listless comedy as its marketing calculus.
  24. The live event was hopefully more engaging than this dull adaptation.
  25. Rude, heavily contrived, pretty funny, just remotely connected to real-world youth life.
  26. Repetitive and needlessly prolonged tale does build to an inspired final scene, but it's too little, too late.
  27. 15 is Asian Kid Rebels 101. So predictable it could almost be a parody of the genre -- though that would require a sense of humor above and beyond the self-reflexive comedy on display here.
  28. Picturesque pic, however, lacks even a penalty kick's worth of tension and is paradoxically inert for a movie about guys running up and down the pitch for the glory of the U.S.
  29. Intermittently amusing.
  30. Too often depends on salty, adolescent one-liners that provide shock value guffaws but grow cumulatively wearisome.

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