Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
    • 41 Metascore
    • 50 Critic Score
    This yahoos-on-the-bayou farce is neither inventive nor outrageous enough.
  1. Any buyer who's had success with Troma fare in the past will find the makings to delight the self-selecting audience that generates grosses from gross-out humor.
  2. An unbeatable cast lends satisfying emotional texture.
  3. An involving, often kinetic 2½-hour ride for auds who can accept their entertainment overboiled as well as just hardboiled.
  4. A fantastical romp with a buoyant pace, exotic locations, a finger-popping score, appealing leads and spicy cooking demonstrations.
  5. As a spy pic, it has more pizzazz than the last few Bond adventures, "The Sum of All Fears" or "The Recruit."
  6. Te laughs "Fockers" generates are the type you feel embarrassed about almost immediately afterward.
  7. Too deliberately eccentric to attain quite the level of wigginess it aspires to, Jesus Henry Christ does feature some standout performances and a refreshingly unconventional approach to telling its slight story.
  8. Sure, Moonfall is all kinds of stupid, but it’s a heckuva lot funnier than Adam McKay’s all-star satire. I had a blast, and would gladly saddle up for a second viewing.
  9. For Aja, who has demonstrated an appetite for truly twisted material in the past, it all adds up to a disappointingly tame outing.
  10. Soapy melodrama and a small-screen cast undermine the first-time director's efforts.
  11. A near-claustrophobic comedy that manages to be both predictable and preachy. Solid actors in supporting roles offer minor redemption.
  12. A North Korean terrorist may be responsible for taking the president hostage, but it’s Bulgarian-made CGI that does the most damage in Antoine Fuqua’s intense, ugly, White-House-under-siege actioner Olympus Has Fallen.
  13. As diverting as this action-packed caper often is, it feels not just weightless but emotionally and morally stunted whenever it veers into grown-up dramatic territory.
  14. The acting is so emotionally unhinged and erratic it borders on camp, diluting any suspense.
    • 41 Metascore
    • 10 Critic Score
    Tedious and tasteless in equal measure, the lazy horror parody Hell Baby gives grossout comedy a bad name.
  15. The script’s autobiographical roots tend to substitute for a well-constructed dramatic throughline, giving the film an open-endedness that feels more dismissive than ambivalent.
  16. This isn’t a dull film, but it lacks personality as well as originality.
  17. An uneven dramedy from U.K. commercials helmer Simon Hunter, working from a screenplay by Elizabeth O’Halloran that has a big problem in tone and beaucoup clichéd contrivance.
    • 41 Metascore
    • 40 Critic Score
    Hyams’ lensing and Philip Harrison’s production design are slick, and Peter E. Berger’s editing works hard to simulate the zapping effect of cable remote control, but technical cleverness can’t overcome the deadly lack of intellectual invention on display in this mechanical exercise.
    • 41 Metascore
    • 70 Critic Score
    Though the setup is largely preposterous, the filmmakers go whole-hog for the idea and provide a kinetic entertainment.
  18. Played flatly head-on with some poetic pretensions, the concept never becomes particularly credible or appealing.
  19. An ultra-arty "The Sixth Sense" that deliberately inhibits comprehension of the story until the very end -- and arguably continues to inhibit it even then -- pic features certifiably talented people on both sides of the camera collaborating on a project that probably shouldn't have been undertaken in the first place.
  20. There’s much about Stage Mother that’s slightly stale, but like yesterday’s donut, the icing on top makes it both look inviting and go down easily enough.
  21. Effervescent performances from an ebullient ensemble make Finding You a palatable and compelling female coming-of-age tale.
  22. An efficiently formulaic shocker.
  23. Being Frank isn’t very amusing, which normally would be the most damning thing one might say about an ostensible comedy. But that really isn’t the worst thing about it. There is something ineffably creepy about this contrived and mirthless farce.
  24. With intermittently amusing glee, writer-director Ryan Shiraki's tyro film, Freshman Orientation, frolics through the political minefields of a typical college campus.
  25. Pic maintains a likable, breezy tone throughout but looks increasingly threadbare of real inspiration or originality as it proceeds.
  26. Outrageously grungy and whacked-out walk on the wild side.

Top Trailers