Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. Unfortunately, the new pic never really achieves maximum velocity as a full-throttle action-adventure opus, despite game efforts by returning star Milla Jovovich, still a lithe and lethal dynamo when it comes to butt-kicking, zombie-slicing derring-do.
  2. Veering between buddy movie and action-thriller, Stand Up Guys is a mildly raunchy, modestly entertaining geriatric comedy.
    • 41 Metascore
    • 40 Critic Score
    Although it's notoriously difficult to play a romance involving one partner's disability or illness without resorting to sentimentality, Kilmer acquits himself admirably.
  3. A ruthlessly clever yarn about small fries vs. big biz, this winning comedy serves up a hearty helping of fun and wholesome values that will ring up appetizing sales at the box office.
  4. Picture may not be Scots helmer David Mackenzie's best effort, but it's easily his most lighthearted, a cheery trifle that reps a contrast to his recent pictures, the apocalyptic "Perfect Sense" and U.S.-set comic misfire "Spread."
  5. Apart from casting (which is just OK here, as Wilson resorts a bit too much to shtick, while Arquette reaches for sincerity), regionally- and period-specific details are the ingredient that make otherwise-interchangeable stories like this appealing.
  6. Such predictable pap is generally better suited for romance novels or Lifetime movies. Here, it's elevated somewhat by a decent cast.
  7. Indian helmer Siddique delivers a middling melange of action, romance, music and slapstick in his hotly anticipated Hindi version of "Bodyguard."
  8. Although not entirely successful, this intriguing, above-average genre effort still reps an ambitious and resourceful debut for helmer/co-writer Scott Schirmer.
    • 41 Metascore
    • 40 Critic Score
    Director John Frankenheimer has made a frightening monster movie that people could laugh at for generations to come, complete with your basic big scary thing, cardboard characters and a story so stupid it's irresistible.
  9. Writer-director Craig Ross Jr. offers both rigorously effective dramatic sections and terribly pedantic and melodramatic strokes of overkill.
  10. Lacking the kind of fire and energy that the best youth movies demand, leads Ash and Russell display skills better tuned to the small screen.
    • 41 Metascore
    • 50 Critic Score
    Hellraiser II is a maggotty carnival of mayhem, mutation and dismemberment, awash in blood and recommended only for those who thrive on such junk.
  11. Part serial-killer thriller, part old-school anti-Soviet propaganda, Child 44 plays like a curious relic of an earlier Cold War mindset, when Western audiences took comfort that they were living on the right side of the Iron Curtain, and relied on movies to remind them as much.
  12. It unfolds, more or less, in real time, which gives it an existential comedy-of-suspense element that trumps the usual Styrofoam rom-com plotting. The classical music playing in the background doesn’t make the film stodgy; it creates a sustained operatic flow. And the actors are simply terrific.
  13. Comes off as lame and unfocused as its draggy dramatis personae.
  14. A lazy and listless buddy-cop action-comedy that fades from memory as quickly as its generic title.
  15. The screenplay, however, denies the film a solid foundation. Jumanji is diverting in a splashy , eye-catching manner, but is about as substantive and durable as filigree.
  16. There's more genuine humor to be gleaned from saying "Woodcock" over and over again than from watching Mr. Woodcock, a wan comic effort barely elevated a few notches by Billy Bob Thornton's passive-aggressive villainy.
  17. A frenetic but undeniably funny follow-up that offers twice the number of singing-and-dancing rodents in another seamless blend of CGI and live-action elements.
  18. The screenplay by Chris Dowling and Tyler Poelle is, at best, predictable pulp with a smidgen of religion. Indeed, the characters are so thinly written that they are defined entirely by the actors portraying them. But director Ben Smallbone (brother of the movie’s lead player) is adept at generating suspense.
    • 41 Metascore
    • 50 Critic Score
    Director Sidney J. Furie fills in the rest with breakneck action and some dandy dogfights. Much of the dialog is simply laughable.
    • 41 Metascore
    • 50 Critic Score
    An apt follow-up to the two Matthew Shepard-themed movies that aired on TV in 2002.
  19. The writer-director has overcome his tendency to weave florid plots that quickly run out of steam, here forging a coherent narrative that’s strong on physical and emotional drive.
    • 41 Metascore
    • 50 Critic Score
    Michael Ritchie’s direction lacks his usual bite and eye for detail. There is nothing spontaneous about the action and football footage is also surprisingly dull.
  20. Tom Clancy’s Without Remorse is a lively formulaic action-hero origin story, dunked in combat grunge, that demonstrates how a resourceful lead actor can bend and heighten the meaning of a commercial thriller.
  21. The movie manages to be rigorously muddled despite not being all that complicated. Maybe that’s because the tales it tells are parallel in such a sodden way. It feels like they’re competing to underwhelm you.
  22. Shovels enough dirt on the Tea Party guru and self-described hockey mom to satisfy her haters, but lacks sufficient humor and insight to make it a must-see for anyone outside the Brit muckraker's fan base.
  23. Neatly avoiding temptations toward mawkish excess, writer-director Chris Dowling hits a solid double with Where Hope Grows, his intelligently affecting faith-based drama.
  24. It’s Looks 10, Personality 4, however, as director Andrew Desmond and collaborator Arthur Morin’s screenplay doesn’t quite provide enough incident to properly milk its own premise, making for a supernatural thriller that ends just as it’s beginning to work up a sweat.

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