Variety's Scores

For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17771 movie reviews
  1. A woefully under-realized story of small-time boxers enjoying perhaps their last moment in the spotlight.
  2. Taymor makes the action clear and easy to follow with her bold physicalization of the story and forceful direction of an astutely chosen cast.
  3. One of the holiday movie season's more pleasant surprises. A mischievously clever and slickly commercial sci-fi comedy.
  4. Performances are aces top to bottom
  5. Impeccably crafted but dramatically dull.
  6. Artfully evokes the physical realities of Irish poverty, but mostly misses the humor, lyricism and emotional charge of Frank McCourt's magical and magnificent memoir
  7. (Stone's) most accessible and purely enjoyable film in years.
  8. Never comes close to making the case that its subject is worthy of the viewer's interest.
  9. A solid central performance by Winona Ryder and a captivating wild turn by Angelina Jolie in the yarn's flashiest role.
  10. A string of striking set pieces hung on a dramatically shaky clothesline.
  11. Columbus' approach is intended to cloak such topics as mortality and human identity in the warm glow of greeting card sentiment, which renders the prescription palatable for mass consumption but hopelessly diluted.
  12. An unbeatable cast lends satisfying emotional texture.
    • 61 Metascore
    • 60 Critic Score
    Given what a tricky proposition it is to adapt a classic children's book for the screen, this take on E.B. White's Stuart Little does a more-than-passable job of resurrecting the story for a new generation.
  13. This beautifully crafted and lively romp around the 1880s stage world should enjoy its longest life as a vid classic.
  14. Her (Foster's) performance is contained in a schmaltzy, ultra-elaborate, overly long production.
  15. A remarkably inventive and audacious film that almost overcomes its flaws.
  16. A touching, old-fashioned charmer that ultimately satisfies.
  17. Succeeds far more often than not in delivering a credible, kaleidoscopic portrait of creative, and often famous, individuals.
  18. Koepp does a masterful job of grounding his intimations of the supernatural in a totally persuasive down-to-earth context.
  19. An intermittently powerful and meticulously crafted drama that falls short of its full potential due to considerable over-length and some shopworn, simplistic notions at its center.
  20. A sign that the Sandler comedy empire is expanding and reaching new depths of pure gross-out stupidity.
  21. Though it moves more slowly than the tortoise prominently featured in one sequence, Clouds of May is the kind of film that creeps up on the patient viewer.
  22. Original in every sense.
  23. A faithful adaptation that captures the haunting spirit and religious nature of the 1951 novel.
  24. The almost wall-to-wall music is glorious, with solo guitarist Howard Alden doing a sock job. Penn, incidentally, utterly convinces in the scenes in which he's seen "playing" the guitar.
  25. Schumacher takes a step in the right direction with Flawless, a small-scale, intimate serio-comedy.
    • 75 Metascore
    • 80 Critic Score
    Has what it takes to becomes the year's first heartfelt sleeper.
  26. It's good to see Schwarzenegger doing his thing again after what, for him, was a long sabbatical.
  27. Lee has made a brutal but sensitively observed film about the fringes of the Civil War.
  28. Toy Story 2 is to "Toy Story" what "The Empire Strikes Back" was to its predecessor, a richer, more satisfying film in every respect.

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