For 17,765 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,125 out of 17765
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Mixed: 7,004 out of 17765
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Negative: 1,636 out of 17765
17765
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Likely lack of much critical enthusiasm or positive word-of-mouth will induce quick theatrical falloff, with better news likely down the line for rental merchants.- Variety
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Reviewed by
Todd McCarthy
The gambits in Ghost Dog seem simply like literary and cinematic games devoid of any larger meaning.- Variety
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Reviewed by
Todd McCarthy
A white-trash black comedy, a caustic working-class whodunit in which the solution to the murder mystery takes a distant back seat to countless barbs and jibes tossed in the direction of the mostly imbecilic cast of characters.- Variety
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Reviewed by
Todd McCarthy
Good for a few lascivious titters but quite lacking in the sort of comic bite and social satire one hopes for in the work of Mike Nichols.- Variety
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Reviewed by
Joe Leydon
Exuberantly rude and crude, but generally more frantic than genuinely funny.- Variety
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Reviewed by
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- Variety
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Reviewed by
Todd McCarthy
With a far-fetched script that might barely have passed muster at the B units in the old studio days, this Dimension release will command a certain up-front attention due to cast topliners.- Variety
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Reviewed by
Todd McCarthy
Another tale of out-of-it working-class men cooking up a harebrained scheme to improve their lot in life.- Variety
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Reviewed by
Emanuel Levy
Massively inventive, Wonder Boys is spiked with fresh, perverse humor that flows naturally from the straight-faced playing.- Variety
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Reviewed by
Emanuel Levy
Begins extremely well as a saga of greed and conspicuous consumption, but gradually loses its bite.- Variety
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Reviewed by
Emanuel Levy
A shamelessly sappy family meller that bears the schmaltzy sensibility of Nora Ephron.- Variety
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Reviewed by
Todd McCarthy
A crudely funny farce that covers no new ground but sees its talented players running some surefire plays.- Variety
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- Variety
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Reviewed by
Todd McCarthy
By far the least ambitious, and certainly the least interesting, animated feature to come out of Disney in quite some time.- Variety
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Reviewed by
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- Variety
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- Variety
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Reviewed by
Joe Leydon
A crafty and well-crafted wrap-up that really does bring a satisfying sense of closure to the franchise.- Variety
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Reviewed by
Deborah Young
A mixed-genre detective pic, thriller and love story that shifts gears too often and doesn't know when to end.- Variety
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Reviewed by
Robert Koehler
Lame stuntwork and subdued thrills indicate not just a low-budgeter, but a blindness to what target aud demands.- Variety
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Emanuel Levy
Isn't even unintentionally funny enough to qualify as guilty pleasure a la "Valley of the Dolls."- Variety
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Reviewed by
Todd McCarthy
A collection of five femme-oriented vignettes that are not intricately linked dramatically but overlap characters, this observant, emotionally acute drama is distinguished by a pronounced poetic sensibility.- Variety
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Reviewed by
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- Critic Score
Something oddly appealing about this mushy romantic tale, but first-time feature writer-director Kris Isacsson doesn't have the skills to raise it far above its formulaic foundation.- Variety
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Reviewed by
Robert Koehler
More interested in finding fresh ways to stage execution scenes than in finding meaning behind the human urge for self-appointed righting of wrongs, (the film) is stuffed with effects that have no lasting impact.- Variety
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Reviewed by
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- Variety
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- Variety
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Reviewed by
Joe Leydon
A few good laughs but few surprises in Next Friday, an amiably unfocused sequel.- Variety
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Reviewed by
Todd McCarthy
Like a light buffet of tasty morsels rather than a full and satisfying meal; all the episodes are more or less agreeable, but as a whole it lacks a knockout punch, one dynamite sequence that will galvanize viewers.- Variety
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Reviewed by
Emanuel Levy
In what's easily his most zealous and fully realized performance since "Malcolm X," Washington elevates the earnest, occasionally simplistic narrative to the level of a genuinely touching moral expose.- Variety
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Reviewed by
Robert Koehler
A woefully under-realized story of small-time boxers enjoying perhaps their last moment in the spotlight.- Variety
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Reviewed by
Todd McCarthy
Taymor makes the action clear and easy to follow with her bold physicalization of the story and forceful direction of an astutely chosen cast.- Variety
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Reviewed by