Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. Too often caught between trying to be a sweeping period drama and intimate love story at the same time, with a script that's never fully satisfying on either count.
  2. Rates a notch below the KISS-centric "Detroit Rock City" and a couple above Jerry Springer's "Ringmaster" -- in other words, closer to stupid-fun than stupid-toxic.
  3. May hold some appeal for Latino auds in the Southwest but will fold after a couple of rounds in the big arena.
  4. A strained and pallid concoction that won't fire the collective imaginations of modern children.
    • 24 Metascore
    • 20 Critic Score
    A silly, hackneyed college suspenser put across with all the contrived banality of a bad '70s TV movie.
  5. Trenchantly witty and acutely insightful.
  6. Young teen girls will flock to pic in droves, dragging their boyfriends or other girlfriends.
  7. Makes little impression and is sure to leave few memories for a teen.
  8. Snappy and unusually funny under fundamentally serious circumstances, without being contrived or sitcomy.
  9. Generates a respectable amount of suspense and takes a few unexpected turns while covering familiar territory.
  10. A gently and genuinely observed film whose subject is a garish, artificial display of mayhem.
  11. Brit filmmaker Sue Clayton's muddled feature bow is full of intriguing ideas and incidental charms that fail to come together into a cohesive whole.
  12. In outer space, no one can hear you scream -- of boredom.
  13. This is really a shaggy devil story whose giddy, ironic tone may throw viewers expecting a scary movie.
  14. Likely lack of much critical enthusiasm or positive word-of-mouth will induce quick theatrical falloff, with better news likely down the line for rental merchants.
  15. The gambits in Ghost Dog seem simply like literary and cinematic games devoid of any larger meaning.
  16. A white-trash black comedy, a caustic working-class whodunit in which the solution to the murder mystery takes a distant back seat to countless barbs and jibes tossed in the direction of the mostly imbecilic cast of characters.
  17. Good for a few lascivious titters but quite lacking in the sort of comic bite and social satire one hopes for in the work of Mike Nichols.
  18. Exuberantly rude and crude, but generally more frantic than genuinely funny.
  19. Numerous lovely, quirky moments.
  20. With a far-fetched script that might barely have passed muster at the B units in the old studio days, this Dimension release will command a certain up-front attention due to cast topliners.
  21. Another tale of out-of-it working-class men cooking up a harebrained scheme to improve their lot in life.
  22. Massively inventive, Wonder Boys is spiked with fresh, perverse humor that flows naturally from the straight-faced playing.
  23. Begins extremely well as a saga of greed and conspicuous consumption, but gradually loses its bite.
  24. A shamelessly sappy family meller that bears the schmaltzy sensibility of Nora Ephron.
  25. A crudely funny farce that covers no new ground but sees its talented players running some surefire plays.
  26. Mildly scary but not particularly engaging on any other level.
  27. By far the least ambitious, and certainly the least interesting, animated feature to come out of Disney in quite some time.
  28. Visually resplendent but dramatically uneven.
  29. A textbook case in which the parts are greater than the whole.

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