Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. Eminently stylish, visually striking romantic thriller.
  2. Even more family-friendly than its immensely popular predecessor.
  3. The balance between feeling and distance is never a contradiction here but, rather, the dynamic that makes this film an especially humanistic entry in the Maysles canon.
  4. A gritty and gratifying cheap thrill, Rob Cohen's high-octane hot-car meller is a true rarity these days, a really good exploitationer, the sort of thing that would rule at drive-ins if they still existed.
  5. Provides an intriguing, well-assembled snapshot of kids in the year 2000, bringing the portraits to an appealing conclusion by briefly revisiting each subject at the prom, graduation and then in sweet on-camera farewells.
  6. A breezy, good-humored love letter to the city itself.
  7. Before the music takes over, the film inserts a few bits of charm, such as Emmylou Harris excitedly following the latest Major League Baseball scores.
  8. Unspectacular but quietly absorbing.
  9. Unfolds at a leisurely but enjoyable pace, its dramatic contrivances never pushed too hard.
  10. Has the distinction of being a major motion picture that's far less imaginative, and quite a bit more stupid, than the interactive game it's based on.
  11. A romantic comedy that treads familiar "Green Card" terrain with considerable charm if no great style or originality.
  12. Often enjoyable, massively uneven Brit ganglander with an almost surreal approach to the genre.
    • 42 Metascore
    • 70 Critic Score
    Smarter and more appealing than many other recent romantic comedies.
  13. Recycles familiar adventure and cartoon devices with minimal wit and flair, and the lack of imagination will seem all the more dramatic to audiences in comparison to the winningly sophisticated "Shrek."
  14. A consistently amusing action romp.
  15. An odd case of filmmaking with a crystal-clear subject but no guiding dramatic premise.
  16. Too familiar in its basic trajectory to be fresh or compelling.
  17. Pic's busy direction and bright performances partly compensate for a script that goes in too many directions at the same time.
  18. Ochsenknecht and Wohler are a strong double act, displaying exemplary comic timing and making the brothers a problem-plagued but likable pair.
  19. A half-absorbing, half-ridiculous techno-thriller that often goes too far in search of audience-rousing effects.
  20. Confronts an incendiary topic head-on with grace, style, compassion and exquisitely practical wit.
  21. This hard-core pic is a half-baked, punk-inflected porn odyssey masquerading as a movie worth seeing and talking about.
  22. A sweethearted trifle.
  23. The star in this case is Martin Lawrence, who is not only thoroughly upstaged by nemesis Danny DeVito but is completely boxed out of his comfort zone for broad physical comedy.
  24. While the slender idea feels stretched at feature length and fails to brings its themes of societal chaos together in a fully cohesive way, the film is fresh and lively enough to score further festival bookings, particularly at events devoted to new talent.
  25. Sally Potter, who leapt to critical attention with her 1992 adaptation of Virginia Woolf's "Orlando" -- makes a serious misstep with The Man Who Cried.
  26. Takes the simplest of stories and weaves a seductive, extremely moving portrait of a young woman’s unshakable love.
  27. Just compare their superficiality to the complex characters in "From Here to Eternity" and what's missing here becomes terribly clear.
  28. Boasts engaging characters, inventive situations and a series of satisfying punchlines that will send viewers out with a smile.
  29. Technically raw, and amusing only in hit-and-miss fashion, the no-budget independent production recalls too many other entries about erudite young adults wrestling with questions of love and sex.

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