Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
    • 71 Metascore
    • 90 Critic Score
    Meticulously detailed thriller.
  1. Dramatically naive at times, but still represents a refreshingly ambitious, imaginative film in a period of creative underachievement for African cinema.
  2. As computer game-derived features go, it sure beats "Lara Croft: Tomb Raider."
  3. Building blocks of tale are not new, but there's an appealingly rough-hewn and convincing tone to the proceedings.
  4. Slick, straight-ahead action-thriller that marks a small step back and two bounding leaps forward for toplined Jet Li.
  5. All the dramatic stops are pulled out as the script goes into serious literary overload.
  6. Hopkins delivers a genuinely charming example through the generosity and affection with which he treats his characters, a racially and culturally mixed bunch that could have seemed schematic and forced.
  7. This comically intended battle of the species is family entertainment for families that will buy anything.
  8. Technically and comedically strained by the demands of its special effects-filled haunted house setting. Worse, the need to top the first pic's outlandish stunts is ghoulishly unfulfilled and terribly ironic.
  9. A clever premise that's good for many laughs.
  10. Never quite dull, neither does it ever find a viable rhythm, narrative arc or crux of emotional engagement.
  11. Adequately entertaining but not particularly memorable.
    • 79 Metascore
    • 80 Critic Score
    Sting, as the weekend super-Mod whose image collapses when he's revealed to work as a bellhop, cuts a slick dash in the dancehall sequences.
  12. Has the distinction of being one of the most amateurish features ever released by a major studio.
  13. The significant potential of its premise is squandered by an increasing reliance on teen movie cliches, silly plotting and the urge to be upbeat rather than to communicate life lessons.
  14. This is not "E.T.," nor is it a kid's film nor even necessarily a major mass-audience film, although Spielberg's name, high public anticipation and the child-oriented campaign will make it perform like one.
  15. The elusive, quicksilver nature of young love is often reduced to crude simplicities by the movies, but director Sebastien Lifshitz and writing partner Stephane Bouquet have observed it with a superb balance of aesthetics and insight in Come Undone.
  16. An impassioned, at times thrilling re-creation of the birth of the country that became Zaire and is now known as Congo again.
  17. Can be taken to task for its overt point-making, lackluster style and some late-on dramatic contrivances seemingly dragged in to provide a little violence.
  18. Eminently stylish, visually striking romantic thriller.
  19. Even more family-friendly than its immensely popular predecessor.
  20. The balance between feeling and distance is never a contradiction here but, rather, the dynamic that makes this film an especially humanistic entry in the Maysles canon.
  21. A gritty and gratifying cheap thrill, Rob Cohen's high-octane hot-car meller is a true rarity these days, a really good exploitationer, the sort of thing that would rule at drive-ins if they still existed.
  22. Provides an intriguing, well-assembled snapshot of kids in the year 2000, bringing the portraits to an appealing conclusion by briefly revisiting each subject at the prom, graduation and then in sweet on-camera farewells.
  23. A breezy, good-humored love letter to the city itself.
  24. Before the music takes over, the film inserts a few bits of charm, such as Emmylou Harris excitedly following the latest Major League Baseball scores.
  25. Unspectacular but quietly absorbing.
  26. Unfolds at a leisurely but enjoyable pace, its dramatic contrivances never pushed too hard.
  27. Has the distinction of being a major motion picture that's far less imaginative, and quite a bit more stupid, than the interactive game it's based on.
  28. A romantic comedy that treads familiar "Green Card" terrain with considerable charm if no great style or originality.

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