Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Little more than an overworked exercise in jostling red herrings, and not particularly fresh herrings at that.
  2. A luxuriously old-fashioned star vehicle custom-fit to its topliner's strengths, which come across to sensational effect.
  3. The most extensive interplay of live action and animation since "Who Framed Roger Rabbit?"
  4. Taking film noir material and turning it inside out visually and morally, The Deep End is an absorbing, beautifully made melodrama that succeeds on formal levels more than it does with suspense or emotion.
  5. Ferrara has made a film that's always visually arresting, but one that lacks emotional and dramatic sense -- a recurrent weakness in his work.
  6. Lavish and florid, the corny venture falls into so-bad-it's-good territory.
  7. A funny and original film set in a future when communications are even more refined than they are now.
    • 60 Metascore
    • 60 Critic Score
    A celebration of traditional, detailed filmmaking.
  8. Exudes a pre-fab quality.
  9. Superior sequel, which is the very model of the limber, transnational Hollywood action comedy.
  10. If the original Apocalypse Now was a narrow, swiftly flowing river that gradually closed in on the patrol boat carrying Captain Willard into the heart of darkness, Apocalypse Now Redux is a wide river of greater depth, more variable currents and some fascinating new ports of call.
  11. This shameless knockoff marches lock-stepped through moves that were already looking as tired as the Macarena.
  12. Builds and sustains considerable interest through its unexpected characterizations, unusual milieu and atmospheric style.
  13. Brings nothing new to the table, and spends far too long making the audience think it will.
    • 80 Metascore
    • 50 Critic Score
    Lacks the suspense, characterization and deft direction of the predecessor "Rififi."
  14. Largely listless and witless, this extensive reworking of the 1968 sci-fi favorite simply isn't very exciting or imaginative; most surprisingly, given the material, it's also Burton's most conventional and literal-minded film, the one most lacking in his trademark poetic weirdness and bracing flights of fancy.
  15. The three principal actors fit their roles like gloves, and the handsome camerawork (by Liao Peng-jung) is a major asset. There's no music, just natural sounds on the track. Except for a shot in which the microphone boom is clearly visible, the film is highly professional in every aspect.
  16. Nearly half over before it finds a consistent groove, let alone a decent hit-to-miss joke ratio.
  17. A candidate for quiet cult status.
  18. A funny, touching, off-the-wall relationer that's one of the freshest helming debuts in world cinema this year.
  19. Begins as a smartly promising, gently farcical comedy of manners and ends as sourly and haphazardly as the lives it is poking fun at.
  20. The mix feels flat and the story remains a fairly banal account of underworld exploits whose emotional gears never fully engage.
  21. Despite some imaginative packaging too often proves a drag in more than the sartorial sense. Taking Mitchell's sketchy book far too seriously, the movie grows leaden between its terrific songs.
  22. By sharp turns poignant, disturbing and hysterically funny.
  23. Game ride that makes the two previous installments look like models of classic filmmaking.
    • 54 Metascore
    • 80 Critic Score
    Extraordinary real-life snapshot of hip, arty, clubland Manhattan in the post-punk era.
  24. Fitfully amusing and two leads generate engaging chemistry.
  25. The mildly engaging silliness of its premise is never transformed into something more substantial, and the attempt at a fine-tuned "Clueless"-like tone is only sputteringly achieved.
    • 84 Metascore
    • 80 Critic Score
    A gem-like, almost hypnotic, tale of an older man's obsession with a young woman.
  26. By turns turgid, embarrassing and plain off-putting.

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