For 17,791 reviews, this publication has graded:
-
52% higher than the average critic
-
4% same as the average critic
-
44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
-
Positive: 9,139 out of 17791
-
Mixed: 7,015 out of 17791
-
Negative: 1,637 out of 17791
17791
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Joe Leydon
Just fast, frenetic and funny enough to amuse both new fans and longtime devotees of the characters who have inspired more than 30 years worth of animated TV episodes and made-for-video features.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
David Rooney
The film's chief shortcoming is perhaps its failure to convey a stronger, more atmospheric sense of the repressive 1970s Catholic school environment that breeds the titular boys' rebellion and wild flights of fancy.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
David Rooney
Not quite a documentary, it's more like a musical travelogue that doesn't quite sustain feature length and seems ideally suited to a shorter TV version for music webs.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Scott Foundas
Two superb, nervy and delicately nuanced performances by newcomers Clint Jordan and Kirsten Russell enliven and momentarily elevate writer-director Joe Maggio's Virgil Bliss above the familiar post-prison-drama cliches to which it so strenuously adheres.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Joe Leydon
It's almost impossible to enjoy this uneven but mostly exciting popcorn pic without flinching at a few plot elements that feel a bit too real for comfort.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
Achieves a certain poignancy through its sensitivity to mortality in a context where illness and death are often thought of primarily in terms of gossip, blown deals and lost money.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
Good performances and quirky humor make this slick if less than fully satisfying mix of romantic comedy and mystery an easy sit.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
As a rich, gum-chewing matron who tools around in her canary-yellow Rolls-Royce, Flanagan is the picture's real scene-stealer.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Nesselson
The first-ever screenplay written in the Inuit language, Inuktitut -- and the first time's a charm.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
While refraining from excess melodrama or overt preachiness, pic makes no secret of its dismay at this chapter in American history.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Director Phil Alden Robinson -- has done just about everything he can do to build a sleek, involving and -- for a few minutes -- terrifying movie that can get viewers past the young Ryan factor.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
A frequently inspired hit-and-miss burlesque that definitely hits more than it misses.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Todd McCarthy
Bisset throws herself into what is by far the most emotionally demanding role of her career and emerges honorably.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
Despite its occasional visual interest, avant-garde package is far from the accessible tortured-artist portrait helmer essayed 15 years ago in "Vincent." Even committed dance and experimental cinema fans are likely to find this rough sledding.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
Although closer in tone to "Office Space" than Herman Melville, Jonathan Parker's absurdist update of Bartleby is surprisingly faithful to the spirit, if not the letter, of the "Moby-Dick" author's 1853 novella about an under-achieving Wall Street copy clerk.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
Roman Coppola's first film has sympathetic aims but is distressingly lacking in flair, style, wit or fun.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
David Stratton
This intelligent, engaging indie sets out to find a few answers and in the process introduces a clutch of interesting, very human characters.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
Saddled with a sentimentally "sincere" subject and lacking the stylistic and humorous cachet of the recent computer-animated smashes.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
The latest model in the recent spate of underwhelming female star vehicles, Enough, a thriller detailing how a good wife gets back at an evil, possessive husband, is never provocative enough to generate strong emotional response.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
Gripping, highly dramatic thriller that more than confirms the distinctive talent of young Brit helmer Christopher Nolan.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Holland
A gripping, superbly constructed indictment of the way governments contribute to the destruction of their citizens' lives.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
A comedy in the last century and a drama in the new one. At least, that's the dumbfounding impression left by writer-director Oliver Parker's utterly miscalculated film adaptation of Wilde's play.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Todd McCarthy
Those who see it at fests, and in carefully tailored specialized release, will be struck by the adroitness with which it addresses touchy issues, as well as by the outstanding performance of Ryan Gosling in the difficult leading role.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Elley
Pleasant and engaging, rather than laugh-out-loud funny or emotionally involving.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
George Lucas has reached deep into the trove of his self-generated mythological world to produce a grand entertainment that offers a satisfying balance among the series' epic, narrative, technological and emotional qualities.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Scott Foundas
Matthew Barney delivers his masterpiece in Cremaster 3, unquestionably the 35-year-old sculptor-performance artist-filmmaker's most linear, most narratively inclined work to date.- Variety
- Read full review
-
Reviewed by