Variety's Scores

For 17,831 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17831 movie reviews
  1. A fitfully creepy, overly protracted chiller that plays more like a noncommittal sampler of horror techniques than the vivid nightmare it's clearly aiming for.
  2. It’s the robots — endowed here with character-rich physicality and almost human-scaled facial features — who give the film its emotional heft.
    • 54 Metascore
    • 50 Critic Score
    Parochial paranoia dovetails with adolescent angst in the glossy sci-fi coming-of-ager Tomorrow When the War Began.
  3. This unabashedly derivative, vaguely post-apocalyptic riff on well-worn '80s-movie tropes plays its boilerplate premise with endearing earnestness, but runs thin in no time.
  4. With Identity Thief, Melissa McCarthy proves she's got what it takes to carry a feature, however meager the underlying material.
  5. Much more amusing in theory than in execution.
  6. This handsomely produced but ponderously uplifting trifle should be flagged for excessive schmaltz and offensive illogic.
  7. Remains as tame in its presentation as its target audience would expect. Students drink beers on occasion, but no one is shown having sex, taking mind-altering substances or using language that would jeopardize a PG-13 rating. On the plus side, the film also abstains from any overt message-mongering.
    • 41 Metascore
    • 50 Critic Score
    It meanders about as much as its eponymous pooch.
  8. Though stylistically incoherent at times, picture benefits from the percussionist's plainspokenness.
  9. While it starts out well, Bobcat Goldthwait's black comedy struggles to maintain focus as it turns into a road trip of diminishing rewards in satirical and narrative terms.
  10. Scattered stretches of suspense and a few undeniably potent shocks are not enough to dissipate the sense of deja vu that prevails throughout Chernobyl Diaries, a wearyingly predictable thriller about "extreme tourists."
  11. If Benicio del Toro designed Hallmark cards, or if "Lady and the Tramp" were lesbians, they'd have a lot in common with Jack & Diane, a well-constructed, well-intentioned but too deliberate attempt to provoke the unprovokable.
  12. Reacher is a brawny action figure whose exploits would have been a good fit for the likes of Arnold Schwarzenegger or Sylvester Stallone back in the day, but feel less fun when delegated to a leading man like Tom Cruise. The star is too charismatic to play someone so cold-blooded, and his fans likely won't appreciate the stretch.
  13. Alex Rotaru's very busy documentary focuses more on the kids' stories than on their work; considering how sensational some of them are, it's probably a strategic advantage.
  14. Editor-turned-writer-helmer Aaron Rottinghaus has a keen eye, but doles out the details of this mystery at such a dysfunctional pace, it's difficult to get engaged.
  15. Solidly acted but aloof and slow as molasses.
  16. It's hard not to be moved by the words of love, gratitude and resilience spoken by earthquake/tsunami survivors and volunteers in Pray for Japan. But well-meaning platitudes go only so far in this sincerely felt, raggedly structured compilation of footage.
  17. A literary film that stands to work best for those who don't read, The Words is a slick, superficially clever compendium of stories about authors of uncertain talent and varying success.
  18. Loaded with history, interviews, hole-cam drama and some rather grand digressions, Douglas Tirola's picture seems a bit late for the poker craze, and at any rate will be preaching largely to the converted.
  19. Although Dyer's sophomore feature clearly intends to capture the magical otherness of a child's p.o.v., nothing in her strangely aloof mise-en-scene or her late sister Gretchen's script yields anything more than a group of well-thesped, believable suburban kids upset by their parents' behavior.
  20. Junichi Suzuki's documentary ratchets up the sentiment when a cooler touch would have sufficed.
  21. An unnerving home-invasion thriller, In Their Skin has narrative bones we've certainly seen before, bearing perhaps the closest resemblance to Michael Haneke's two versions of "Funny Games." Nonetheless, the same simple premise achieves full creepy impact here without succumbing to cheap genre thrills or cool arthouse abstraction.
  22. Uncertain of tone, and bearing visible scarring from what one imagines were multiple rewrites, the film fails to probe the psychology of its subject or set up a satisfying alternate history, but it sure is nice to look at for 97 minutes.
  23. Ready-to-order fan base certainly means exposure, but helmers Michael Tucker and Petra Epperlein aren't interested in glorifying the gore of ultimate fighting as much as revealing its heart.
  24. Though clearly besotted with Crane’s poetry, the writer-director-star never achieves full immersion in the man’s life or work; the sense is of people playing a very cerebral game of dress-up.
  25. The picture could provide modest amusement for indulgent viewers with a taste for tales of loquacious killers and not-so-innocent bystanders.
  26. A costumer that's well named for being pleasant and conventional but little more.
  27. 42
    A relentlessly formulaic biopic that succeeds at transforming one of the most compelling sports narratives of the 20th century into a home run of hagiography.
  28. Registers like a quaint display of local color.

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