For 17,831 reviews, this publication has graded:
-
52% higher than the average critic
-
4% same as the average critic
-
44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
-
Positive: 9,163 out of 17831
-
Mixed: 7,031 out of 17831
-
Negative: 1,637 out of 17831
17831
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Dennis Harvey
Dancy manages a few sly moments, and Everett is as ever a scene-stealer, if barely recognizable under a beard and altered features, and with a raspy voice. But the estimable Pryce and Jones are wasted, along with many other fine thesps, while Gyllenhaal works too gratingly hard in an already strained role.- Variety
- Posted May 12, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
Though conceptually intriguing, the mix of downward drug spiral with uphill struggle for good never really coalesces.- Variety
- Posted Sep 17, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Jordan Mintzer
Euro-financed production throws large chunks of change at a corporate espionage saga spanning several continents, yet most of the money seems to have landed in locations, with too little allocated to the script and stunt departments.- Variety
- Posted Nov 14, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Boyd van Hoeij
Again co-written by and co-starring writer-thesp Richard Debuisne, picture has some of the duo's trademark sharp dialogue but again fails to fully come together on a narrative level.- Variety
- Posted Aug 23, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
Chasing Madoff is a useful reminder that all is far from well with our financial institutions, which continue to lobby for less regulation rather than more. But the human element of the film is so weirdly distracting it often deflects from its primary target.- Variety
- Posted Aug 25, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Justin Chang
This handsomely mounted picture is, at nearly 2 1/2 hours, far too long and indigestible for a film whose protagonist spends most of her screen time under house arrest.- Variety
- Posted Nov 27, 2011
- Read full review
-
Reviewed by
-
- Critic Score
Well-mounted Chinese-Hong Kong martial-arts co-production Shaolin elevates enlightenment above brute strength, but weak helming undercuts the pic's punch.- Variety
- Posted Sep 6, 2011
- Read full review
-
-
Reviewed by
Leslie Felperin
Beautifully assembled, but emotionally inert despite its focus on bereavement and love's endurance, Russian art film Silent Souls reps at the very least a significant step up for its helmer, Aleksei Fedorchenko.- Variety
- Posted Sep 13, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
Watching Limelight, about the rise and politically engineered fall of onetime Manhattan nightclub kingpin Peter Gatien, is like looking through a family album: If you're in the family, you might be interested.- Variety
- Posted Sep 24, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
There's a potentially fascinating and appreciably more concise 60-minute documentary to be found somewhere amid the uneven and unfocused 88-minute hodgepodge that is Echotone.- Variety
- Posted Sep 6, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
Veering crazily in tone, Inside Out might fail to catapult its star into wider acceptability, but should delight fans of lightly absurd actioners.- Variety
- Posted Sep 9, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
It's an easy watch that nonetheless consistently feels like a grazing blow rather than a knockout.- Variety
- Posted Sep 6, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Elley
The picture sports a strong lead cast but is diminished by TV-style helming and production qualities.- Variety
- Posted Sep 13, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Andrew Barker
Step Up Revolution, the fourth entry in the venerable dance franchise, is a narrative failure but a triumph of sheer spectacle.- Variety
- Posted Jul 25, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
Campbell's career and influence encompass much wider fields of interest than are considered here, despite the picture's colorful surface. Narrowing its focus to the simplest inspirational gist, with zero insight into the man behind it, Finding Joe winds up seeming like an infomercial for a personal-growth program.- Variety
- Posted Oct 4, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
Dave Boyle's picture is fueled by no overriding visual style, relying completely on its actors' chemistry for momentum. Unfortunately, the two strike no sparks.- Variety
- Posted Sep 27, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
Tim Wolff's documentary is a diverting mix of colorful interviewees and footage from one such krewe's 40th anniversary ball, but it doesn't probe very deep.- Variety
- Posted Oct 4, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Debruge
Like one of those kitchen machines that can turn nearly any ingredient into ice cream, Lasse Hallstrom has sweetened the satire right out of Paul Torday's side-splitting political sendup Salmon Fishing in the Yemen.- Variety
- Posted Mar 4, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
The tale of a pickpocket's redemption through love, plus a vengeance-seeking cop and assorted betrayals, Loosies weakly channels Sam Fuller's "Pickup on South Street" but without the explosive action, iconic thesping and stylistic punch.- Variety
- Posted Jan 11, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
Much of the film is marked by a sense of dead air, owing to the fact that there's not a lot of story, but nevertheless, per Bollywood conventions, a lot of time to fill.- Variety
- Posted Oct 28, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Justin Chang
The outstanding big-wave footage proves more credible than the overfamiliar dramatics in Chasing Mavericks.- Variety
- Posted Oct 25, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Debruge
An epic showcase for mediocre CGI and slapdash screenwriting.- Variety
- Posted Aug 6, 2013
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Leiser flexes his animation muscles with a bewitching stop-motion technique, but it proves a poor fit with a scattershot storyline that includes quasi-interview and improv segments that never coalesce into a coherent whole.- Variety
- Posted Oct 26, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
Picture narrowly avoids outright bathos, thanks largely to first-rate perfs by its child thesps and by Ray Liotta. But by self-righteously rejecting facile solutions, then employing them anyway in the tradition of "no ending left behind," the result conforms to parents' old-fashioned notions of kid movies rather than demonstrating true kid appeal.- Variety
- Posted Oct 22, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Leslie Felperin
Although a massive hit at home, taking approximately $16 million at the wickets, this great-looking but tonally uneven pic won't jive with audiences quite so well anywhere else.- Variety
- Posted Oct 24, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
A potential menage a trois of terror is served up as rather weak tea in Retreat, which fails to make its alleged suspense, thrills or even its mist-enshrouded landscapes particularly plausible.- Variety
- Posted Oct 24, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Justin Chang
Competent but juiceless New York melodrama, an unpersuasive marriage of head-slamming action and middling civic intrigue that treats issues like gay rights and public housing as red herrings rather than actual talking points.- Variety
- Posted Jan 16, 2013
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
Buday's astrology-themed romantic comedy boasts a promising premise, convincing chemistry between its attractive leads and fine thesping by a defensively edgy Jena Malone. But the uneven script, repetitive tropes and over-indulgence of actorly bits slow the pace, tipping youthful casualness into complacency.- Variety
- Posted Nov 2, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Leslie Felperin
Taking liberties with journalist Neil McCormick's memoir to create narrative tension, screenwriters Simon Maxwell and prolific scribe team Dick Clement and Ian La Frenais ("The Commitments") overstuff the story with subplots and trite character arcs.- Variety
- Posted Nov 1, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Great for ADD-style viewing but not for advancing Iranian cinema's currently challenged profile.- Variety
- Posted Nov 8, 2011
- Read full review
-
Reviewed by