Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. An often lively comedy-drama that lands some nice jabs at the mega-corp ethos, In Good Company makes for pretty good company until going soft when it counts.
  2. fFat-footed and ham-handed in its attempt to reconstitute a popular '70s TV cartoon show as a full-length, family-skewing feature.
  3. Though pic boasts decent perfs, potent atmospherics and eye-catching visuals, both psychology and plot are bargain-basement.
  4. A stunningly crafted work from first-time feature director Nicole Kassell.
  5. Radiates a warm humanity and uplifts the spirit. Subtle rather than sentimental, it lacks easy tears though attentive viewers will find it lacerating enough.
  6. Documentarian Jessica Yu employs everything from animation and voiceover thesping to archival documents and eyewitness accounts while examining Henry Darger, a self-taught artist who has been posthumously lionized as a visionary genius.
  7. Sumptuous pic version, which evokes the original show while working as a movie in its own right, is lit by a radiant, vocally lustrous perf by teenaged Emmy Rossum.
  8. Te laughs "Fockers" generates are the type you feel embarrassed about almost immediately afterward.
  9. The genocide of some one million Rwandan Tutsis by their Hutu neighbors remains a disgraceful and too-little-known episode in recent world history. Alas, Terry George's ineffectual Hotel Rwanda only partly rectifies that problem, taking what ought to have been a complex, powerful inquiry and simplifying it to a story about the resilience of the human spirit.
  10. The film sways awkwardly back and forth between prickly humor and pathos, rarely ringing true in either register.
  11. Has a perverse fascination, despite some technical clumsiness and stiff thesping.
  12. It's raffish, flashy, energetic, entertaining and not very deep.
  13. Shows both how far Hollywood's tech departments have advanced in 40 years and how shallow the pool of solid action thesps has become.
  14. A dramatic triumph.
  15. Short on real drama and incident and long on tedium.
  16. An enormously entertaining slice of biographical drama, The Aviator flies like one of Howard Hughes' record-setting speed airplanes.
  17. Snicket's macabre tale of three newly orphaned siblings has been lavishly visualized. But for all its elaborate splendor, production pic lacks the feeling and imagination that have distinguished the best recent kidpics.
  18. Staying at the top of his game when most of his contemporaries have long since hung up their gloves, Clint Eastwood delivers another knockout punch with Million Dollar Baby.
  19. A meandering, semi-improvised tale of a terminal Gotham loser who works as Santa when he bombs as an actor.
  20. A film destined to divide Manoel de Oliveira's fans but also to win him new ones, A Talking Picture is his simplest, most linear story in memory.
  21. Despite an excessively meandering final act, the drama's three intertwined stories have a cumulative impact, their affecting sadness matched by meticulously composed visual poetry.
  22. This smooth inside job benefits from heightened bonhomie among the players, fab Euro locations and a diminished obligation to stick to the heist genre boilerplate.
  23. It manages to suspend disbelief without over-taxing the viewer's patience, and boasts at least one terrific performance, by actress Yeom Jeong-ah as a scary stepmom.
  24. The effect is often soporific.
  25. Signals a talented newcomer in writer-director John Simpson and boasts a gripping central performance from popular British comedian Lee Evans.
  26. The filmmakers seem split between doing it straight and gleefully ripping up the genre, and never make up their minds.
  27. Even if the film itself is relatively conventional, its exposure of a squalid city's most benighted neighborhood and its introduction of hope into nearly hopeless lives give it strong human interest value.
  28. Won't linger in the memory long, but gives pretty good action eye-candy while it's going.
  29. The tangled tale of love and disguise is awesome in its action sequences but doesn't touch the heart to the same degree.
    • 56 Metascore
    • 60 Critic Score
    Ferrario has fun with antique footage and exhibits from the museum, but there's a lack of urgency or sufficient charm to engage.

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