Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. Intermittently amusing.
  2. Combines scares and chuckles with good production values.
  3. Shady mood-piece profits greatly from enigmatic performance by Emmanuel Xeureb.
  4. Offers plenty of splat with its slapstick. But this strenuous zombie yukfest is no more sophisticated than its nail-on-head title -- making it a joke no smarter than the movies it riffs on.
  5. Though certainly not to everyone's tastes, this looney-tunes pic about a deranged serial killer who thinks he's helping Earth by killing off supposed aliens works on a variety of levels, from gruesome slapstick comedy through social critique to genuinely chilling Grand Guignol.
  6. Begins slavishly faithful to its low-key 1970s predecessor then sledgehammers auds with a numbing succession of shock edits and over-the-top horror effects.
  7. David Duchovny scores considerably higher as director than as screenwriter.
  8. A modestly amusing family-friendly comedy about a miniature car race that brings out the worst in overzealous fathers who compete with each other through their children.
  9. Colorful, sometimes endearing but highly uneven picture.
  10. Somewhat wacky tale, based on real events, is kept anchored in reality through attention to detail and by first-rate central perfs.
  11. Slickly entertaining documentary.
  12. Unconvincingly attempts to update the futurist dystopian traditions of Orwell, Huxley and William Gibson.
  13. Confusing lack of historical set-up considerably dims the potential luster of a great true story: Helmer Alberto Negrin relies instead on competently rendered but cliche-ridden melodrama of nasty Nazis and suffering Jews.
  14. Track record of helmer Barry Alexander Brown, and scads of clever writing from scripting producer Dan Harnden, should help this little gem find a home, although it is probably too intimate and original to win more than a cult following.
  15. Like the symmetrical word that supplies its title, the mordant comedy-drama recovers ground to become a boldly intriguing if not entirely satisfying subversion of American family values.
  16. Slicker, funnier and more professional than its predecessor, State Property 2, with Damon Dash at its helm tones down the original.
  17. 15 is Asian Kid Rebels 101. So predictable it could almost be a parody of the genre -- though that would require a sense of humor above and beyond the self-reflexive comedy on display here.
  18. Saddled with more industry/celebrity baggage than a high-class safari voyage, Sahara is a rousing and only occasionally ridiculous adventure yarn.
  19. The Farrelly brothers are growing up, which in this case isn't a bad thing. With a tacked-on ending made necessary by the Boston Red Sox's improbable World Series run last fall, Fever Pitch proves a charming romantic comedy against "A Beautiful Mind"-type framework.
  20. Devoid of genuine inspiration or involving character development.
  21. Rude, heavily contrived, pretty funny, just remotely connected to real-world youth life.
  22. Story of a still-grieving widower and his two troubled teenage sons is distinguished by its emotional integrity, sustained mood of aching melancholy and superbly understated performances.
  23. Well-meaning but dramatically lopsided tearjerker bogs down in generic teen angst and domestic squabbling.
  24. Repetitive and needlessly prolonged tale does build to an inspired final scene, but it's too little, too late.
  25. After a tedious start building up the boys' lives and friendship, feature bow by Elmar Fischer becomes deeply engrossing in its second half, as the viewer learns of the hero's anguish and doubts.
  26. More evident than ever the film is inherently a deeply flawed work that was far from fully realized in both script and shooting.
  27. What might have been a cinephile's wet dream turns out instead to be seductive, stimulating and sodden, in that order, in the three-chapter reflection on love and desire.
    • 32 Metascore
    • 70 Critic Score
    Dark, provocative and disturbing, the new film by Lukas Moodysson is definitely not for all tastes but solidifies his standing as the most interesting director working in Scandinavia today.
  28. A history of verse is laid alongside that of warfare, and the ways in which they are braided together proves fascinating.
    • 57 Metascore
    • 60 Critic Score
    While engaging, pic eventually betrays itself as having a trivial attitude to its chosen subject, with a climactic scene that is genuinely, but inappropriately, amusing.

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