Variety's Scores

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For 17,840 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,167 out of 17840
  2. Mixed: 7,035 out of 17840
  3. Negative: 1,638 out of 17840
17840 movie reviews
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  1. Whitney Houston: I Wanna Dance With Somebody
    “I Wanna Dance with Somebody” is the kind of lavishly impassioned all-stops-out biopic you either give into or you don’t — and if you do, you may find yourself getting so emotional, baby.
    • 51 Metascore
    • 70 Critic Score
    Hello, Dolly!
    An expensive, expansive, sometimes exaggerated, sentimental, nostalgic, wholesome, pictorially opulent $20 million filmusical [from the 1964 Broadway production, music and lyrics by Jerry Herman] with the charisma of Barbra Streisand in the title role.
  3. Woman Walks Ahead
    Woman Walks Ahead offers dimension to its leading lady, but holds its Native characters to the same old surface stereotypes. Such a movie is a step in the right direction, but farther behind than it seems to realize.
    • 51 Metascore
    • 50 Critic Score
    Uncle Buck
    John Hughes unsuccessfully tries to mix a serious generation gap message between the belly laughs in Uncle Buck, a warm-weather John Candy vehicle.
  5. The Golden Compass
    Impressively rendered but oddly uninviting adventure.
    • 51 Metascore
    • 30 Critic Score
    Robin Hood: Prince of Thieves
    Kevin Costner’s Robin Hood is a Robin of wood. Murky and uninspired, this $50 million rendition bears evidence of the rushed and unpleasant production circumstances that were much reported upon.
  7. Skateland
    This wan, mundane coming-of-ager focuses on kids enacting a pale imitation of '50s car-centered, "American Graffiti"-style time-killing, with the impediment of exceptionally dull dialogue.
  8. A Walk in the Woods
    It’s pleasant enough cinematic comfort food, but even so, you may be hungry again soon afterward.
  9. Jurassic World: Fallen Kingdom
    The first “Jurassic World” was, quite simply, not a good ride. “Fallen Kingdom” is an improvement, but it’s the first “Jurassic” film to come close to pretending it isn’t a ride at all, and as a result it ends up being just a passable ride.
  10. Poetic Justice
    Poetic Justice is a hermetic inner-city love story elevated by resonant social commentary.
  11. First Descent
    Pic displays filmmakers Kevin Harrison's and Kemp Curley's love of snowboarding, but suffers from an unjustifiably long running time, considerable repetition and a generally awkward structure.
  12. You're Cordially Invited
    Whether they’re playing naughty or nice, Witherspoon and Ferrell are two of the rare stars who can be charming even when trying to sabotage someone else’s most important moment, and You’re Cordially Invited is most fun when they’re on the warpath.
  13. Zizek!
    A little bit of Slovene philosopher Slavoj Zizek goes a long way. In the verbose profile documentary Zizek! there's a lot of esoteric, eccentric theories, and little context within his globetrotting life.
  14. Severed Ways: The Norse Discovery of America
    "Pathfinder" meets "Gerry" in Severed Ways: The Norse Discovery of America, a striking and virtually wordless story of two Vikings separated from their tribe and left to stumble through the North American wilderness.
  15. An American Rhapsody
    Calculated yet undeniably skillful melodrama.
  16. Windtalkers
    A powerful premise turned into a stubbornly flat, derivative war movie.
  17. Cherish
    Good performances and quirky humor make this slick if less than fully satisfying mix of romantic comedy and mystery an easy sit.
    • 51 Metascore
    • 70 Critic Score
    Pretty Woman
    Roberts handles the transition from coarse and gawky to glamorous with aplomb.
    • 51 Metascore
    • 60 Critic Score
    Losin' It
    Director Curtis Hanson makes a commendable effort with a rather obvious story about three teenage boys who head for a wild weekend in Tijuana, hoping to trade hard cash for manly experience.
  20. Quiet Chaos
    Beautifully modulated, fluidly told film expresses pain with warm understatement.
  21. Mammoth
    A mixed bag, Mammoth is a good-looking, smoothly directed, continent-hopping drama about parents and children, globalization and the disconnect between rich and poor, but comes with too much repetitive exposition and lacks an emotional payoff.
  22. La Soga (The Butcher's Son)
    Made mainly by Yanks and New York-based Dominicans, the vibrant film bursts with local color and trades in very specific aspects of criminality, island-style.
  23. Sassy Pants
    Walking a sometimes wobbly line between charming and cloying.
  24. Age of Uprising: The Legend of Michael Kohlhaas
    Kleist’s direct language and straightforward storytelling are nowhere in evidence in Pallieres’ narratively challenged adaptation, featuring a French-speaking Mads Mikkelsen in one of his least impressive characterizations.
  25. Next Year Jerusalem
    Sure, some of these dames and geezers are fun, and it’s heartening to see them pushing themselves for what’s likely their last expedition, yet Gaynes forgets that even schmaltz needs salt and pepper.
  26. Detonator
    The filmmakers etch the character dynamics so astutely that we never doubt the credibility of even the most ill-considered actions.
  27. Boychoir
    Boychoir may be soft, but it’s not run-of-the-mill TV-movie treacle, offering just enough edge to lend credibility.
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