Variety's Scores

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For 17,840 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,167 out of 17840
  2. Mixed: 7,035 out of 17840
  3. Negative: 1,638 out of 17840
17840 movie reviews
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  1. Serendipity
    Will serve as an excellent gauge of any viewer's tolerance level for schmaltzy contrivance and manipulation.
  2. Bring It On
    Succeeds in displaying the physical drive and demands of cheerleading.
    • 52 Metascore
    • 70 Critic Score
    Milarepa
    Buddhist legend brings warnings of bad karma in Milarepa, a worthy and engaging period pic from Bhutan.
  4. Loot
    Marder, surely, was looking for a big bonanza at the end of Loot, but suspense and catharsis prove as elusive as two old men's memories.
  5. Charlie's Angels
    The movie is relentless, it’s pulpy and exciting, it’s unabashedly derivative, and at an hour and 58 minutes it’s a little too much of a rousingly of-the-moment feministic but still rather standard-issue thing.
    • 52 Metascore
    • 50 Critic Score
    Goin' South
    Picture starts off promisingly enough with Nicholson as a hapless outlaw who makes it across the border but the posse cheats and comes across after him causing his horse to faint. But it never jells, as Nicholson continues to sputter and chomp, acting more like her grandfather than a handsome roue out to overcome her virginity.
  7. First Date
    More concerned with paying homage to ’90s-era Quentin Tarantino than telling a contemporary coming-of-age tale with believable stakes, co-helmers Manuel Crosby and Darren Knapp’s debut feature First Date saddles a young couple not with a romantic night out, but with a haphazard all-nighter crime-comedy that’s mostly unfunny and free of convincing suspense.
  8. The Amateur
    It can seem churlish to complain that an undercover thriller is mission: implausible, but much of what happens in The Amateur seems…arbitrary.
  9. Greed
    The emperor is naked, Greed wants us to realize, but unless we agree to radically rethink our own wardrobes, does it make any difference?
  10. SuperFly
    Shot in a functional, slammed-together manner that’s less sensually stylish than you’d expect from a music-video auteur, the film is a competent yet glossy and hermetic street-hustle drug thriller, less a new urban myth than a lavishly concocted episode. It holds your attention yet leaves you with nothing.
  11. Gracie
    Modestly engaging but thoroughly predictable.
  12. Windfall
    Blending the oddball sensibility of McDowell and regular co-writer Justin Lader with the nastier genre smarts of “Se7en” scribe Andrew Kevin Walker, this low-key Netflix holds to its intriguing promise for a crisp 90 minutes, though even its climax is muted by design.
  13. Dark Water
    Well-crafted but thoroughly unsuspenseful.
  14. Office Romance
    It sinks into its star power as one would into a warm bath, and if the appealingly scrappy Goldstein doesn’t match that voltage, that’s largely the point.
  15. Mars Attacks!
    The picture is lacking in the uproarious humor that might well have ensued from the material, which instead inspires occasional laughs but, much more often, bemused fascination and wonderment at the bizarre imaginations and impressive skill of the filmmakers.
    • 52 Metascore
    • 60 Critic Score
    Punchline
    It’s an uneven melodrama where Tom Hanks exhibits flashes of brilliance as a caustically tongued stand-up comic in a strange, undefinable romance with protege Sally Field.
  17. The Fifth Element
    Ultimately a mess of diverse ingredients that sorely could have used a rigorous screening process to eliminate all the chaff.
  18. Anyone But You
    Anyone But You is a rom-com for the age of antipathy. It is, in many ways, as prefab as a lot of the rom-coms of the ’90s and aughts, but there’s something zesty and bracing about how it channels the anti-romanticism of the Tinder-meets-MeToo generation.
  19. Ghost in the Shell
    Spectacularly honoring the spirit and aesthetic of Mamoru Oshii’s beloved animated adaptations without resorting wholly to slavish cosplay, this is smart, hard-lacquered entertainment that may just trump the original films for galloping storytelling momentum and sheer, coruscating visual excitement — even if a measure of their eerie, melancholic spirit hasn’t quite carried over to the immaculate new carapace.
  20. The Man of My Life
    A drama that steadily succumbs to self-conscious artiness, drunk on its own sense of contrived poetry and cloudy existential reflection.
  21. The Battle of Pussy Willow Creek
    With its convincingly antique-looking artifacts and hilarious “re-creations,” the March 1 release should please audiences searching for an intelligent, satiric spin on historical hindsight.
  22. Radiance
    The film’s thematic preoccupation with the power of images — as perceived through any of the senses — is a worthy and thoughtful one. Yet the execution lacks the visual and emotional rigor of Kawase’s most imposing films, instead swaddling viewers in buttery lighting and blunt, earnest platitudes.
  23. Magic Mike's Last Dance
    “Toothless” probably isn’t the first word Magic Mike fans want to associate with Channing Tatum’s aging exotic dancer series, but there’s no denying the female-targeting franchise has dulled its bite over the past decade.
  24. Detachment
    Scripter Lund, himself an ex-teacher, delivers a story that lacks nuance, and mixes badly with Kaye's impatient edits, Dutch angles and extreme close-ups.
  25. Running with Scissors
    Writer-director Ryan Murphy strives mightily to capture the bracing hilarity, pathos and surreal incident of Burroughs' bestselling memoir, but this rudderless adaptation never gets a firm grip on the author's deadpan tone or episodic narrative style.
  26. Central Intelligence
    It delivers — on some basic, giddy, turn-off-your-frontal-lobes level. It’s an action-comedy utensil, like “Rush Hour” crossed with an old Arnold Schwarzenegger shoot-’em-up, with a few goofy added sprinkles of “Romy and Michele’s High School Reunion.”
    • 52 Metascore
    • 30 Critic Score
    School Daze
    As a director, Lee fails to strike the right note between realism and fantasy, and the heavy subject matter just falls with a thud. As an actor, however, Lee does a good job creating a sort of black babe in the woods.
  28. Amelia's Children
    A climactic tilt into a fight for survival remains sharply rendered by Abrantes, but it unfolds towards a forecast destination. The film’s evocative edge is gone.
  29. Silent Night
    Distracted for long stretches with ribbons and bows, “Silent Night” never uncovers its harshest possibilities: It’s sober and well-behaved even when the party falls to pieces.
  30. Last Holiday
    Most successful when it is engaging, not uproarious. Glossy amusement is an updated remake of a well-regarded 1950 Brit comedy-drama starring Alec Guinness, improbably retrofitted as a star vehicle for Queen Latifah.
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