For 17,810 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,150 out of 17810
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Mixed: 7,023 out of 17810
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Negative: 1,637 out of 17810
17810
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ken Eisner
Lovingly rendered talking-heads effort puts emphasis on basic tenets on basic human connection, not on sexual orientation or social attitudes.- Variety
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Reviewed by
Dennis Harvey
While aspects verge on sitcom terrain, this tale of a pregnant small-town woman caught between a bad marriage and a risky affair is mostly as funny and charming as intended.- Variety
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Reviewed by
Robert Koehler
Never obtains the full impact of its potentially powerful inner core.- Variety
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Reviewed by
Dennis Harvey
Picture aims for nonstop thrill ride, but for all its brainless brawn, it has plenty of stops and few real thrills.- Variety
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Reviewed by
Peter Debruge
That rare mystery in which auds know everything upfront and the characters, rather than investigating, simply wait for the culprit to turn herself in. Previously adapted as Swedish thriller "Den Osynlige," Mick Davis' script brings out director David S. Goyer's emo side.- Variety
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Reviewed by
Dennis Harvey
An inauspicious feature debut for director Harv Glazer and all three scenarists, the "Big"-meets-breakdancing comedy will be kickin' it to ancillary by swimsuit season.- Variety
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Reviewed by
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Reviewed by
Justin Chang
What starts out as a mildly diverting thriller blows itself to smithereens in the final reel.- Variety
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Reviewed by
Derek Elley
Boosted by a delish performance from Carrie-Anne Moss as a local vamp who helps unthaw the Englishman, but holed beneath the waterline by a gratingly miscast Sigourney Weaver as the persnickety autistic.- Variety
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Reviewed by
Derek Elley
Some general viewers may feel let down by the relatively scant action.- Variety
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Lisa Nesselson
A movie so unrepentantly French that viewers who enjoy truly Gallic pics can start (tastefully) salivating now.- Variety
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- Variety
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Reviewed by
Joe Leydon
Far too aggressively seamy (and ferociously foul-mouthed) to please diehard fans of traditional sagebrush sagas, this misfire offers nothing in the way of wit, innovation or even marquee allure to interest auds accustomed to edgier revisionist oaters.- Variety
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Reviewed by
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Reviewed by
Justin Chang
This intermittently effective thriller serves as a rickety vehicle for its two perfectly cast leads, working better as a slow-thawing two-hander than as a chilly ghost story.- Variety
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Reviewed by
Dennis Harvey
Basically "Diner" in wading boots, it feels very familiar in conceit and unadventurous in execution, but offers the undeniable pleasures of a well-observed, well-played modest seriocomedy.- Variety
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Reviewed by
Robert Koehler
Sensitively and methodically tells the story of the first U.S. soldier killed in the 2003 Iraq invasion.- Variety
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Reviewed by
Derek Elley
Despite engaging performances from a cast led by Matthew Rhys and Kate Ashfield and pro direction by first-timer Richard Janes, yarn about art grifters lacks real snap, which ultimately stems from the so-so script and lack of real coin.- Variety
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Reviewed by
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Reviewed by
Justin Chang
A frequently mesmerizing if exceedingly strange coming-of-age odyssey.- Variety
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Reviewed by
Scott Foundas
A breathtakingly original nonfiction work by Seattle-based filmmaker Robinson Devor (whose "Police Beat" was among the highlights of Sundance's 2005 dramatic competition).- Variety
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Reviewed by
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- Critic Score
Distinguished by intelligence, wit and violence but is lightly wounded by some ill-fitting moments.- Variety
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Reviewed by
Derek Elley
A sustained genre parody that's equally funny but (maybe in deference to the genre) much more pumped up.- Variety
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Reviewed by
John Anderson
At the risk of spoiling anything, Vacancy, is one strange movie. It ends so precipitously, one can only assume it's a setup for the sequel (which, given all that happens, seems a mite unlikely).- Variety
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Reviewed by
Justin Chang
An absorbing legal thriller that can't help but taste like exquisitely reheated leftovers.- Variety
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Reviewed by
Justin Chang
A strong cast struggles valiantly to rise above Lifetime material in In the Land of Women, an appealingly scruffy if overly programmatic drama.- Variety
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Reviewed by
Andrew Barker
Much like Neel's portraits, the film is marked by audacious understatement, neither whitewashing nor sensationalizing the artist's sterling achievements and messy personal life.- Variety
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Lisa Nesselson
Layers of intrigue mesh with Hollywood-style efficiency, pitting sincere feelings against ruthlessly mercenary machinations. Also in Hollywood style, sincerity and integrity carry the day.- Variety
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Reviewed by
Scott Foundas
Jaunty and fun for a while, with a cast of colorful locals who make the residents of "Vernon, Florida" seem normal, pic ultimately overstays its welcome and overstates its case.- Variety
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Reviewed by
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Reviewed by
Justin Chang
A mostly dull-blade exercise that offers little to think or scream about.- Variety
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Reviewed by
Robert Koehler
Nocturnal settings and musical interludes create their own kind of allure, but picture feels like an art film imitation, not an authentic art film itself.- Variety
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Reviewed by
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Reviewed by
Scott Foundas
A taut, provocative, sometimes overreaching but always absorbing thriller.- Variety
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Reviewed by
Leslie Felperin
By the end, nothing much has happened, but all the same, picture casts a witchy kind of spell with its deep-breath pacing and undertow of unspecified malaise.- Variety
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Reviewed by