Variety's Scores

For 17,810 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17810 movie reviews
  1. Lovingly rendered talking-heads effort puts emphasis on basic tenets on basic human connection, not on sexual orientation or social attitudes.
  2. While aspects verge on sitcom terrain, this tale of a pregnant small-town woman caught between a bad marriage and a risky affair is mostly as funny and charming as intended.
  3. Never obtains the full impact of its potentially powerful inner core.
  4. Picture aims for nonstop thrill ride, but for all its brainless brawn, it has plenty of stops and few real thrills.
  5. That rare mystery in which auds know everything upfront and the characters, rather than investigating, simply wait for the culprit to turn herself in. Previously adapted as Swedish thriller "Den Osynlige," Mick Davis' script brings out director David S. Goyer's emo side.
  6. An inauspicious feature debut for director Harv Glazer and all three scenarists, the "Big"-meets-breakdancing comedy will be kickin' it to ancillary by swimsuit season.
  7. What starts out as a mildly diverting thriller blows itself to smithereens in the final reel.
  8. Boosted by a delish performance from Carrie-Anne Moss as a local vamp who helps unthaw the Englishman, but holed beneath the waterline by a gratingly miscast Sigourney Weaver as the persnickety autistic.
  9. Some general viewers may feel let down by the relatively scant action.
  10. A movie so unrepentantly French that viewers who enjoy truly Gallic pics can start (tastefully) salivating now.
  11. Trite, sententious and generally unfunny.
  12. Far too aggressively seamy (and ferociously foul-mouthed) to please diehard fans of traditional sagebrush sagas, this misfire offers nothing in the way of wit, innovation or even marquee allure to interest auds accustomed to edgier revisionist oaters.
  13. This intermittently effective thriller serves as a rickety vehicle for its two perfectly cast leads, working better as a slow-thawing two-hander than as a chilly ghost story.
  14. Basically "Diner" in wading boots, it feels very familiar in conceit and unadventurous in execution, but offers the undeniable pleasures of a well-observed, well-played modest seriocomedy.
  15. Sensitively and methodically tells the story of the first U.S. soldier killed in the 2003 Iraq invasion.
  16. Despite engaging performances from a cast led by Matthew Rhys and Kate Ashfield and pro direction by first-timer Richard Janes, yarn about art grifters lacks real snap, which ultimately stems from the so-so script and lack of real coin.
  17. A frequently mesmerizing if exceedingly strange coming-of-age odyssey.
  18. Zoo
    A breathtakingly original nonfiction work by Seattle-based filmmaker Robinson Devor (whose "Police Beat" was among the highlights of Sundance's 2005 dramatic competition).
    • 83 Metascore
    • 80 Critic Score
    Distinguished by intelligence, wit and violence but is lightly wounded by some ill-fitting moments.
  19. A sustained genre parody that's equally funny but (maybe in deference to the genre) much more pumped up.
  20. At the risk of spoiling anything, Vacancy, is one strange movie. It ends so precipitously, one can only assume it's a setup for the sequel (which, given all that happens, seems a mite unlikely).
  21. An absorbing legal thriller that can't help but taste like exquisitely reheated leftovers.
  22. A strong cast struggles valiantly to rise above Lifetime material in In the Land of Women, an appealingly scruffy if overly programmatic drama.
  23. Much like Neel's portraits, the film is marked by audacious understatement, neither whitewashing nor sensationalizing the artist's sterling achievements and messy personal life.
  24. Layers of intrigue mesh with Hollywood-style efficiency, pitting sincere feelings against ruthlessly mercenary machinations. Also in Hollywood style, sincerity and integrity carry the day.
  25. Jaunty and fun for a while, with a cast of colorful locals who make the residents of "Vernon, Florida" seem normal, pic ultimately overstays its welcome and overstates its case.
  26. A mostly dull-blade exercise that offers little to think or scream about.
  27. Nocturnal settings and musical interludes create their own kind of allure, but picture feels like an art film imitation, not an authentic art film itself.
  28. A taut, provocative, sometimes overreaching but always absorbing thriller.
  29. By the end, nothing much has happened, but all the same, picture casts a witchy kind of spell with its deep-breath pacing and undertow of unspecified malaise.

Top Trailers