Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. For his (Besson) fans, Angel-A is an achingly sincere but protracted effort to trade mostly action for mostly dialogue.
  2. An imaginative, intelligent and attractive Italo pic precisely when the country needs it most, Emanuele Crialese's Golden Door reps a solid piece of cinema that neither panders nor preaches.
  3. With its brainy scientist heroine, and surreal, super-kitsch imagery, above-average Japanese anime sci-fi pic Paprika has a better chance than most Nipponese toons of breaking out of the specialty ghetto by appealing to femme auds as well as the genre's core constituency of fanboys.
  4. Amu
    Admirably idealistic but dramatically awkward.
  5. Its honest, unshowy performances and textured depiction of life in a working-class community in a nowhere Southern Illinois town make this modest indie feature an affecting experience.
  6. In dangerous and downright cruddy conditions, the personable Palestinians share stories, lodgings and camaraderie with the young Israeli filmmaker, whose handheld camera follows them everywhere.
  7. For all its slightness, pic is helmer's least pretentious and most sheerly enjoyable for years.
  8. The documentary works best when it simply offers a concise and cogent account of epochal events.
  9. After a buoyantly funny first half-hour, stylish animated comedy takes a breather before ramping it up again for a rambunctious, girrrl-power finale that provides a convenient springboard for further adventures to come.
  10. A beautifully lensed but ploddingly paced tribute.
  11. A sometimes funny, occasionally maudlin coming-of-age dramedy that wants to be "Goodfellas" but might have been called "Mild in the Streets."
  12. Standard-issue directorial approach is perfectly in keeping with a script whose natural berth is on the tube.
  13. A somber, beautifully acted reflection on the barbarity of war and the bestiality of man.
  14. Although this "Sopranos" writing vet delivers several flashes of that show's dark humor and irony, the pic leaves a hollow feeling at the end.
  15. Escalating blend of black humor and grisly goings-on in the wilds of Hungary fully delivers in its latter half.
  16. A strange international odyssey that becomes more complicated and loony by the moment. Some viewers will undoubtedly tune out early, others will follow as far as they can -- and a privileged few might make it all the way.
  17. A loose-knit, character-driven comedy that percolates with good-vibe amusement, often earning industrial-strength guffaws with sneaky one-liners and tossed-off non-sequiturs.
  18. Boasting a script so clear and airtight that shrinks could use it for family therapy courses, the sole caveat is the unrelenting unpleasantness of the stronger-willed son.
  19. Though it boasts slightly more narrative structure than his other work, Jaglom's script still serves as a catalyst for wild improvisation, suggesting the inside-jokey result was more fun to make than to watch.
    • 68 Metascore
    • 70 Critic Score
    Pulses with firm conviction and gentle sincerity. For Western audiences, opening reels may seem a tad melodramatic, but by journey's end there won't be a dry eye in the house.
  20. Winningly unpretentious tale uses a wispy romantic narrative as a vehicle for attractive original tunes.
  21. As a stripped-to-essentials "canned theater" version of a classic Jacobean drama, The Changeling likely will prove most useful as a teaching tool in college-level drama courses.
  22. A full-bore zombie romp that more than delivers the genre goods.
  23. If three of "The Magnificent Seven" had been Gomer Pyle, the result might have looked like Delta Farce, a movie rife with fat, fart and Fallujah jokes, but with a subcutaneous wit that has a lot to do with Iraq war fatigue.
  24. No offense to either of them, but Georgia Rule suggests an Ingmar Bergman script as directed by Jerry Lewis. The subject matter is grim, the relationships are gnarled, the worldview is bleak, and, at any given moment, you suspect someone's going to be hit with a pie.
  25. Film's warm disposition and deliberate lack of razzmatazz will hook discerning, mature viewers.
  26. A beat-driven, inspirational organism that develops and blossoms along with its subjects, "Word.Life" tells the story of a once-homeless Brooklynite who prods, pushes and propels his aspiring young rappers to think first and rhyme later.
  27. Filtering one school year through the eyes of three young instructors and a rookie administrator, this loosely scripted satire mostly steers clear of cheap shots and over-the-top gags, balancing its comic observations with a real measure of affection for teachers and students alike.
  28. A half-baked comedy torn between sincere emotion and over-the-top outrageousness.
  29. Mixed Indian and Western cast --turn the true story of a case that changed British law into an old-style melodrama (in the best sense) complete with a feel-good ending.

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