Variety's Scores

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For 17,835 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,166 out of 17835
  2. Mixed: 7,032 out of 17835
  3. Negative: 1,637 out of 17835
17835 movie reviews
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  1. Crown Vic
    A respectable if non-revelatory cruise through a familiar terrain of mean streets and men in blue.
  2. Lost in America
    While listening to the kids, Rainwater makes sure we see the humanity and future potential in each and every one, treating his subjects with the respect they deserve.
  3. Angelfish
    This easy-to-take film’s pleasures, then, lie chiefly in its relaxed evocation of place and time. Set in 1993, though it could just as easily work in a contemporary setting, Angelfish wisely doesn’t go all in on period kitsch, though music and costuming are both deployed to evoke a pre-internet, arguably gentler era of youth.
  4. Shooting the Mafia
    Not quite a fleshed-out personal study, nor fully a meditation on what Battaglia’s camera sees, this intriguing but frustrating film finally makes the case for letting the photographer’s pictures tell their story.
  5. The Craft
    Four gifted and attractive actresses struggle hard to lend a semblance of dramatic coherence to The Craft, a neatly crafted film that begins most promisingly as a black comedy a la Heathers, but gradually succumbs to its tricky machinery of special effects. Still, young audiences, particularly women, are likely to connect with this energetic high-school tale about the vengeful empowerment of rebellious misfits.
  6. Code 8
    Code 8 is better than a mere calling-card film, though one senses a desire to check all the boxes of fan expectation and professional packaging rated higher than the kinds of personal expression that might have lent it a more memorable idiosyncrasy.
    • 44 Metascore
    • 60 Critic Score
    The Prophecy
    Daring and unique on the one hand, but hard to swallow on the other, Prophecy is a fantasy thriller about murderous angels waging a war on Earth. First-time director Gregory Widen deserves a pat on the back for attempting risky balancing act.
  8. The Call of the Wild
    For all the wholesome cheesiness of much of the film, you’d have to have a pretty hard heart not to be touched by it.
  9. Locusts
    A watchable if familiar rural melodrama.
  10. The Matrix Resurrections
    Essentially a greatest hits concert and a cover version rolled into one (complete with flashback clips to high points from past installments), the new movie is slick but considerably less ambitious in scope than the two previous sequels.
  11. John Lewis: Good Trouble
    A detailed yet paint-by-numbers study of the living legend who believes in the necessity of making good trouble as an instigator of societal change.
  12. Only Cloud Knows
    Schematic and manipulative as it is, as a kind of team-effort between the New Zealand Tourist Board and whatever the Chinese equivalent of Hallmark is, Only Cloud Knows is, in the moment, undeniably effective at jerking tears.
    • 62 Metascore
    • 60 Critic Score
    The Boys in Company C
    The Boys in Company C is a spotty but okay popcorn trade drama about five young Marines and how their lives were changed by duty in the Vietnam war. Laden with barracks dialog and played at the enlisted man's level, the Raymond Chow production, directed well by Sidney J. Furie, features strong performances by some very fine actors.
    • 70 Metascore
    • 60 Critic Score
    Black Widow
    Lacking the snap and sharpness that might have made it a firstrate thriller, Black Widow instead plays as a moderately interesting tale of one woman's obsession for another's glamorous and criminal lifestyle.
    • 70 Metascore
    • 60 Critic Score
    1900
    Bertolucci’s ambitious generational canvas is elaborately constructed.
  16. Disturbing the Peace
    It’s basic action entertainment of a somewhat old-fashioned ilk, giving viewers exactly what they expect in a borderline-hokey yet satisfying way.
  17. And Then We Danced
    Gifted as both a thrilling dancer and a nuanced actor, Gelbakhiani’s magnetic presence goes a long way toward papering over some of the more timeworn plot elements . . . and the film should make audiences clamor for more vehicles that feature his seemingly effortless ability to radiate joy.
  18. Sylvie's Love
    More even than Declan Quinn’s sumptuously old-school cinematography and the throwback styling and stock footage exteriors that deliberately mimic the Technicolor romances of old, it’s the fresh-faced naiveté of the storytelling that feels so anachronistic.
  19. Spenser Confidential
    The film even pokes fun at itself in the process, fully aware that Spenser Confidential isn’t meant to be taken as seriously as Wahlberg’s last few movies — and just as well, since irreverence plays well on Netflix.
    • 65 Metascore
    • 60 Critic Score
    Young Sherlock Holmes
    Young Sherlock Holmes is another Steven Spielberg film corresponding to those lamps made from driftwood and coffee tables from redwood burl and hatchcovers. It’s not art but they all serve their purpose and sell by the millions.
  21. Irresistible
    Irresistible scores points yet feels behind the curve. You wish it were a bold satirical bulletin, or maybe just Stewart’s pricelessly amusing version of a Christopher Guest movie. Instead, the film is a lot like a politician: It makes a big show of leading the viewer, but without rocking the boat.
  22. Escape from Pretoria
    Francis Annan’s film works effectively as a straight-up jailbreak thriller, well-oiled in greasy B-movie tradition. It’s when it shoots for more historical import that it falls somewhat short.
  23. Raya and the Last Dragon
    A lot of the storytelling is clumsy, rushed or inelegant, but the movie’s timely message of unity and trust still resonates because the filmmakers figured out such a satisfying ending — albeit one that ties things up a little too neatly: so much world-building in service of a one-off. Is this overloaded origin story really the last we’ll see of “The Last Dragon”?
  24. Rebecca
    For about three-quarters of the running time, Rebecca does a respectable job of navigating between respect for the source and establishing its own distinct identity. And then, at precisely the moment where it stands to make a few enlightened improvements . . . this Rolls-Royce of an adaptation veers off the road.
  25. The Night House
    Though this tale of a new widow’s apparent haunting gets progressively lost in a narrative maze that’s complicated without being particularly rewarding, director David Bruckner suffuses the action with enough dread and unpleasant goosings to make this an above-average genre exercise.
  26. The Nowhere Inn
    As a ballad about a rock star’s soul, The Nowhere Inn is a fun riff performed on flimsy strings.
  27. Fear Street Part One: 1994
    “Fear Street” may look like countless horror movies that have come before, but it’s desperately trying to be original, and that may pay off in the two installments to come.
  28. Miss Juneteenth
    Miss Juneteenth richly captures the slow pace of ebbing small-town Texas life, even if you might wish there were a bit more narrative momentum to pick up the slack in writer-director Channing Godfrey Peoples’ first feature.
  29. House of Cardin
    Lively as an overview of Cardin’s creative and commercial achievements, House of Cardin is considerably vaguer when it comes to his personal life and legacy.
  30. Surge
    As an experiment in steering a potentially tight thriller entirely by one character’s irrational whims, it’s abrasively compelling, even if the go-go-go plotting doesn’t withstand closest scrutiny.
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