For 17,839 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,166 out of 17839
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Mixed: 7,035 out of 17839
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Negative: 1,638 out of 17839
17839
movie
reviews
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Reviewed by
Peter Debruge
It's a career-crowning role for Glenn Close. Too bad the film is such a drag.- Variety
- Posted Dec 22, 2011
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Reviewed by
Guy Lodge
An imperfect but glassily compelling study of obsessive, finally debilitating desire that honors its source with an unblinking female gaze.- Variety
- Posted Jan 17, 2021
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Reviewed by
Emanuel Levy
Though often enjoyable, it’s an old-fashioned, feel-good movie whose significance is more sociological than cinematic.- Variety
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Reviewed by
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- Variety
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- Critic Score
The real question with Rocky III was how Sylvester Stallone could twist the plot to make an interesting difference. He manages. As usual, Stallone the writer-director is less successful in handling all the dramatic interims than staging the battles.- Variety
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Reviewed by
Leslie Felperin
Lights in the Dusk finds veteran Finnish helmer Aki Kaurismaki treading water with an amiable but very undercooked noirish fable about a security guard done wrong by a femme fatale.- Variety
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Reviewed by
Leslie Felperin
Likeable if rambling first feature by Icelandic helmer Olaf de Fleur Johannesson ("Africa United") evinces the helmer's background in documaking, and reps a kind of quasi-doc itself with real-life trannies riffing on their own personas.- Variety
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Reviewed by
Andrew Barker
Visually stunning, almost impossibly intimate results. Unfortunately, this footage is welded to a creakily executed story and narrated by a schticky, frequently bellowing Tim Allen.- Variety
- Posted Apr 16, 2012
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Reviewed by
Owen Gleiberman
Teen Spirit is too tidy, concocted, and safe. It longs to channel the high of great pop, but as a movie it lacks the ecstatic imagination to do what great pop does. It never soars.- Variety
- Posted Sep 15, 2018
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Reviewed by
Justin Chang
The undeniable intensity of Gyllenhaal’s bulked-up, Method-mumbling performance may leave you feeling more pummeled than convinced in this heavy-handed tale of redemption, in which director Antoine Fuqua once more demonstrates his fascination with codes of masculine aggression, extreme violence and not much else.- Variety
- Posted Jun 17, 2015
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Reviewed by
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Reviewed by
Owen Gleiberman
It redefines family craziness as normal in a way that those who seek it out will gratefully relate to.- Variety
- Posted Nov 14, 2018
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Courtney Howard
The filmmakers’ renewed vigor is our reward as, similar to its unfussy title, this sequel deals in clean-lined action and suspense, removing much of the excessive weight that bogged down the original.- Variety
- Posted Jun 15, 2023
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Reviewed by
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Reviewed by
Owen Gleiberman
Happy Death Day 2U is more complicated than the first “Happy Death Day,” but in this case more complicated means less fun.- Variety
- Posted Feb 12, 2019
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Reviewed by
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Reviewed by
Owen Gleiberman
In “Shirley,” John Ridley’s sharp and lively inside-political docudrama, Regina King plays Shirley Chisholm with a quiet force you can’t look away from.- Variety
- Posted Mar 16, 2024
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Reviewed by
Manuel Betancourt
Even as it thrusts itself into an electrifying, bloodied thriller of a final act, the film doesn’t land any of its social commentary: Its satire remains much too obtuse, its parable much too diffused.- Variety
- Posted Oct 30, 2025
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Reviewed by
Geoff Berkshire
A thoughtful, detailed chronicle of the Fed’s origins, responsibilities and shifting monetary policies.- Variety
- Posted Sep 19, 2013
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Reviewed by
John Anderson
Like a mouthful of honey, The Secret Life of Bees is cloyingly sweet and gooey, and you're not quite sure you can swallow it undiluted.- Variety
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Reviewed by
Peter Debruge
Goldman’s frequently amusing script is the secret ingredient that makes “Miss Peregrine” such an appropriate fit for Burton’s peculiar sensibility, allowing the director to revisit and expand motifs and themes from his earlier work.- Variety
- Posted Sep 25, 2016
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Reviewed by
Robert Koehler
Renee Zellweger, in another Blighty role, struggles to make Beatrix credible.- Variety
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Reviewed by
Alissa Simon
The surprise twist brutally defies the opening narration and plot logic that preceded it, alienating viewers who willingly suspended disbelief.- Variety
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- Critic Score
Christine seems like a retread. This time it's a fire-engine red, 1958 Plymouth Fury that's possessed by the Devil, and this deja vu premise (from the novel by Stephen King) combined with the crazed vehicle format, makes Christine appear pretty shop-worn.- Variety
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Reviewed by
Jessica Kiang
To watch young people fall into old patterns is still to watch those old patterns, and the film cannot escape the familiarity of its archetypal, rise-to-power, fall-from-grace narrative.- Variety
- Posted Feb 15, 2019
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Reviewed by
Ronnie Scheib
This inordinately likable and consistently funny boxing saga-cum-romantic comedy doesn't so much ridicule the "Rocky"-type inspirational sports fable as gently deflate its heroic overdrive.- Variety
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Reviewed by
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Reviewed by
John Anderson
Watching Limelight, about the rise and politically engineered fall of onetime Manhattan nightclub kingpin Peter Gatien, is like looking through a family album: If you're in the family, you might be interested.- Variety
- Posted Sep 24, 2011
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Reviewed by
Scott Foundas
Despite early-on guffaws, pic suffers from the same problem that has plagued nearly all of the similarly adapted “Saturday Night Live” films: It fails to sustain its initial burst of comic inspiration over the course of its feature-length running time.- Variety
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Reviewed by
Nick Schager
Detailing the eight-month build-up to the show’s debut, First Monday in May is most compelling when simply taking up residence alongside Bolton, Wintour and Wong as they oversee the myriad aspects of their production.- Variety
- Posted Apr 13, 2016
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Reviewed by
Joe Leydon
Boasts way better production values than the penny-pinching 1981 original and conceivably could delight genre fans who have never seen the first version or its previous remakes/sequels. But it’s bound to play best with those who catch Alvarez’s many wink-wink allusions to Raimi’s picture.- Variety
- Posted Mar 10, 2013
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Reviewed by
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Reviewed by
Peter Debruge
A mobster movie without whackings, a thriller without suspense and a courtroom drama without resolution, this turgid retelling of an unsolved missing-persons case functions mostly as a portrait of a young woman who loved too passionately and the manipulative creep incapable of reciprocating her affections.- Variety
- Posted May 7, 2015
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Reviewed by
Owen Gleiberman
It’s the mix of tones — the cheeky and the deadly, the flip and the romantic — that elevates “Thor: Love and Thunder” by keeping it not just brashly unpredictable but emotionally alive.- Variety
- Posted Jul 5, 2022
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Reviewed by
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- Variety
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