Variety's Scores

For 17,837 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17837 movie reviews
  1. Firewall begins slowly, exhibits hints of promise in the middle and then descends into silliness.
  2. Film's pared-down look has a stylish simplicity.
  3. More intriguing on paper than when it actually unspools onscreen. Kevin Willmott's small-scaled but ambitious picture is well-researched, sometimes amusing and not unintelligent.
  4. Russian-made pic displays pro technique and visual imagination on a par with, if not better than, Hollywood frighteners, but with a distinctive Slavic accent.
  5. The crisply made feature delivers an involving if not always persuasive portrait of religious leaders in conflict.
  6. Imax 3-D process has lost its original novelty, and little is done in Deep Sea to find new and exciting ways of using the medium.
  7. An especially slight romantic comedy whose modest charms are derived largely from its supporting players.
  8. Highlighted by a strong and sensual performance from Salma Hayek as the doomed heroine, elegant pic's muted quality and the central character's vexingly contrary behavior will keep auds from connecting with characters who themselves have trouble establishing bonds.
  9. There's no denying the pic's overall impact as a compelling study of art as a source of transcendence. And it will come as no surprise if this well-crafted doc eventually serves as source material for a dramatic feature.
  10. Strikes some resonant chords but also hits notes that simply don't ring true and are borderline risible at times
  11. In his intriguing take on the Frankenstein myth, first-time scripter/helmer James Bai establishes an entire alternate universe with consummate mastery only to fail to coax a convincing performance out of his lead actor.
  12. In an act of "selfless service," a group of American women, backed by industry giants like Clairol and Vogue, open a beauty school in war-ravaged Afghanistan. The anomalies are manifold: Gun-toting soldiers patrolling the streets are visible through the windows as rookie beauticians busily snip, perm and tweeze.
  13. There's a slightness to the mildly eccentric material here that leaves the whole enterprise in danger of fluttering away.
  14. ATL
    Higher on stylistic dazzle than originality or coherence.
  15. A tad crasser and pushier than its predecessor, Ice Age: The Meltdown is still an entirely serviceable follow-up to the 2002 hit that will thoroughly amuse kids and get a rise or two out of parents as well.
  16. Gay Gotham farce written, directed and starring veteran actor Craig Chester ("Swoon," "Kiss Me Guido") delivers plenty of well-timed slapstick, a brace of oddball zanies and a couple of show-stopper musical numbers. Material is uneven, but rhythm and pacing keep action moving smartly.
  17. Picture is particularly well-crafted, managing to avoid the ambulance-chasing tenor that might easily have turned this into a voyeuristic freakshow.
  18. Thoroughly -- and sometimes justifiably -- infatuated with its own cleverness, this mistaken-identity thriller delights in narrative complication and Tarantino-esque self-awareness.
  19. Well-intentioned, feel-good urban tale.
  20. Picture's cliched underlying story of restless youth plays as too naive for an older audience and too provocative for teens.
  21. Amos Gitai's most satisfying pic since war drama "Kippur." Schematic set-up is given a human face by fine performances and a physical journey that's often more interesting than the characters' emotional ones, which are weakened by the Israeli auteur's tendency toward convenient doctrinaire-ism and chunks of expository dialogue.
  22. A London drag queen and a bunch of Midlands working stiffs find common ground and, uh, mutual respect in Kinky Boots, a slick, cross-tracks Britcom whose stride is hampered by its desire not to offend.
  23. The deliberately jittery hand-held lensing enhances the mockery in this mockumentary.
  24. The film is the portrait of a kind and giving man open to all positive ideas that come his way.
  25. While the film looks good, sense of place is never very convincing. Over time, however, director Charles Randolph Wright and screenwriters Kevin Heffernan and Peter E. Lengyel do manage to create well-defined characters, whose flaws are as important as their gifts.
  26. A charming but overextended yarn about some prairie tykes who mistake a table-tennis ball for a glowing pearl from the gods.
  27. Cool, stylized lensing by onetime Fassbinder d.p. Jurgen Jurges lifts The Whore's Son above simple meller status, but uneven character development mars this otherwise commendable feature debut by Michael Sturminger.
  28. A well-made, good-looking movie it is, but between the non-stop tumult and the sense of deliberateness about its period authenticity, An American Haunting produces a lot of screaming, crying and cruelty, but not much drama.
  29. A slickly mounted slice of can-do nonsense.
  30. Despite a sprinkling of laughs and eye-catching moments, this adaptation of a popular comicstrip reps a middling effort from the house that "Shrek" built, a rather narrowly conceived tale that makes only modest hay from the overworked conflict between wildlife and encroaching humans.

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