Variety's Scores

For 17,837 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17837 movie reviews
  1. Thoughtful cross-generational portrait is full of familiar building blocks rendered fresh by first time feature helmer Eleonore Faucher.
  2. Elegantly written, well-thesped comedy is too hermetic and bittersweet to be laugh-out-loud funny, but sustains a fairly successful ratio of uncomfortable situations to amusing solutions.
  3. Never entirely convincing yet always watchable.
  4. An exhaustingly elaborate romantic fantasy actioner.
  5. Deftly juggles gore and suspense, and punchline holds an intellectual frisson or two for fans of gender-role speculation, but basically this is one more horror pic on the distinguished road already trodden by "Texas Chain Saw Massacre," "Maniac" and the like.
  6. Hou fans will find what they're looking for; others will wonder when the action starts.
  7. Extraordinary perfs by a mostly young cast likely will be cancelled out by the grim subject.
  8. An entertaining ensembler marbled with wit and heartache.
  9. Easy on the eye but light on originality.
  10. Stands reasonably well on its own as an urgent, updated genre meditation on nurture vs. nature.
  11. Precociously inventive horror pic that combines brain-eating zombies with outer space aliens.
  12. Starts out bracingly but gradually loses focus. Ecuadorian writer-director Sebastian Cordero's screenplay trades in underdeveloped conflicts and blank characters, hinting far too early at the killer's probable identity.
  13. Despite flashes of nudity, crudity and mockery of women's raging hormones at the first sight of a trousseau, at its core it's just a big pushover with the heart of a chick flick.
  14. Frenetic actioner about refugees from a genetic cloning plant starts off intriguingly, burns up its ideas in the first hour and pads out the rest with joltingly repetitive action sequences.
  15. Ambling drama shows an exasperating lack of economy and a weakness for diatribe dialogue, but becomes progressively more involving after a laborious start.
  16. Loud, silly but kind of lame-brained fun with car chases aplenty, "Dukes" faithfully plays like an extended episode of the series, albeit with an additional gallon or so of fuel-injected raunchiness.
  17. Has a washed-out look that may be off-putting to auds who might otherwise enjoy the pic's uncondescending view of Southern characters and customs.
  18. Assuming the victims' point of view in the type of kidnapping that's now epidemic in Latin America, Jonathan Jakubowicz's Kidnap Express depicts a nocturnal Caracas with tense energy.
  19. Admirably non-judgmental docu about life in "the least visited, known, understood country in the world," per Brit director Daniel Gordon, brings a refreshing balance to the usual blind vilification of the country.
  20. Crude, sophomorically homophobic but frequently funny, pic also overstays its welcome a bit and indulges in some juvenile excesses. All told, though, The 40 Year Old Virgin delivers enough belly laughs.
  21. Although it will most readily appeal to cinephiles…offers sufficient reality-based incident and ponderable cultural issues to attract curious audiences.
  22. Helmer -- an Arab Jew who has lived on both sides of Jerusalem and is comfortable speaking idiomatic Arabic and Hebrew -- is particularly well qualified to tackle her subject.
  23. A film is in trouble when, despite the presence of an A-list cast and a well-regarded director, the best thing in it is a partly digitized bear.
  24. A straight-ahead slasher pic with the big difference of an all-gay male character cast, Hellbent is fun -- if minor horror fun -- ably handled by first-time feature helmer Paul Etheredge-Ouzts.
  25. As uneven as the topography of its San Francisco locales, but the amiable peaks mostly offset the flat stretches and valleys. A variation on a very old meet-cute theme with a touch of otherworldly romance.
  26. Good-natured but only memorable as a platform for the amusingly feisty Peter Falk, The Thing About My Folks plies a light approach to the problems grown children face when their parents appear on the verge of divorce.
  27. Sharp performances and writing lend it a fresh appeal well above this genre's average.
  28. Helmers Garrett Scott and Ian Olds offer a sympathetic look at the average Joe doing duty in hell -- as well as a sharp indictment of the Pentagon's cavalier support for the troops.
  29. Atom Egoyan's most mainstream and genre-oriented picture in his 20-year career applies a thick noir lacquer to a jumbled, time-jumping tale of a young female journalist prying the facts out of the aging entertainers and their cronies.
  30. Rocky but respectable Land of Plenty proves the helmer often does better with low budgets, fast schedules and young collaborators. Slushy final 10 minutes nearly trashes with triteness the good work that precedes it.

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