For 17,837 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,166 out of 17837
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Mixed: 7,034 out of 17837
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Negative: 1,637 out of 17837
17837
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Nesselson
Thoughtful cross-generational portrait is full of familiar building blocks rendered fresh by first time feature helmer Eleonore Faucher.- Variety
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Reviewed by
Lisa Nesselson
Elegantly written, well-thesped comedy is too hermetic and bittersweet to be laugh-out-loud funny, but sustains a fairly successful ratio of uncomfortable situations to amusing solutions.- Variety
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- Variety
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- Variety
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Reviewed by
Lisa Nesselson
Deftly juggles gore and suspense, and punchline holds an intellectual frisson or two for fans of gender-role speculation, but basically this is one more horror pic on the distinguished road already trodden by "Texas Chain Saw Massacre," "Maniac" and the like.- Variety
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Reviewed by
Jay Weissberg
Hou fans will find what they're looking for; others will wonder when the action starts.- Variety
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Reviewed by
Robert Koehler
Extraordinary perfs by a mostly young cast likely will be cancelled out by the grim subject.- Variety
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- Variety
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- Variety
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Reviewed by
Eddie Cockrell
Stands reasonably well on its own as an urgent, updated genre meditation on nurture vs. nature.- Variety
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Reviewed by
David Stratton
Precociously inventive horror pic that combines brain-eating zombies with outer space aliens.- Variety
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David Rooney
Starts out bracingly but gradually loses focus. Ecuadorian writer-director Sebastian Cordero's screenplay trades in underdeveloped conflicts and blank characters, hinting far too early at the killer's probable identity.- Variety
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Brian Lowry
Despite flashes of nudity, crudity and mockery of women's raging hormones at the first sight of a trousseau, at its core it's just a big pushover with the heart of a chick flick.- Variety
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Justin Chang
Frenetic actioner about refugees from a genetic cloning plant starts off intriguingly, burns up its ideas in the first hour and pads out the rest with joltingly repetitive action sequences.- Variety
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David Rooney
Ambling drama shows an exasperating lack of economy and a weakness for diatribe dialogue, but becomes progressively more involving after a laborious start.- Variety
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Brian Lowry
Loud, silly but kind of lame-brained fun with car chases aplenty, "Dukes" faithfully plays like an extended episode of the series, albeit with an additional gallon or so of fuel-injected raunchiness.- Variety
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Joe Leydon
Has a washed-out look that may be off-putting to auds who might otherwise enjoy the pic's uncondescending view of Southern characters and customs.- Variety
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Robert Koehler
Assuming the victims' point of view in the type of kidnapping that's now epidemic in Latin America, Jonathan Jakubowicz's Kidnap Express depicts a nocturnal Caracas with tense energy.- Variety
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Derek Elley
Admirably non-judgmental docu about life in "the least visited, known, understood country in the world," per Brit director Daniel Gordon, brings a refreshing balance to the usual blind vilification of the country.- Variety
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Reviewed by
Brian Lowry
Crude, sophomorically homophobic but frequently funny, pic also overstays its welcome a bit and indulges in some juvenile excesses. All told, though, The 40 Year Old Virgin delivers enough belly laughs.- Variety
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Reviewed by
Todd McCarthy
Although it will most readily appeal to cinephiles…offers sufficient reality-based incident and ponderable cultural issues to attract curious audiences.- Variety
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Lisa Nesselson
Helmer -- an Arab Jew who has lived on both sides of Jerusalem and is comfortable speaking idiomatic Arabic and Hebrew -- is particularly well qualified to tackle her subject.- Variety
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Reviewed by
Leslie Felperin
A film is in trouble when, despite the presence of an A-list cast and a well-regarded director, the best thing in it is a partly digitized bear.- Variety
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Dennis Harvey
A straight-ahead slasher pic with the big difference of an all-gay male character cast, Hellbent is fun -- if minor horror fun -- ably handled by first-time feature helmer Paul Etheredge-Ouzts.- Variety
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Brian Lowry
As uneven as the topography of its San Francisco locales, but the amiable peaks mostly offset the flat stretches and valleys. A variation on a very old meet-cute theme with a touch of otherworldly romance.- Variety
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Robert Koehler
Good-natured but only memorable as a platform for the amusingly feisty Peter Falk, The Thing About My Folks plies a light approach to the problems grown children face when their parents appear on the verge of divorce.- Variety
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Reviewed by
Dennis Harvey
Sharp performances and writing lend it a fresh appeal well above this genre's average.- Variety
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Jay Weissberg
Helmers Garrett Scott and Ian Olds offer a sympathetic look at the average Joe doing duty in hell -- as well as a sharp indictment of the Pentagon's cavalier support for the troops.- Variety
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Todd McCarthy
Atom Egoyan's most mainstream and genre-oriented picture in his 20-year career applies a thick noir lacquer to a jumbled, time-jumping tale of a young female journalist prying the facts out of the aging entertainers and their cronies.- Variety
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Leslie Felperin
Rocky but respectable Land of Plenty proves the helmer often does better with low budgets, fast schedules and young collaborators. Slushy final 10 minutes nearly trashes with triteness the good work that precedes it.- Variety
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