For 17,805 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,148 out of 17805
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Mixed: 7,020 out of 17805
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Negative: 1,637 out of 17805
17805
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Debruge
For all the tyrannical disdain he's shown other filmmakers over the years, von Trier once again demonstrates a mastery of classical technique, extracting incredibly strong performances from his cast while serving up a sturdy blend of fly-on-the-wall naturalism and jaw-dropping visual effects.- Variety
- Posted Oct 24, 2011
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John Anderson
A potential menage a trois of terror is served up as rather weak tea in Retreat, which fails to make its alleged suspense, thrills or even its mist-enshrouded landscapes particularly plausible.- Variety
- Posted Oct 24, 2011
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Reviewed by
Leslie Felperin
Although a massive hit at home, taking approximately $16 million at the wickets, this great-looking but tonally uneven pic won't jive with audiences quite so well anywhere else.- Variety
- Posted Oct 24, 2011
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Reviewed by
Leslie Felperin
Clearly rejuvenated by his collaboration with producer Peter Jackson, and blessed with a smart script and the best craftsmanship money can buy, Spielberg has fashioned a whiz-bang thrill ride that's largely faithful to the wholesome spirit of his source but still appealing to younger, Tintin-challenged audiencs.- Variety
- Posted Oct 24, 2011
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Peter Debruge
However crass the motivation for its existence, Puss' origin story could easily stand on its own -- a testament to clever writing on the part of its creative team and an irresistible central performance by Antonio Banderas.- Variety
- Posted Oct 24, 2011
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Andrew Barker
An exquisite, beautifully acted gem of a film, one that should serve as a prelude to bigger things for stars Felicity Jones and Anton Yelchin, as well as director Drake Doremus.- Variety
- Posted Oct 22, 2011
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Reviewed by
Dennis Harvey
There's never any doubt where the picture is headed. If it finally achieves a modicum of poignancy, the impact surely would have been greater if the whole felt fresher.- Variety
- Posted Oct 22, 2011
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Reviewed by
Justin Chang
Whereas 2007's well-traveled "Heima" reveled in scenic color imagery of the artists' homeland, this minimalist item strips the band down to its output, fashioning black-and-white performance footage into a uniquely spellbinding experience.- Variety
- Posted Oct 22, 2011
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Robert Koehler
While there's the sense that this old guy/young guy spy angle has been done better by films like "Spy Game" a decade ago, Gere, never looking tougher or handsomer, and Grace, adding some action skills to his relatively cerebral persona, invigorate the proceedings in roles that would seem to benefit the actors' career arcs.- Variety
- Posted Oct 22, 2011
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Justin Chang
Temperance of a different sort, a willful abstention from trippy stylistic excess, is what makes this 1960-set Caribbean picaresque easily the most lucid screen adaptation of Hunter S. Thompson's work, even if it's still several drafts shy of a fully developed yarn.- Variety
- Posted Oct 22, 2011
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Ronnie Scheib
Its provocative subject matter, though seriously treated, qualifies it as a dark-horse candidate for latenight cable.- Variety
- Posted Oct 22, 2011
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Ronnie Scheib
A flabby, unfunny action-comedy produced, directed and written by former WWE exec VP Mike Pavone, The Reunion boasts one of the most poorly assembled scripts to emerge from the wrestling franchise.- Variety
- Posted Oct 22, 2011
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Reviewed by
Ronnie Scheib
Picture narrowly avoids outright bathos, thanks largely to first-rate perfs by its child thesps and by Ray Liotta. But by self-righteously rejecting facile solutions, then employing them anyway in the tradition of "no ending left behind," the result conforms to parents' old-fashioned notions of kid movies rather than demonstrating true kid appeal.- Variety
- Posted Oct 22, 2011
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Ronnie Scheib
The indomitable siblings' unusual background, huge size and highly developed intellects, as well as the dramatic ups, downs and rebounds of their interwoven sagas, should result in a fascinating dual biodoc. But the two-hour pic's lack of economy makes for heavy slogging, with no boxing minutiae too small for exhaustive exposition.- Variety
- Posted Oct 22, 2011
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Reviewed by
Peter Debruge
Nearly every detail sources directly back to Kaui Hart Hemmings' sensitively crafted novel, and yet, Payne's triumph is in striking the right tone -- and knowing what to leave unsaid.- Variety
- Posted Oct 20, 2011
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Leslie Felperin
Mixing together some of helmer Aki Kaurismaki's favorite Gallic and Finnish thesps with a few newbies, Le Havre feels like a welcoming family reunion.- Variety
- Posted Oct 18, 2011
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Joe Leydon
Family-friendly and abounding in uplift, The Mighty Macs is an undemandingly pleasant indie drama.- Variety
- Posted Oct 18, 2011
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Richard Kuipers
A deeply moving study of emotionally scarred adults who were illegally deported as children to Australia from Britain in the 1940s and '50s.- Variety
- Posted Oct 18, 2011
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Ronnie Scheib
Revenge is a disappointment. Admittedly, the picture deploys the same kind of cinematic bells and whistles that made "Killed" so enjoyable. But without true tension, the documentary feels as slickly manufactured as its va-va-voom subject.- Variety
- Posted Oct 16, 2011
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Reviewed by
Peter Debruge
The largely elliptical script feels a few drafts shy of focus, with the thriller elements undermining the juicier questions of why one joins a cult and how life can go back to normal later.- Variety
- Posted Oct 16, 2011
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Justin Chang
J.C. Chandor's precocious writing-directing debut is fastidious, smart and more than a bit portentous as it probes the human costs of unchecked greed.- Variety
- Posted Oct 16, 2011
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John Anderson
Hoop dreams die hard, and the stories in Elevate are both sobering and thrilling.- Variety
- Posted Oct 16, 2011
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Ronnie Scheib
Reminiscences about Goodman and readings of his poetry are played over old pictures that capture his singularly seductive appeal and lively sense of humor.- Variety
- Posted Oct 16, 2011
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Rob Nelson
In the curious absence of religious satire, toilet humor isn't enough to constitute comedy, while the leads' grating performances make 81 minutes feel eternal.- Variety
- Posted Oct 16, 2011
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John Anderson
All in all, the pace -- although buoyed by Joel Goodman score -- is rather plodding until Clash's life story intersects with that of the little red guy, at which point it lifts off. And even yanks a tear or two.- Variety
- Posted Oct 16, 2011
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- Critic Score
More a resuscitation than a rebirth, Johnny English Reborn finds British comedian Rowan Atkinson reviving his spoof spy character with this enjoyable if somewhat wheezy reprise.- Variety
- Posted Oct 16, 2011
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Ronnie Scheib
Set in cramped apartments and hole-in-the-wall storefronts in the East Village, Michael M. Bilandic's nanobudget comedy Happy Life plays like a poor schlub's "High Fidelity."- Variety
- Posted Oct 16, 2011
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John Anderson
If movies were subject to sanity tests, Oka! would be a crazy old man with a three-day beard and a sock full of kruggerrands under his mattress.- Variety
- Posted Oct 13, 2011
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Rob Nelson
Far less chilling than versions from 1951 and 1982, Universal's latest take on The Thing at least has a strong lead thesp in Mary Elizabeth Winstead, recruited for the studio's bid to turn a tale of ice-cold macho paranoia into a beauty-vs.-beast shocker a la "Alien."- Variety
- Posted Oct 13, 2011
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Reviewed by
Brian Lowry
Director David Frankel's picture delivers sweet and (more rarely) amusing moments, but this odd duck never completely gets off the ground.- Variety
- Posted Oct 13, 2011
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