Variety's Scores

For 17,805 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17805 movie reviews
  1. Never finds its own groove, alternating between high-school dramedy and overworked-single-mom narratives without ever really becoming a mother-and-daughter story until the closing scenes.
  2. A subversive and strange little film noir.
  3. The script unfortunately suffers from its own case of arrested development, barely getting out of the gate before stalling, and never building enough laughs or narrative impetus to justify feature length.
  4. By turns gentle, deadpan, droll and sarcastic, Jimenez's film reflects on Proust's "Remembrance of Things Past" to track a sweet but doomed love affair between literary -- and pleasurably randy -- college students.
  5. This bizarre but weirdly bloodless retro-camp exercise is neither funny nor eerie enough to seduce the uninitiated, and will court bemused reactions at best from the series' still-estimable fan following.
  6. Gee follows Sebald's path with only occasional detours, while intermittently glimpsed talking heads fade in and out of artful black-and-white landscapes.
  7. Under African Skies is appreciably smarter than most celebrity musician documentaries.
  8. There's no mistaking Jardin's playful mastery of the Hollywood-style action aesthetic; his movie starts in high gear and accelerates steadily from there.
  9. Turning over rocks in and around the New York art world, helmer Andrew Shea finds a lot of ugly stuff while chronicling what amounts to a 60-year hostage drama centered around the Egon Schiele oil painting that gives the film its title.
  10. First-time feature helmer Brian Crano maneuvers some tricky tonal shifts with impressive ease in A Bag of Hammers, a droll, quirky comedy with a pleasant amount of heart.
  11. The picture could provide modest amusement for indulgent viewers with a taste for tales of loquacious killers and not-so-innocent bystanders.
  12. While it starts out well, Bobcat Goldthwait's black comedy struggles to maintain focus as it turns into a road trip of diminishing rewards in satirical and narrative terms.
  13. This tale of two elementary-school brothers plotting to end the physical separation their parents' divorce has forced on them effortlessly pulls off the naturalism and charm desired from material that might have easily curdled into calculated preciousness.
  14. Picture may not be Scots helmer David Mackenzie's best effort, but it's easily his most lighthearted, a cheery trifle that reps a contrast to his recent pictures, the apocalyptic "Perfect Sense" and U.S.-set comic misfire "Spread."
  15. Just marginally a documentary, Chronicling a Crisis turns out to be one of Amos Kollek's more affecting films.
  16. Undistinguished apart from Rebecca De Mornay's performance as an unhinged mama.
  17. Whether the glass is half full or half empty isn't the point of the effervescent Last Call at the Oasis: It's whether there'll be anything in the glass at all.
  18. A natural fit for nature-film audiences and the edu-tainment market.
  19. Watching a consummate pro like Turner navigate an uneven script, veering from farcical determination, her cheeks puffed like those of a demented chipmunk, to utter devastation, can be immensely entertaining, particularly when she's backed by an able cast, as she is here.
  20. The picture combines the built-in drama, tension and suspense of documentaries such as "Spellbound" with exciting, beautifully lensed variations performed by the virtuosos of the future.
  21. The powerhouse cast is so capable, the actors just about manage to play the picture as if it were a "Midsummer Night's Dream"-style frothy farce, with marigold garlands and picturesque poverty.
  22. An only fitfully convincing Hudson leads a strong-on-paper cast, but most of the actors look uncomfortable here, particularly Gael Garcia Bernal as her love interest.
  23. Helmer-writer Lee Kirk's deliberately offbeat romance, a vehicle for wife Fischer, will undoubtedly win friends through its cockeyed-optimistic view of romance.
  24. Toby Perl Freilich's thought-provoking documentary Inventing Our Life sketches the history of the radically socialist, more-than-100-year-old kibbutz movement.
  25. This wildly ambitious rumble-in-the-jungle battle epic arrives bearing so heavy a burden of industry expectations, one wishes the results were less kitschy and more coherent; still, the filmmaking has a raw physicality and crazy conviction it's hard not to admire.
  26. Despite the over-familiarity of its once-trendy time-tripping plot structure, 96 Minutes maintains a brisk pace and generates a satisfying degree of suspense with its credibly contrived tale of disparate lives forever changed by a violent carjacking.
  27. What starts out crisp and promising gives way to a conventional shoot-'em-up in Safe, a fast-paced but extremely familiar vehicle for Jason Statham, who can only carry the material so far on his brawny shoulders.
  28. Every bit as cliched as it sounds, picture offers a dramatically crude, overly familiar take on the bad-boy-turned-good story. At its best, it offers young thesps E.J. Bonilla and Veronica Diaz-Carranza a showcase for their range.
  29. Picture's visual elegance makes a limited arthouse life possible, although Nigerian-born fashion photog-turned-helmer Andrew Dosunmu is far more interested in aesthetics than narrative in erecting his visually poetic "City."
  30. Two documentary filmmakers infiltrate a mysterious cult, only to find themselves drawn into the leader's insidious grip, in the taut, compelling low-budget feature Sound of My Voice.

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