For 17,839 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,166 out of 17839
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Mixed: 7,035 out of 17839
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Negative: 1,638 out of 17839
17839
movie
reviews
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Reviewed by
Todd McCarthy
Lacks the special creative spark needed to lift it to an uncommon imaginative level.- Variety
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Reviewed by
Joe Leydon
Tureaud and Salzberg achieve their potent impact through the straightforward (but clearly admiring) observation of men who band together in battle and, in the film’s emotionally stirring final scenes, mourn their fallen comrades.- Variety
- Posted Jun 5, 2014
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Reviewed by
Joe Leydon
As Red Knot (very) slowly unwinds, Thirlby conveys an impressive range of emotions through the eloquence of her facial expressions and body language. Like Kartheiser, however, she labors under the burden of playing a role that is more a vague concept than a fully developed character.- Variety
- Posted Dec 8, 2014
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- Critic Score
If nothing else, Project X is the ultimate film for monkey lovers. Some quite endearing chimpanzees share center stage with Matthew Broderick for nearly two hours here, and while they, and he, are engaging enough to watch, picture lets its manipulative strings show too clearly.- Variety
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- Variety
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Reviewed by
Robert Koehler
Leo Heiblum's pulsating music and Samuel Larson's dense, fascinating sound editing rewardingly compliment Rulfo's electrifying visuals.- Variety
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Reviewed by
Dennis Harvey
The film successfully mixes together a lot of things, from the waterfront tourist-town setting of “Jaws” to a general teen fantasy-adventure feel that tempers (without weakening) horror content variably redolent of “It,” “Fright Night” and myriad other predecessors. If originality isn’t a strong suit here, the film’s conviction and polish make that a minor sin.- Variety
- Posted Apr 28, 2020
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Reviewed by
Todd McCarthy
Has moments of power and imagination, but the overworked style and heavy socially conscious bent exude an off-putting sense of self-importance, making for a picture that's more of a chore than a pleasure to sit through.- Variety
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Reviewed by
Jay Weissberg
Full of delightful moments that throw into high relief the actors' craft.- Variety
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Reviewed by
Todd McCarthy
Lively and quite funny without being obnoxious, this follow-up smoothly mixes the original's New York Zoo escapees with a number of engaging new characters.- Variety
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Director James Bridges has ably captured the atmosphere of one of the most famous chip-kicker hangouts of all: Gilley’s Club on the outskirts of Houston.- Variety
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Reviewed by
Peter Debruge
It’s calculated and precise and meticulously constructed in a way that will be of considerable interest to audiences who appreciate stories that unsettle, and those who recognize the precision of Sisto’s approach.- Variety
- Posted Feb 2, 2021
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Reviewed by
Peter Debruge
Lovely, elegant, and curiously opaque ... The film’s many ballet scenes are stunning, to say the least.- Variety
- Posted Mar 21, 2019
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Reviewed by
Owen Gleiberman
The movie, though it pretends to reveal how power works, is ultimately content to remain on the outside, sticking its finger in the eye of power.- Variety
- Posted Dec 17, 2018
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Reviewed by
Leslie Felperin
The constant juxtaposition of scenes showing the dark and light aspects of the characters endows the pic with a juicy moral complexity that will stimulate post-screening debates.- Variety
- Posted Aug 14, 2013
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Reviewed by
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Reviewed by
Jay Weissberg
Hulsing’s illustrations suggest a depth to pirate Mohamed Nura that remains hidden in the flesh.- Variety
- Posted Oct 2, 2014
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Reviewed by
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- Variety
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Reviewed by
Owen Gleiberman
The heist is fun and convincing without being dazzling, and some of the most amusing stuff in the film is just character comedy.- Variety
- Posted Jun 5, 2018
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Reviewed by
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Reviewed by
Peter Debruge
For those eager to tease out what Leigh’s conceptual exercise is about, the key no doubt lies in Lucy’s relation to her own mortality, with each descent into sleep resembling a death of sorts.- Variety
- Posted Oct 10, 2011
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- Critic Score
Paucity of invention here lays bare the total absence of plot or involving situations.- Variety
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Reviewed by
Tomris Laffly
Despite an eager-to-please ending that tries too hard to redeem the elderly Frays, Bialik’s movie still offers up hope, humor and above all, keen observations on grief in the wake of those who’ve damaged us in ways both tangible and veiled.- Variety
- Posted Apr 12, 2022
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Reviewed by
Justin Chang
Aiming for an Alexander Payne-style synthesis of wry comedy and unflinching character study, pic has been made with the utmost sincerity, but the frankly lugubrious material and barely compensating spasms of humor are all but impossible to warm to.- Variety
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Owen Gleiberman
Hill wants to “do justice” to each of these people, but the result is that Dead for a Dollar doesn’t have a dramatic core. It has actors we like to watch, doing what they do well (like Waltz playing a civilized badass), but it isn’t structured so that any of their fates gets a rise out of us.- Variety
- Posted Sep 8, 2022
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Reviewed by
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Reviewed by
Peter Debruge
Though Respect can feel a little soft in the drama department, it delivers the added pleasure of hearing Hudson re-create Franklin’s key songs, from the early jazz standards she covered for Columbia to her reinvention of the Otis Redding single that lends the film its name.- Variety
- Posted Aug 8, 2021
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Jim Abrahams tries to tap the zany Airplane! vein with this Top Gun spoof but bats far too low a percentage with the usual rapid-fire assault of numbingly stupid gags.- Variety
- Posted Jun 29, 2017
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Reviewed by
Ronnie Scheib
Shepard delivers in spades, his character weary but just crackpot enough to survive.- Variety
- Posted Oct 2, 2011
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Reviewed by
Leonard Klady
It’s the kind of wickedly delicious comedy one can savor without adding the proviso of guilty pleasure.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
Brandishes physical verisimilitude and intelligent seriousness but proves unable to really get inside its chameleon-like central character.- Variety
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Reviewed by
Justin Chang
This vulgar romp is a generally harmless, heartwarming affair, a cinematic Christmas cookie almost sweet and flaky enough to cover the fact that it's laced with hash, cocaine and assorted bodily fluids, blood included.- Variety
- Posted Nov 3, 2011
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Reviewed by
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- Variety
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