For 17,837 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,166 out of 17837
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Mixed: 7,034 out of 17837
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Negative: 1,637 out of 17837
17837
movie
reviews
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Reviewed by
Lisa Kennedy
An amiable ensemble effort, with two sturdy lead performances, Suncoast is reminiscent of the minor-key, quirky-charming ’90s dramedies so often discovered by the Sundance Film Festival. This is a fine thing; there are deserved laughs and tears. It is also a slightly awkward thing.- Variety
- Posted Jan 25, 2024
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- Variety
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- Critic Score
Schwarzenegger, who when he dons a green suit is dubbed 'Gumby' by Belushi, is right on target with his characterization of the iron-willed soldier, and Belushi proves a quicksilver foil.- Variety
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Reviewed by
Dennis Harvey
Cleverly complex, if not quite as scary or memorable as one might have hoped.- Variety
- Posted Mar 10, 2014
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John Anderson
[The Kings of Summer] is much more interested in the laughs that can be mined from character rather than plot. Galletta’s script, Vogt-Roberts’ direction and the distinctive play of the actors, notably Offerman and Mullally, lets the viewer know who everyone is right away, and the gag lines flow.- Variety
- Posted Mar 22, 2013
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- Variety
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Reviewed by
Dennis Harvey
A pitch-perfect lead performance by Parker Posey and debuting feature writer-helmer Zoe Cassavetes' deft, low-key approach raise Broken English a couple notches above the usual run of lonely-single-woman-seeking-romance-in-the-big-city yarns.- Variety
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Reviewed by
Dennis Harvey
The material itself has a formulaic solo-bioplay rhythm neither performer nor director can fully elude.- Variety
- Posted Nov 12, 2012
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Reviewed by
Peter Debruge
This engaging economics lesson, bolstered by articulate experts and amusing animated sequences, would be right at home in high school and college classrooms. Heck, it would be a nice addition to Disney Plus, breaking up all the hagiographic puff-pieces on offer there.- Variety
- Posted Sep 23, 2022
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Reviewed by
Peter Debruge
Where “Peter Pan” was a phenomenon, this straight-to-streaming version is but a shadow, scampering off and trying to have fun on its own.- Variety
- Posted Apr 28, 2023
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Reviewed by
Courtney Howard
The feature’s genteel, sweet spirit and radiant lead performances rescue it from forgettable mediocrity and genre familiarity.- Variety
- Posted Feb 9, 2021
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- Variety
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Reviewed by
David Rooney
As lethargic as the characters it portrays, the film requires greater staying power than many audiences will possess.- Variety
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Todd McCarthy
Odd mixture of ultra-sleek visuals, psychological probing, "Paper Moon"-like father-daughter swindling, self-improvement efforts and abrupt tough-guy stuff keeps the picture percolating, even if it seems too artificial to genuinely convince on an emotional or dramatic level.- Variety
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Robert Koehler
Never rising above routine episodic storytelling, White Oleander nonetheless retains something of its source novel's ravaged emotional surface and cool, observant manner.- Variety
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Reviewed by
Ken Eisner
Educational value aside, pic is exciting for its extended performance sequences, with the most notable finding Traore and Farke strolling with guitars through the acoustically amazing atrium of an abandoned mud schoolhouse.- Variety
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Reviewed by
Owen Gleiberman
The herd’s endless quest to find water becomes a repetitive (and rather dry) theme. And to the extent that super-square anthropomorphic Disney filmmaking isn’t merely a form but a skill, I never felt overwhelmingly close to Gaia or Shanti or Jomo. The Disney nature films have always had a certain hermetic quality, but this one feels more sealed-off than usual.- Variety
- Posted Mar 30, 2020
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Reviewed by
John Anderson
Streetwise, kinetic and solidly dramatic, Prince of Broadway is a convincingly character-driven tale set in a clandestine universe -- the realm of stolen and/or counterfeit fashions that exists in the no man's land of Manhattan's West 20s.- Variety
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Reviewed by
Peter Debruge
The characters can be so grating, watching The Divide feels like sticking your head in the garbage disposal. But as unwieldy as the multi-tentacled narrative can be — just think of the logistics required to stage it! — the experience adds up to something unshakeable.- Variety
- Posted Jul 16, 2021
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Reviewed by
Scott Foundas
This rare femme-centric addition to the loss-of-virginity canon (dominated by the likes of “Porky’s,” “Risky Business” and “American Pie”) hits its fair share of outrageously funny highs amid lots of so-so filler, but stays buoyant and likable throughout thanks to the winning presence of “Parks and Recreation” star Aubrey Plaza in the lead.- Variety
- Posted Jul 22, 2013
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Action is well-handled, as Tuggle demonstrates ample storytelling talent and draws a multitude of nuances from his cast.- Variety
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- Variety
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Reviewed by
Todd McCarthy
With its exceptional multicamera coverage and dynamic editing, pic provides an amazing ride across the dusty roads and stunningly varied terrain of what could be the world's most demanding vehicle race.- Variety
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Candyman is an upper-register horror item that delivers the requisite shocks and gore but doesn't cheat or cop out.- Variety
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- Critic Score
Third-act heroics help but can't rescue filmmaker Stephen Frears' most concerted mainstream push. Muddled effort cleverly skewering media and societal fascination with heroes doesn't create compelling characters for its big-name leads.- Variety
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Reviewed by
John Anderson
Playing a negligent mother isn't usually the way to get ahead in the acting biz, but the elfin Michelle Monaghan must have seen Trucker as her vehicle out of the ingenue parking lot of sidekicks and potential hostages.- Variety
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Reviewed by
Dennis Harvey
Those with just a casual interest will find it colorful if a bit undercooked in the human-interest department, with limited insight into what makes its subjects tick, and the occasional rivalries between them.- Variety
- Posted Oct 29, 2013
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- Critic Score
It’s a good yarn, remindful of some of Alfred Hitchcock and Fritz Lang’s wartime mellers as well as Michael Powell’s 1939 tale of a World War I German agent in Scotland, The Spy in Black.- Variety
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- Critic Score
It appears that the idea here is to expose and debunk the Buffalo Bill legend, revealing it for the promotional distortion which, in some ways, it most certainly has to have been.- Variety
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Reviewed by
Michael Nordine
“Rise” is a serviceable — if also forgettable — entry in the cowabunga canon.- Variety
- Posted Aug 5, 2022
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