Variety's Scores

For 17,835 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17835 movie reviews
    • 62 Metascore
    • 80 Critic Score
    The script broadens the 1927 short story considerably without losing the Hemingway penchant for the mysticism behind his virile characters and lusty situations.
  1. There’s some crafty artistry at work in The Rental, and also some fairly standard pandering, which feels like a violation of the movie’s better instincts. That said, most of it is skillful and engrossing enough to establish Franco as a director to watch.
    • 62 Metascore
    • 80 Critic Score
    An enjoyable romp through the early days of television, My Favorite Year [from a story by Dennis Palumbo] provides a field day for a wonderful bunch of actors headed by Peter O'Toole in another rambunctious, stylish starring turn.
  2. This wildly ambitious rumble-in-the-jungle battle epic arrives bearing so heavy a burden of industry expectations, one wishes the results were less kitschy and more coherent; still, the filmmaking has a raw physicality and crazy conviction it's hard not to admire.
    • 62 Metascore
    • 70 Critic Score
    The film transcription of James Hilton’s novel Random Harvest, under Sidney Franklin’s production and Mervyn LeRoy’s direction, achieves much more than average importance.
    • 62 Metascore
    • 90 Critic Score
    Decidedly odd, even by Japanese standards, this mockumentary about an electrically charged, skyscraper-high superhero saddled with misfortune, bad press and even worse TV ratings is tears-down-the-face funny and a genuine, jaw-dropping oddity.
  3. Coolly absorbing without being pulse-quickening.
  4. Despite its dubious inhabitants, the film consistently entertains by throwing the kinds of curves one should see coming but doesn’t.
  5. Part of the massive entertainment value of [Singer's] wild and unwieldy second feature is that it is refreshingly free of any kind of manifesto.
  6. It’s a ham-handed, lurchingly obvious mess, without the glimmer of human interest that even a sensationalist horror film needs.
  7. The powerhouse cast is so capable, the actors just about manage to play the picture as if it were a "Midsummer Night's Dream"-style frothy farce, with marigold garlands and picturesque poverty.
  8. Though there’s much to savor in the pic’s lavishly distressed visuals and soundscape, its narrative feels increasingly stretched and desultory.
  9. Of course, the film’s main selling point is the particular chemistry of its two leads. It’s a delight to see the usually dapper Neill convince as a disheveled farmer, with his unshaven face, wild hair and utilitarian clothing. Meanwhile, Caton, with his baleful glare and drunken muttering, is utterly believable as the older, angrier brother.
    • 62 Metascore
    • 70 Critic Score
    S.O.B. is one of the most vitriolic – though only occasionally hilarious – attacks on the Tinseltown mentality ever.
  10. But the film also has its turgid, dialogue-heavy stretches, and the leading performances, if acceptable, are not everything they needed to be to fully flesh out these elegant immortals.
  11. Extraordinary perfs by a mostly young cast likely will be cancelled out by the grim subject.
  12. The special effects are quality fun, the humor only a little Japanese, and the story boasts the offbeat genre twists Miike lovers clamber for.
  13. Inspired at least in part by stunts Frizzell pulled when she was her characters’ age, this raucous parade of humiliation and embarrassment packs all the appeal of an outrageous anecdote hilariously retold by someone who can scarcely believe they ever did something so stupid.
    • 62 Metascore
    • 70 Critic Score
    A firstrate underwater suspenser with an otherworldly twist, The Abyss suffers from a payoff unworthy of its buildup.
  14. The teaming of Samuel L. Jackson and Kevin Spacey, two of the most highly regarded actors around, in perfectly fitting roles that call for a battle of wits and wills, proves to be a shrewd piece of casting, and the best element of The Negotiator.
  15. The docu’s hyperactive editing and visuals eventually grow a tad monotonous, undercutting some of this life story’s poignancy.
  16. Newcomer Marder’s performance is a thoroughly engaging one. She manages to demonstrate both screen presence and likability, despite a role which requires her to represent youthful optimism to an almost symbolic degree.
  17. Beautifully crafted and legitimately involving once it locks onto a dramatic track, film benefits from remaining mysterious about how far it intends to go in pursuing its themes, but also suffers from long-windedness and preachy final-reel explicitness as to its message.
  18. Partridge navigates risky material with assurance, delicacy and a deepening sense of intimacy that can turn, without warning, into complicity: The more at ease we feel in the characters’ company, the more disturbingly questionable the situation becomes.
  19. Giddily recycling everything from “2001: A Space Odyssey” and “The Matrix” to yakuza actioners and National Geographic documentaries, it’s a garish, trippy, wildly uneven and finally quite disarming piece of work, graced by a moment-to-moment unpredictability.
    • 62 Metascore
    • 80 Critic Score
    Major League lacks the subtlety of Bull Durham or the drama of Eight Men Out, but for sheer crowd-pleasing fun it belts one high into the left-field bleachers...Though the plot turns are mostly predictable, they are executed with wit and style.
  20. Streep single-handedly elevates this sitcomy but tolerably entertaining adaptation of Lauren Weisberger's bestselling 2003 roman a clef about a personal assistant's year of chic hell under the thumb of the dragon lady of the fashion world.
  21. As a director, Louiso operates within a narrow emotional range; while not as bleak as "Love Liza," the film feels similarly monotonous and desperately needs more dramatic fluctuation.
  22. Tantalizingly rich in atmosphere and altogether unhurried in revealing its secrets, the evocatively shot, ultra-widescreen Apostle will eventually veer into dark, mercilessly supernatural territory.
  23. Potent performances by stars Katie Holmes and Luke Kirby, strong contributions by well-cast supporting players and an overall sense of understated verisimilitude offset the predictable aspects of the narrative.

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