Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. A former rock 'n' roller withers on the vine in California Solo, Marshall Lewy's forgettable sophomore effort (after a promising beginning with "Blue State").
  2. A modestly affecting reconciliation drama wrapped in a so-so sports movie by way of a misogynistic romantic comedy, Playing for Keeps can't stop tripping all over itself.
  3. Even by the freewheeling, mood-swinging standards of Bollywood, the pronounced disparity between the pre- and post-intermission halves of Jab tak hai jaan is more than a tad jarring. Indeed, viewers may feel they've been treated to an oddly matched double bill -- a delightfully vivacious romantic dramedy, followed by an Old Hollywood sort of psychological melodrama.
  4. Mixing a breathtaking array of archival materials with new talking-head interviews, the film analyzes the monumental miscarriage of justice repped by the 1989 Central Park Jogger case.
  5. The film, produced by Cherney, makes a clear and cogent case (later upheld by a court verdict) that police and FBI falsified evidence in order to discredit Bari's cause.
  6. The sins of the fathers have seldom weighed so heavy as in the odd, intriguing and ultimately moving Hitler's Children.
  7. Imamura's square-framed, black-and-white imagery, in all its various stylistic incarnations, proves as compelling through the docu's myriad detours as in any of his better-known psychological thrillers.
  8. Even tots may emerge feeling slightly browbeaten by this colorful, strenuous and hyperactive fantasy, which has moments of charm and beauty but often resembles an exploding toy factory rather than a work of honest enchantment.
  9. The 13 women, all born or made New Yorkers -- all born or made women -- of various ages, shapes, sizes and backgrounds, lose none of their mystique by being captured "behind the scenes," traipsing through airports or meticulously applying weird makeup. Rather, they reveal themselves as more conscious, integral parts of a spectacle that unfolds to hypnotic effect.
  10. Considering that many will regard child boxing as inappropriate, at the very least, the documentary invites criticism by choosing not to include any voices of dissent or analysis of the sport within a broader social and cultural context.
  11. An uncommonly engrossing and articulate documentary.
  12. Part 2 has the bonus of a livelier Stewart performance than fans have been accustomed to. No longer a mopey, lower-lip-biting emo girl, this Bella is twitchy, feral, formidable and fully energized, a goddess even among her exalted bloodsucker brethren.
  13. A raggedy but refreshing yarn about the near-terminal condition known as male adolescence.
  14. After a strong start, the picture itself has trouble checking out, but it provides a terrific showcase for indie princess Posey, leading a topnotch cast.
  15. Hitchcock is a diverting but dramatically insipid account of how the Master of Suspense took his biggest gamble and delivered his greatest success with "Psycho."
  16. Considering Haneke's confrontational past, this poignantly acted, uncommonly tender two-hander makes a doubly powerful statement about man's capacity for dignity and sensitivity when confronted with the inevitable cruelty of nature.
  17. Complex story twists unfold to confusing effect, while characters angrily toss cliches at one another and revelations multiply rather than resolve murky plot developments.
  18. An unnerving home-invasion thriller, In Their Skin has narrative bones we've certainly seen before, bearing perhaps the closest resemblance to Michael Haneke's two versions of "Funny Games." Nonetheless, the same simple premise achieves full creepy impact here without succumbing to cheap genre thrills or cool arthouse abstraction.
  19. Standout perfs by Bernadette Peters as an aging diva and Rachel Brosnahan as her solicitous 15-year-old daughter are the only reasons to see Lisa Albright's Coming Up Roses, a tired '80s-set meller hobbled by lackluster helming and an unconvincing script.
  20. Writer-director Brian Savelson drags four characters all the way out to the woods to orchestrate the sort of politely confrontational chamber piece best suited to an Off Off Broadway stage in In Our Nature, an eloquent but overly rehearsed drama.
  21. Adopting a postmodern method quite different from that of his remarkable "The Inner Tour," Ra'anan Alexandrowicz poses his questions from a legal angle, and finds these minds stumped by a system they've professionally defended.
  22. A powerful, necessary contribution to a chilling body of reportage that, one senses by film's end, has just begun to take stock of the human costs of a monstrous conspiracy.
  23. The material itself has a formulaic solo-bioplay rhythm neither performer nor director can fully elude.
  24. Turning one of the darkest moments in modern French history into syrupy historical drama, writer-director Rose Bosch's The Round Up is a polished, pathos-driven re-creation of the Vichy regime's mass imprisonment and disposal of 13,000 Parisian Jews in summer 1942.
  25. With a first-rate cast led by Keith David and Sheryl Lee Ralph, generously funny dialogue and a supporting cast capable of crisp comic timing, writer-director David Raynr's feature is warm and likable enough to jumpstart the holiday movie season.
  26. Heckerling always manages to get her finger firmly on the pulse of the contemporary moment, and while her club-hopping heroines may be undead, they serve as adorable metaphors for what the filmmaker sees as a zombified moment in cultural history.
  27. Writer-director Ciaran Foy skillfully taps into primal fears and urban paranoia to keep his audience consistently unsettled in Citadel, an intensely suspenseful horror-thriller.
  28. Lacking much dramatic or intellectual stimulation, it's ultimately a limp effort.
  29. Though named after a party girl's pet Chihuahua, Starlet could just as easily describe the two exceptional first-timers making their debuts in this brittle, beautifully understated San Fernando Valley character study.
  30. LUV
    Heartfelt and formulaic in equal measure.

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