Variety's Scores

For 17,810 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17810 movie reviews
  1. An exceptionally poor piece of holiday cash-in product, rushed and ungainly even by the low standard set by Perry's seven previous Madea films, yet it should be every bit as profitable.
  2. Hopelessly stagebound, despite halfhearted efforts to open up what’s basically a talky two-hander, and risibly pretentious in the manner of soft-core porn that’s no sexier than glossy ads for expensive perfume.
  3. [A] stunningly joke-free comedy-horror hybrid.
  4. This complex, compassionate film finds both wicked humor and, less expectedly, transcendent hope in America’s gaudy fixation with Christmas spirit.
  5. Director Yuya Ishii takes a considerable step forward in terms of budget and ambition with this simple, sometimes sentimental yet wise and full-bodied comedy-drama, which movingly testifies to the ways in which dedication, focus and an extreme attention to detail can achieve something of lasting value.
  6. Promises much in an ominously atmospheric package that nods to 1970s genre stylings. But the payoff is on the meh side.
  7. The directors have brought onboard the entire original cast. This makes their job much easier, as countless performances have perfected the timing and tone of each single line.
  8. It’s a film that purists might insist isn’t horror in the strictest sense, though this slow-burning investigation of unseemly goings-on at a rural Christian commune is frightening in any genre language.
  9. This off-putting pic requires open minds and iron nerves.
  10. The Whoopee Cushion hijinks here are punctuated with incongruous outbursts of bloody violence.
  11. Even when judged by the standards of broad farce, however, Expecting repeatedly strains credibility and defies logic in ways too glaring to ignore.
  12. The voice ensemble is game, if not especially well matched.
  13. There doesn’t appear to be any purpose at all to the random exchanges and interactions that pass for a plot.
  14. While every moment is captured with the reverence of a fawning fan, Holwerda’s star-struck approach neglects to shed new light on his subjects or even showcase their greatest hits.
  15. This robust, action-packed adventure benefits from a headier sense of forward momentum and a steady stream of 3D-enhanced thrills.
  16. The film’s brisk progress is always genial and lively, hitting the expected off-color-humor marks without getting too juvenile.
  17. An alternately enchanting and exhausting anime adventure in which cutesy characters and peppy vocal turns belie a darker, angst-ridden narrative.
  18. The pacing is tortured. Plot doesn’t so much twist as rupture and spill forth, and character arcs, as if part of a case being built by a cut-rate lawyer, frequently skip discovery and are forgotten before summation.
  19. It is, in short, everything you’d expect from a crowd-sourced documentary, designed to celebrate its subject, while mostly just validating the aesthetic taste of its backers.
  20. Anchored by a fine and flinty performance from Mia Wasikowska, director John Curran’s gorgeously rendered adventure saga succeeds not only in capturing the harshness and wild beauty of Davidson’s journey, but also in mapping a delicate interior pathway into the heart of this most atypical explorer.
  21. It’s a rich, glorious mess, and its underlying craftsmanship is apparent in the characters’ beautifully delineated relationships, each with its own jangly rhythm and distinct feel.
  22. Yet even as the timelessness of the human activity on display seduces with its serenity, it evokes in modern viewers a definite impatience with the impracticality of traditional rites and rhythms, perhaps only enjoyable in 90-minute doses.
  23. If it was more consistent, Bullett Raja would qualify as a solid piece of genre craftsmanship for director and co-writer Tigmanshu Dhulia (“Saheb Biwi Aur Gangster”), with action scenes that are crisply framed and edited for clarity.
  24. A charming animated feature.
  25. Dynamic performance footage and input from a variety of collaborators, colleagues and admirers, as well as Hanna herself, make the tightly edited Punk Singer a vivid watch even for those with no interest in or experience with the music itself.
  26. Pray deftly maintains the integrity and momentum of his story’s various strands while moving backward and forward in time, and from one discreet subtopic to another, his segues as unpredictable as they are imperceptible.
  27. Lee and Protosevich have made a picture that, although several shades edgier than the average Hollywood thriller, feels content to shadow its predecessor’s every move while falling short of its unhinged, balls-out delirium.
  28. For all its failings, there is one thing about “Long Walk to Freedom” that can’t be denied: Idris Elba gives a towering performance, a Mandela for the ages.
  29. With the aid of Johnsen’s doc to overcome the obstacles China has put in his path, Ai’s voice carries louder than ever before.
  30. The three director-producers’ inability to come up with stronger narrative or thematic organization makes “It’s Better to Jump” play like the professionally polished side product of a vacation stay.

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