Variety's Scores

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For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,164 out of 17832
  2. Mixed: 7,031 out of 17832
  3. Negative: 1,637 out of 17832
17832 movie reviews
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  1. The Wild Life
    Whether dangling characters off the edge of a cliff or zooming around Crusoe’s rickety wooden waterslide, the story is constantly on the go, launching objects and characters along the Z axis — and out over the audiences’ heads.
  2. Sleeping Giant
    Cividino depicts the tricky male power games between the boys with tact and compassionate impartiality.
  3. Bridgend
    Even when the director pushes too far...the film’s formal severity feels appropriately claustrophobic — another form of authority closing in on the light.
  4. Sin Alas
    A sensual, brainy, immersive experience that could invite plenty of festival love and attention for its first-time writer-director.
    • 71 Metascore
    • 70 Critic Score
    Little Man Tate
    Filled with small, telling moments rather than big events, film never really gets inside Fred’s head, but it neatly sketches the external aspects of his predicament.
  6. Hacksaw Ridge
    Hacksaw Ridge is the work of a director possessed by the reality of violence as an unholy yet unavoidable truth.
  7. The Other Side
    Whereas Minervini’s previous pics seemed to radiate a warm empathy toward his subjects — perhaps merely a manifestation of his open-minded curiosity toward the extreme cultural difference he found peering into the less explored corners of Southern culture — The Other Side feels far more shocking in its portrayal.
  8. Graduation
    As expected from a master like Mungiu, everything is beautifully structured and utterly credible, yet Graduation feels like a retread.
  9. The Unknown Girl
    Though what we get is largely exemplary: a simple but urgent objective threaded with needling observations of social imbalance, a camera that gazes with steady intent into story-bearing faces, and an especially riveting example of one in their gifted, toughly tranquil leading lady Adèle Haenel. What’s missing...is any great sense of narrative or emotional surprise.
  10. Loving
    Nichols’ film is seemingly less interested in its own glory than in representing what’s right, and though it features two of the best American performances of the past several years, from Joel Edgerton and Ruth Negga (neither of whom are American, hailing from Australia and Ethiopia, respectively), its emotional impact derives precisely from how understated they are.
  11. Ma' Rosa
    As in most of the director’s repertoire, he portrays working class family relations with unpretentious warmth. Boasting a simple, coherent plot shot with real-time, handheld verismo, it’s a work of understated confidence.
  12. Gimme Danger
    Gimme Danger has an ironic tone for a Stooges portrait: dutiful and engrossing, but not electric or crazy.
  13. Risk
    Running a short 84 minutes, Risk offers considerable insights into Assange, but seems to omit as much as it reveals.
  14. Margarita with a Straw
    Overall, Margarita, With a Straw is an unexpected delight of charm and substance.
  15. Albüm
    Turkish writer-director Mehmet Can Mertoğlu’s substantial debut feature can’t suppress a sneer at the very 21st-century practice of exhaustive yet evasively filtered self-documentation. That’s hardly the only modern malady under fire in this elegantly opaque social satire, which touches on bureaucratic ineptitude, class conflict and very questionable parenting.
  16. Wolf and Sheep
    More compelling on a visual level than a narrative one.
  17. The Wailing
    On the one hand, the film is a gripping whodunnit, exemplified by a scene of classic Hitchcockian suspense, when Jong-gu makes a frightening discovery while snooping around the Japanese man. At the same time it treads into supernatural territory through nightmarish dream sequences that feel unnervingly real.
  18. Cosmos
    Zulawski maintains such expert control of the film’s look and tone that there can be no question that each choice has been deliberate, whatever the significance.
  19. Nerve
    Nerve is a comic-book vision of how the Internet has become a gladiatorial arena of voyeurism. But the movie, like the game it’s about, is hard to stop watching, even when you know it’s playing you.
  20. The Chaser
    Pulse-pounding third act expertly pushes the audience’s buttons, to excruciatingly ironic and ultimately devastating effect. Pic does turn overwrought in the final stretch and would have been wise to end on an earlier note, though action fans won’t mind.
    • 34 Metascore
    • 70 Critic Score
    1941
    Billed as a comedy spectacle, Steven Spielberg’s 1941 is long on spectacle, but short on comedy. The Universal-Columbia Pictures co-production is an exceedingly entertaining, fast-moving revision of 1940s war hysteria in Los Angeles spawned by the bombing of Pearl Harbor, and boasts Hollywood’s finest miniature and special effects work seen to date.
  22. T-Rex
    Though T-Rex leaves some questions unaddressed, and ends with little resolution to protag’s various challenges, it’s compelling throughout.
  23. Norman Lear: Just Another Version of You
    Generally laudatory in its approach to its irresistible human subject — if Lear’s signature white hat remains immovably on his head, the film’s stays very much in hand — this appreciation is nonetheless most fascinating in a brief stretch where the political correctness of Lear’s work is called into question by black performers.
  24. Lowriders
    Much like classic car customization, effective cinematic storytelling is often all about the detailing, and Ricardo de Montreuil’s Lowriders, which sets a tale of inter-generational rivalry and artistic awakening amidst East LA’s Latino car culture, has style and local color to spare.
  25. Breaking a Monster
    What makes Luke Meyer’s documentary interesting isn’t so much the music or even the incipient stardom, but rather the push-pull between high-stakes biz pressure and subjects who — being 13 years old or so — hardly have the attention spans for the drudgery and minutiae a “career” requires.
  26. Parched
    Yadav pinpoints the various ways in which institutional and personal prejudices keep people enslaved, crafting a sharp portrait of gender inequality.
  27. Rough Night
    Rough Night, a bachelorette-party-from-hell thriller comedy that’s got some push and some laughs, despite its essentially formulaic nature, is a perfect example of why Hollywood needs (many) more women filmmakers.
  28. Arrival
    Adams draws on her gift for making each and every moment quiver with discovery. The actress is alive to what’s around her, even when it’s just ordinary, and when it’s extraordinary the inner fervor she communicates is quietly transporting.
  29. The Grinch
    For anyone who grew up with “How the Grinch Stole Christmas,” The Grinch won’t replace it, yet it’s nimble and affectionate in a way that can hook today’s children, and more than a few adults, by conjuring a feeling that comes close enough.
  30. Absolutely Fabulous: The Movie
    Sometimes bloody good fun is enough. It’s as good a reason as any for making this sunny, silly rallying cry for irresponsibility, and a better one still for watching it.
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