Variety's Scores

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For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,164 out of 17832
  2. Mixed: 7,031 out of 17832
  3. Negative: 1,637 out of 17832
17832 movie reviews
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  1. Deathgasm
    This amiably dumb feature debut for New Zealand writer-director Jason Lei Howden could have used some additional polish on the scripting side to bump its bad-taste humor up from the routinely to the inspirationally silly.
  2. Alien: Covenant
    As acts of creation go, Scott has made an “Alien” movie for that segment of the audience that has always rooted for the monster.
  3. The Guernsey Literary and Potato Peel Pie Society
    Undemanding yet never quite effortless, agreeable yet never quite engrossing, The Guernsey Literary and Potato Peel Pie Society has fewer stumbling points than its loopy title, but that title sticks for longer than the rest of it.
  4. Sunset
    The chaos is there but without the coherence necessary to balance sensorial turmoil with genuine meaning.
  5. Metro Manila
    The screenplay (co-written with Hollywood scribe Frank E. Flowers) boasts the stock characters and situations, sentimentality, foreshadowing and melodrama of soap opera. Yet by cleverly blending these ingredients with those of an action caper, the pic presents a fresher appeal.
  6. Critical Thinking
    It’s still, in the end, a bit of a connect-the-inspirational-dots movie, but that doesn’t mean you won’t be inspired.
  7. Bull
    A disappointment ... The story feels lean, and most of the cast, while convincing, don’t leap off the screen the way the ensemble in an Andrea Arnold movie does.
  8. Monsters University
    Even when the story mechanics feel more than a bit secondhand, the exquisite interplay of vibrant pastel hues and almost photorealist textures (smoothly but not crucially enhanced in 3D) makes the film a continual pleasure to behold.
  9. The Vicious Kind
    Before it bogs down in one too many moments of cathartic reckoning, The Vicious Kind is an unpredictable, off-kilter and scabrously funny piece of work.
  10. Becoming Bond
    Even Lazenby detractors can’t help but be charmed by the man himself, who may not have been much of an actor, but turns out to be a bloody good storyteller, and an awfully salty one at that — revealing sexual conquests that would make even Bond blush.
  11. Gully Boy
    A Bollywood movie about a rapper from the slums may sound derivative, but what does that matter when “Gully Boy” revels in high-wattage screen chemistry and an inclusive social message, all served up in a slickly enjoyable production showcasing Ranveer Singh’s many charms?
  12. Jinpa
    The movie is a dreamily austere shaggy-dog story that recalls the matter-of-fact absurdism of early Jim Jarmusch, yet at the same time generates a fair amount of suspense by repeatedly hinting at a potential for melodramatic upheaval. Ultimately, however, Tseden finds an audaciously different way to pull the rug out from under us.
  13. Deadpool
    As a vehicle for the impudent comic stylings of Ryan Reynolds, this cheerfully demented origin story is many, many cuts above “Green Lantern,” and as a sly demolition job on the superhero movie, it sure as hell beats “Kick-Ass.”
  14. Maxed Out: Hard Times, Easy Credit and the Era of Predatory Lenders
    Intelligent, informative and unusually entertaining documentary errs only when it yanks too insistently on heartstrings while focusing on worst-case scenarios involving desperate debtors driven to suicide.
  15. The SpongeBob Movie: Sponge on the Run
    The SpongeBob Movie: Sponge on the Run is a capricious and touching surrealist kiddie ride that, in its sugar-high way, is as much a celebration of friendship as the “Toy Story” films.
  16. The Courier
    Ironbark’s hook is that it’s based on true events, and the underlying history deserves to be shared.
  17. Men
    The leaves are so green, the tone is so ominous, and the men are so … Rory Kinnear-y that audiences are all but guaranteed to leave this folk-horror bizart-house offering feeling disturbed, even if no two viewers can agree on what bothered them about it.
  18. The Horse Whisperer
    Directing himself for the first time, Redford has lavished his usual meticulous care on popular material that comes alive on the screen in ways that it never could on the page.
  19. The LEGO Movie 2: The Second Part
    The Lego Movie 2 ought to have raised the bar, and while it’s faster, denser, and jam-packed with all sorts of catchy new songs (including one, “Catchy Song,” that’s insidiously engineered to get stuck inside your head), all that energy only goes so far to cover for the wobblier foundation on which this film is built.
  20. The Disappearance of Alice Creed
    Crisp handling, some clever twists and a welcome streak of dry humor hold attention throughout
  21. The Matador
    Deftly maneuvering through audacious mood swings and tonal shifts, The Matador emerges as a quirky yet commercial commingling of black comedy, seriocomic psychodrama, heart-tugging sudser and buddy-movie farce.
  22. Maudie
    What little dimension Maudie offers is a direct result of Hawkins’ contributions, which draw from her character’s past to add texture to her performance.
  23. Dangerous Animals
    The efficient and highly effective thriller scarcely allows a calm moment in which to question how deranged its premise truly is.
  24. The Good Boss
    At two hours, rather intricately stuffed with subplots ranging from frivolous to grimly consequential, “The Good Boss” struggles to pick up the pace when required: The laughs are there, but more spaced out than they could be.
  25. The Town Is Quiet
    Guediguian's seemingly sprawling but in fact quite precise picture takes a while to establish itself, but is eventually rewarding viewing.
  26. Pola X
    An often intriguing, sometimes hypnotic work, but one that quickly starts to unravel in the final hour as it becomes clear there’s not much beneath the emperor’s clothes.
  27. Panic Room
    Smartly plotted, convincingly acted and brilliantly executed technically, this engrossing thriller adds some clever modern wrinkles to the time-tested formula of sinister intruders threatening innocents in their home.
  28. Ae Fond Kiss...
    The flatness of several of the key performances badly lets down this promising material.
  29. Beyond Hatred
    Verite docu Beyond Hatred movingly accompanies the family of Francois Chenu, a gay man murdered by three skinheads in 2002, down the road to forgiveness.
  30. Stopmotion
    Masterful as he is at creating the stuff of nightmares, Morgan (as well as co-writer Robin King) is much less assured handling the character actions, psychology and dialogue outside his heroine’s fevered psyche.
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