Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. Sorta doing for "Texas Chainsaw Massacre"-type slashers what "Shaun of the Dead" did for zombie pics, "T&D" offers good-natured, confidently executed splatstick whose frequent hilarity suffers only from peaking too early.
  2. While the film is neither entertaining nor profound, Ferrell makes it watchable at least.
  3. A sparkling and savvy comedy of political manners.
    • 65 Metascore
    • 80 Critic Score
    La Bamba is engrossing throughout and boasts numerous fine performances.
  4. Pic's quiet lucidity and matter-of-fact procedurals pack a cumulative emotional punch.
  5. Côté assures them a humanity as well, without trying to analyze their obsession with this extravagant concept of masculinity, nor the need for self-display.
  6. Picture reflects the no-nonsense storytelling skills of prolific helmer Michael Apted, whose career-long mix of feature and documentary work holds him in good stead once more.
  7. An easygoing kitchen-sink comedy with an unsettling final act.
  8. Craftily combining elements that speak directly to three different generations, this accomplished ensemble piece is shaping up to be the surprise homegrown hit of the season.
    • 65 Metascore
    • 70 Critic Score
    Good production values, some nice dance sequences and a likable performance by Grey make the film more than watchable, especially for those acquainted with the Jewish tribal mating rituals that go on in the Catskill Mountain resorts.
    • 65 Metascore
    • 90 Critic Score
    The Harrison Ford-Sean Connery father-and-son team gives Last Crusade unexpected emotional depth, reminding us that real film magic is not in special effects.
  9. A glum but tenderly observed micro-portrait of a woman struggling to re-enter society after being released from prison.
  10. The intense focus on the two lead characters emerges as both a strength and a weakness. There’s a lot of walking and talking, and what begins as rather charming ultimately turns tedious, even with a fleet 80-minute running time before closing credits factor in.
  11. It’s a bit square, never particularly surprising, yet very rich in its sense of creative people and their spirit of self-reinvention.
    • 65 Metascore
    • 60 Critic Score
    Theme of the pic, based on Sol Yurick’s 1965 novel, is a variation on countless westerns and war films. Update the setting to modern-day New York, and the avenues of escape to graffiti-emblazoned subway cars, and that’s The Warriors.
  12. There is a trumped-up quality to the action climaxes that is disappointingly perfunctory, and the story's final revelation is simultaneously far-fetched and unsurprising.
  13. It’s a lovingly crafted movie, and in many ways a good one, but before that it’s an enraptured piece of old-is-new nostalgia.
  14. Taken strictly as a docu about a key Buddhist ritual, Wheel of Time is a perfectly pleasant, educational film, featuring pretty pictures, exotic locations and interview footage with the Dalai Lama himself. As a Werner Herzog film, it's flat and disappointing.
  15. "American Heretics" is eye-opening, but it's never explosive.
  16. Although stronger on breadth than focus, it’s an appropriately stimulating take on a far-from-sustainable system.
  17. Though the picture meanders somewhat in the absence of a clear throughline, the focus on Scott's music and electronic experimentation remains strong throughout, thanks to an eclectic roster of musicians and scholars and a generous sampling of his compositions.
  18. A great title in search of a movie to live up to it, this startlingly uneventful compendium of thick-headed boy-talk and female tolerance squanders a fine cast on incredibly ordinary characters and situations.
  19. Sin
    Neither glowing hagiography nor gritty apologia, Sin wallows instead in Michelangelo’s melancholy, his vanity and later his paranoia.
  20. After undergoing some unfortunate mutations in recent years, a beleaguered Marvel movie property gets the smart, stylish prequel it deserves in X-Men: First Class.
  21. When it comes to the film’s overall success, these wildly amusing situations take a back seat to the contributions of an excellent cast.
    • 65 Metascore
    • 80 Critic Score
    Bringing her usual strengths of character to her role as Nolte’s psychiatrist/lover, Barbra Streisand marks every frame with the intensity and care of a filmmaker committed to heartfelt, unashamed emotional involvement with her characters.
  22. Weaving together folklore, gender roles and a fitful kind of emancipation in the story of a mute young woman desperate to counter the ostracism of her fellow villagers, the writer-director couple have created an attractive package that doesn’t hold up to close inspection.
  23. This definitive doc about Selena feels comprehensive and illuminating, thanks to candid family interactions found in home movies from their earliest performances at their restaurant, recordings of local Texas TV station appearances, and eventually images captured on the road while traveling in a makeshift tour bus.
  24. Armstrong and Jones smoothly navigate the magical tale through numerous shocking twists and turns until they bring it to a most logical, emotionally satisfying conclusion.
    • 65 Metascore
    • 70 Critic Score
    Strained metaphysics dovetail with urban and architectural nostalgia in the exquisitely realized, minutely detailed Japanese anime Tekkonkinkreet.

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