Variety's Scores

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For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,172 out of 17847
  2. Mixed: 7,036 out of 17847
  3. Negative: 1,639 out of 17847
17847 movie reviews
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  1. Los Frikis
    Rather than simplistically lionizing the frikis, the directors honor their plight by portraying them as an example of how the human spirit perseveres even when nearly crushed.
  2. Homestead
    The lead characters are well-cast across the board, with Chase and McDonough especially effective as complex, unpredictable characters whose sporadic conflicts go a long way toward developing a rooting interest in both men.
  3. Sonic the Hedgehog 3
    Sonic the Hedgehog 3 is wired-up synthetic fun. It’s a trivial kiddie flick that moves at the speed of your mind playing video games.
  4. Mufasa: The Lion King
    At nearly every step, Mufasa’s challenges mirror those that Simba must later overcome, but the movie doesn’t celebrate Mufasa’s might so much as his modesty.
  5. Scrap
    The well-acted, confidently crafted indie Scrap probes messy family dynamics with low-key but taut acuity, avoiding the usual poles of dysfunctional-clan comedy or high drama driven by yelling matches and shocking revelations.
  6. Young Werther
    The biggest single factor in making “Young Werther” an antic, pleasing gambit overall is English actor Booth. He channels a bit of the early Val Kilmer from “Top Secret!” and “Real Genius” in conjuring a hero who’s so nimble and amusing in his peacocking, we forgive him being his own biggest admirer.
  7. Carry-On
    Although Collet-Serra brings creative solutions to each of the action sequences, the project is actually most effective when audiences are honed in on the core characters.
  8. Kraven the Hunter
    The action in Kraven the Hunter is fine as far as it goes, but it rarely incites or bedazzles you.
  9. The Bibi Files
    The Bibi Files is an important documentary, because it takes in the big picture of how Benjamin Netanyahu became so entrenched that he remade Israel in his own image, in much the same way that Trump has done in the U.S. and will now try to do even more.
  10. A Complete Unknown
    A Complete Unknown is a drama of scruffy naturalism, with a plot that doesn’t so much unfold as lope right along with its legendary, curly-haired, sunglass-wearing coffee-house troubadour hero. Yet the feel — the effect — is that of a musical.
  11. The Lord of the Rings: The War of the Rohirrim
    It may please the faithful, but it’s not quite epic enough to give less devoted viewers the same thrill they once felt from the live-action movies.
  12. The Six Triple Eight
    Impressive in both its subject and suggested scope, Perry’s sweeping film reflects how the achievement of these women directly impacted the troops’ morale, despite the adversity they faced from skeptical superior officers.
  13. Martha
    It’s a movie that captures how Martha Stewart’s penetration into American culture seems, in hindsight, as inevitable as it was unlikely.
  14. Lake George
    This is a story with numerous stinging ironies, albeit one told in a refreshingly nuanced, non-hyperbolic fashion that pays off very nicely indeed.
  15. Day of the Fight
    The light and shade here is all in Peter Simonite’s splendid, inky-shadowed monochrome lensing; Huston’s visual sense outweighs his screenwriting.
  16. The Taste of Mango
    "Mango” tells a story that could have been told many different ways. Still, the path chosen feels unique — not least for conveying some awful truths by means palatable even to the most skittish viewer. It’s a peek down a long, dark tunnel that’s nonetheless suffused throughout by the light at its end.
  17. Night Is Not Eternal
    Though it leaves one wanting for more hard-hitting, confrontational exchanges with Payá, “Night Is Not Eternal” evinces the road to change as winding, perilous, and far from immaculate.
  18. Out of My Mind
    Out of My Mind is a worthy and unique coming-of-age tale. Despite the speedbumps encountered, the filmmakers drive home the poignant message that a person’s disability shouldn’t impede their growth and independence.
  19. Nosferatu
    Visually striking as it is, with compositions that rival great Flemish paintings, the obsessive director’s somber retelling of F.W. Murnau’s expressionistic vampire movie is commendably faithful to the 1922 silent film and more accessible than “The Lighthouse” and “The Witch,” yet eerily drained of life.
  20. Krazy House
    Directors Steffen Haars and Flip van der Kuil offer ideas of subversion that feel both long-outdated in concept and completely dull in execution, to the point that merely describing the film feels irresponsible, lest its premise accidentally lure curious viewers to the cinema.
  21. Soundtrack to a Coup d'Etat
    Writer and director Johan Grimonprez sets himself a difficult task with Soundtrack to a Coup d’Etat, yet accomplishes it with astonishing success. The film plays like both a dense historical text and a lively jazz concert while proving itself to be an invigorating piece of documentary filmmaking.
  22. Our Little Secret
    You watch Our Little Secret, seeing through the paper-thin contrivances, tittering at the imbecilities, and somehow that all becomes part of the experience. It’s mainstream fodder as downgraded camp. It’s pablum so numbing it makes you feel good.
  23. Moana 2
    Moana 2 is an okay movie, an above-average kiddie roller-coaster, and a piece of pure product in a way that the first “Moana,” at its best, transcended.
  24. Beatles '64
    It takes this fabled, high-swoon moment of pop-music history, almost all of which we now view through a mythological lens, and humanizes it in an exhilarating way.
  25. Say a Little Prayer
    More effective as an aspirational exercise than as a piece of inspired cinema, Say a Little Prayer fulfills the promise of showing Latinos under a different socioeconomic light from what has existed in mainstream media in the past, but not much else.
  26. Rita
    Bustamante remains a narratively resourceful and exciting artist. If not a flat-out consummation of his talents, Rita certainly expands his scope into more intricate tonal and stylistic experimentation, as he completely frees himself from the chains of straightforward realism.
  27. Bonhoeffer: Pastor. Spy. Assassin.
    The filmmaker also makes effective use of some timeworn narrative conventions to build and sustain suspense.
  28. Armor
    Justin Routt’s Mississippi-shot feature is competently made. But neither its staging nor its performances transcend the limitations of Adrian Speckert and Cory Todd Hughes’ script, leaving mediocre material unredeemed by any special thrills, style, or character detailing.
  29. Spellbound
    In the end, Jenson’s most radical twist on fairy-tale tradition is the belief that a pat “happily ever after” isn’t nearly as helpful as providing an example of how to cope with unhappiness.
  30. Ernest Cole: Lost and Found
    Watching “Lost and Found,” you’re moved by a life that veered into tragedy, yet the place it lands lifts you up. More than a great photographer, Ernest Cole captured something essential. By the end you feel the ghost is speaking to you.
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