Variety's Scores

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For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,172 out of 17847
  2. Mixed: 7,036 out of 17847
  3. Negative: 1,639 out of 17847
17847 movie reviews
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  1. Bubble & Squeak
    Not all movies need to serve up profound insights into the human condition, but the ones that don’t should at least be entertaining, and Twohy’s particular strain of absurdism is not just contrived, but deeply unfunny.
  2. BLKNWS: Terms & Conditions
    The film isn’t just richly textured, but rigorous in its unveiling of both history and modernity.
  3. Atropia
    While both its lampooning of U.S. militarism and its central character drama lack follow-through, the film contains bright comedic sparks in its keen observations about American media.
  4. All That's Left of You
    Spiritually guided by Dabis’ personal and familial memories, the narrative film is sometimes deeply stirring, other times clumsily heavy-handed, often hampered by Christopher Aoun’s bland cinematography.
  5. Together
    Audiences should have fun with Together, a body-horror movie about a serious thing — love — that never takes itself too seriously.
  6. Train Dreams
    Just because Malick’s influence can be felt does not mean that Bentley hasn’t found his own vocabulary to tell Grainier’s story. At times, Train Dreams feels almost quilt-like in the way its pieces fit together, with certain sounds and images flickering briefly, almost subliminally, across our consciousness, often to echo further on.
  7. Sorry, Baby
    If Sorry, Baby works, it’s because Victor strikes such a tricky tone: Her debut is warm and compassionate, advancing a conversation for which we’re still trying to find the words.
  8. Rebuilding
    I was touched, at moments, by O’Connor’s woeful countenance, but as written and directed by Max Walker-Silverman, Rebuilding has no motor.
  9. Opus
    With a confused tone stuck between satire and horror (that also informs Malkovich’s eccentric, out-of-place performance), and various half-baked ideas about cultural icons and toxic fandom, “Opus” mostly feels like a missed genre opportunity.
  10. You're Cordially Invited
    Whether they’re playing naughty or nice, Witherspoon and Ferrell are two of the rare stars who can be charming even when trying to sabotage someone else’s most important moment, and You’re Cordially Invited is most fun when they’re on the warpath.
  11. Dog Man
    It jams too many villains, themes and gags into a brief run time. Many of its bigger ideas focused on therapeutic conflict resolution fail to coalesce, leading to an overall tonal imbalance.
  12. Zodiac Killer Project
    Speaking to viewers who are cognizant of what films can and cannot be made, Zodiac Killer Project is a biting statement on how many artists have been funneled into a creative dead-end by a trend-chasing market.
  13. The Wedding Banquet
    While occasionally heavy on exposition, memorable dialogue thrives via the actors’ convincingly comfortable banter.
    • 76 Metascore
    • 90 Critic Score
    The Colors Within
    Its alignment with its characters’ emotional currents is cemented by some of Yamada’s flourishes.
  15. Star Trek: Section 31
    This superficially diverting tangent is too convoluted and tonally wobbly to leave a lasting impression.
  16. The Ballad of Wallis Island
    Alive with plenty of droll British humor and with a music-filled, picturesque finale that is sincerely earned, The Ballad of Wallis Island is the best kind of crowd-pleaser: disarming, joyful and full of compassion for its oddball characters. This Sundance charmer doesn’t hit a false note.
  17. Kiss of the Spider Woman
    The musical finds rare shards of light — and an unlikely connection — in the most despairing of places.
  18. Predators
    Osit’s brilliant, subtly needling film leaves us unnerved and alert, but not certain of our convictions — an outcome, perhaps, that more true-crime programming should pursue.
  19. Peter Hujar's Day
    In its tiny-scaled staged-documentary way, Peter Hujar’s Day is exquisitely done and arresting to watch.
  20. The Legend of Ochi
    “Ochi” oozes wonder shot after shot, in part from the eye-popping environments produced through a combination of Evan Prosofsky’s lambent cinematography and the use of matte paintings.
  21. Porcelain War
    Porcelain War thrives on contrast, much of it poignant.
  22. Between Borders
    Between Borders runs on didactic writing that renders the Petrosyans’ plight into a derivative period drama.
  23. Brave the Dark
    Brave the Dark is a low-key inspirational indie that sensitively elicits empathy and sympathy without ever pushing too hard or simplifying complexities.
  24. 2000 Meters to Andriivka
    Like its predecessor, this is an angry, viscerally illustrative film — but it’s a weary one too, occasionally narrating its first-hand view of military combat with the jaundiced sense of futility that comes with living through long-term conflict.
  25. The Ugly Stepsister
    Contrasting how her female characters feel with the expectations men put on them, Blichfeldt makes clear that impossible beauty standards are the unfairest of them all, whether in the real world or this twisted fictional kingdom.
  26. Sly Lives! (aka the Burden of Black Genius)
    Questlove confronts the life and legacy of Sly Stone, investigates it, holds it up to the light, tears it apart, and puts it back together like the bravura mixmaster he is.
  27. The Perfect Neighbor
    The tragedy here doesn’t stop with a white woman shooting her Black neighbor, but the underlying belief that she felt she could and still get away it.
  28. Twinless
    Sweeney recognizes that some of his laughs could be in poor taste, but isn’t shy about casting himself as a weirdo, when such discomfort can point the way to deeper truths.
  29. Omaha
    A humble marvel, Omaha introduces a filmmaker with a privileged sensibility to translate these opposing forces into a tapestry of scenes imbued with loving compassion for the characters experiencing them.
  30. Jimpa
    The acting feels genuine across the board, with Lithgow (who wrestles an impossible-to-geolocate accent) emerging as the most fearless in an all-around daring ensemble.
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