For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
Taken together, "Flags" and "Letters" represent a genuinely imposing achievement, one that looks at war unflinchingly -- that does not deny its necessity but above all laments the human loss it entails.- Variety
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Reviewed by
David Stratton
Despite the disappointing conclusion, it's hard not to be affected by the film, because of the director's frank approach to her subject and the sheer skill with which she tells her story.- Variety
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Reviewed by
Derek Elley
Tradition and informality collide -- and mutually benefit -- in the deliciously written and expertly played The Queen.- Variety
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Reviewed by
Todd McCarthy
Dazzlingly well made and perhaps deliberately less fanciful than the previous entries, this one is played in a mode closer to palpable life-or-death drama than any of the others and is quite effective as such.- Variety
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Reviewed by
Todd McCarthy
Effectively building dread and emotional tension as tragic incidents triggered by human stupidity and carelessness steadily multiply, this film, like "21 Grams" in particular, employs a deterministically grim mindset in the cause of its philosophical aspirations, but is gripping nearly all the way.- Variety
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Reviewed by
Todd McCarthy
Conveying an astonishing array of information across a long narrative arc while still maintaining dramatic rhythm and tension, this adaptation of Robert Graysmith's bestseller reps by far director David Fincher's most mature and accomplished work.- Variety
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Reviewed by
Todd McCarthy
Jenkins brings a rigor, intelligence and eye for the slightly absurd to the proceedings that is instantly disarming.- Variety
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Reviewed by
Brian Lowry
The result is a tense, documentary-style drama that methodically builds a sense of dread despite the preordained outcome.- Variety
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Derek Elley
A full-bore zombie romp that more than delivers the genre goods.- Variety
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Reviewed by
Todd McCarthy
Smart, droll and dazzling to look at and listen to, writer-director Tony Gilroy's effervescent, intricately plotted puzzler proves in every way superior to his 2007 success "Michael Clayton."- Variety
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Reviewed by
Todd McCarthy
A pounding, pulsating thriller that provides an almost constant adrenaline surge for nearly two hours.- Variety
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Derek Elley
Not so much a Hitler movie as a portrait of a totalitarian machine's spiritual and emotional collapse, Downfall is a cumulatively powerful Goetterdammerung centered on the last 10 days of the bunkered Fuehrer and those around him.- Variety
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Reviewed by
David Rooney
Endowed with captivating simplicity, gentle humor, rich humanity and infectious generosity of spirit.- Variety
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Reviewed by
Todd McCarthy
Emerges as the best in the overall series since "The Empire Strikes Back."- Variety
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Reviewed by
Jonathan Holland
Jaw-dropping, sumptuous visuals, a lush George Fenton score, state-of-the-art technology and some of the oddest creatures ever seen without recourse to artificial stimulants.- Variety
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Reviewed by
Derek Elley
Direction, performances and lensing blend into an immensely satisfying, if almost uncategorizable, whole in Pawel Pawlikowski's My Summer of Love.- Variety
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Reviewed by
Justin Chang
George A. Romero shows 'em how it's done in Land of the Dead, resurrecting his legendary franchise with top-flight visuals, terrific genre smarts and tantalizing layers of implication.- Variety
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- Variety
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Reviewed by
Scott Foundas
A superior all-ages adventure pic made by a filmmaker who knows more than a thing or two about the genre.- Variety
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Justin Chang
An endearingly schizoid Frankenstein of a movie, by turns relentlessly high-spirited and darkly poignant.- Variety
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- Variety
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- Critic Score
Nicholson plays the character with personal flair, as penetrating as Antonioni's handling of the film. (Review of Original Release)- Variety
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Reviewed by
Todd McCarthy
Last year's "The Prisoner of Azkaban" seemed dark, but this excellent fourth film derived from J.K. Rowling's books is the darkest "Potter" yet, intense enough to warrant a PG-13 rating.- Variety
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Reviewed by
Lisa Nesselson
Told primarily via body language and facial expressions with a minimum of dialogue, beautifully observed, emotionally intense tale is an ambitious and rewarding outing for Frederic Fonteyne.- Variety
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Reviewed by
Todd McCarthy
Almost too much of a good thing, Peter Jackson's remake of the film that made him want to make movies is a super-sized version of a yarn that was big to begin with, a stupendous adventure that maximizes, and sometimes oversells, its dazzling wares.- Variety
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Reviewed by
Todd McCarthy
Outstandingly realized on all levels.- Variety
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Reviewed by
Scott Foundas
A superb, eye-opening and often absurdly funny deconstruction of the myths and realities of global terrorism that is marked by a balance, broadmindedness and sense of historical perspective so absent from many recent political-themed documentaries.- Variety
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Reviewed by
Eddie Cockrell
Exquisitely modulated and superbly mounted, the directing debut of skilled cinematographer Lajos Koltai went through an extended, unpredictable production history to emerge as a genuinely new way of looking at the Holocaust that is markedly different in tone from other such stories including "Schindler's List" and "The Pianist."- Variety
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- Variety
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Reviewed by
Ronnie Scheib
Lively, intelligent collage, both richly complex and immediately accessible.- Variety
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