Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. One of the most necessary and scorching pieces of nonfiction storytelling in recent memory, “The Falling Sky” offers no comfort and points fingers with a ferocious righteousness as we stare into the abyss of the inescapable environmental catastrophe so-called “developed nations” have wrought.
  2. It takes place on a sugar plantation, but Ena Sendijarević‘s magnificently composed, eerily satirical Sweet Dreams has something more like acid flowing through its veins.
    • 85 Metascore
    • 100 Critic Score
    Sincerity and simplicity shine through every foot of this oversized modern version of the Chaucer epic tale. Here is rare beauty.
  3. One of the year’s few masterpieces.
  4. Ultimately, the filmmaker invites the world to feel loss in a new way, and in letting go, liberates something fundamental in all of us.
  5. April is loath to explain itself, inviting us instead to watch, listen and feel our way through it — a work marked, like the benevolent but unreachable woman at its center, by immense empathy and isolated, inconsolable despair.
  6. Salles’ deeply invested filmmaking is remarkable in its grace and naturalism.
  7. Friedland’s film, as sharp as it is soft, conveys both the terror of losing the life you recognize, and the intermittent, fragmented joy of finding it again.
  8. The remarkable, raw-boned and ravishing Vermiglio takes place in the past but operates like a future family secret playing out in the present tense.
  9. The result is a hauntingly timeless depiction of power and its mechanisms, filtered down to an intimate tale of journalistic integrity.
  10. Typically, we look to adrenaline-fueled entertainment for catharsis. Boyle’s thrilling reboot offers enlightenment as well.
  11. Questlove confronts the life and legacy of Sly Stone, investigates it, holds it up to the light, tears it apart, and puts it back together like the bravura mixmaster he is.
    • 66 Metascore
    • 100 Critic Score
    Sommersby is an unabashedly romantic and morally intricate Civil War-era tale splendidly acted by Richard Gere and Jodie Foster. It’s one of those rare occasions that the Americanization of a foreign property (here Daniel Vigne’s The Return of Martin Guerre) works as well as the original.
  12. Ricky is a movie that plunges into the depths and also lifts the spirit honestly.
  13. The film isn’t just richly textured, but rigorous in its unveiling of both history and modernity.
  14. The Alabama Solution is one of the most powerful exposés of the inhumanity of the American prison system I’ve ever seen.
  15. By entwining reality with dramatization to such an inseparable degree, An Unfinished Film runs the emotional gamut, with a pulsing naturalism that few films about the recent pandemic (or any real disasters) have ever managed to achieve.
  16. Very possibly her most accessible and enjoyable film to date, still it remains an unmistakably Reichardtian investigation into the fabric of ordinariness and what happens when it frays.
  17. No finer point of craft, performance or poetic nuance has been rushed or neglected in a film that ultimately sounds a warning against the dimming or blunting or de-specification of memory — not just for oneself, but for communities or lineages with more shared stories than they might think, but an inclination to clam up and carry on.
  18. The film reminds you that the real salvation of cinema will always come from those who understand that making a movie should be a magic trick good enough to fool the magician himself into believing it.
  19. This thrilling directorial confidence, given his film’s elegant opacities and ambiguities, is a quality to marvel at, even as it’s binding your hands and tying you to your seat and forcing you to watch, possibly against your will.
  20. “Ballad” is assembled with such peculiar, calm exactness that it actually resembles a series of experiments in simplicity.
  21. A profoundly moving and superbly acted diamond in the rough, Steve is better than anything the streamer has pushed for best picture to date.
  22. The spirit of slow cinema is alive and languid in this stunningly mounted, politically rigorous work, which confronts any viewers hoping for a sweeping biographical romp with a frank post-colonial perspective, thoroughly and violently dismantling any romanticized legacy trailing the eponymous Portuguese navigator.
  23. Sophy Romvari‘s graceful, singularly heartsore debut feature has a sharp understanding of how memories form and age: Often it’s the incidental, ambient details you recall as vividly as the more significant events at hand.
  24. Remake is extraordinarily clear-eyed for a work so broken-hearted: at once a home movie, an intimate diary and an expansive study of the filmmaker’s purpose, constantly disrupting its own conclusions with expressions of anger, amusement and still-unresolved confusion.
  25. There’s a purity and natural-born dazzle to EPiC. What you see is what you get: Elvis in the raw, driven by the awareness that it doesn’t get any better than that.
  26. Strange, enrapturing, simultaneously vast and minute, Enyedi’s latest spends a lot of time considering how we perceive our surrounding flora — but just as much on how it perceives us, which is where it starts to get a bit special, and even a bit sexy.
  27. Engrossing as well as damning.
  28. Newport & the Great Folk Dream is a rapturous documentary — elegant and transporting, full of scratchy lyrical black-and-white images and performances that have a timeless power.

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