For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Havenhurst grows less scary the more urgently action-packed it becomes. It’s not that Erin’s direction lacks energy when needed, but rather that his and Daniel Ferrands’ script never develops any of its numerous familiar but viable plot themes enough to really give the film a distinguishing edge.- Variety
- Posted Feb 6, 2017
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Reviewed by
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- Variety
- Posted Feb 5, 2017
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Reviewed by
Owen Gleiberman
The first thing to say about The Lego Batman Movie is that it’s kicky, bedazzling, and super-fun.- Variety
- Posted Feb 4, 2017
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Reviewed by
Dennis Harvey
With far-right nationalist ideologies suddenly a matter of pressing interest to almost everyone, the timing is regrettably ideal for Keep Quiet. This fascinating documentary by co-directors Joseph Martin and Sam Blair finds a stranger-than-fiction hook for probing that disturbing global trend.- Variety
- Posted Feb 4, 2017
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Reviewed by
Owen Gleiberman
The movie gives us bits and pieces of drama, but in a larger way it doesn’t invite us in.- Variety
- Posted Feb 3, 2017
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Reviewed by
Joe Leydon
Hicky presents welcome surprises throughout The Grace of Jake, often introducing plot developments that would lead to melodramatic outcomes in more conventional films.- Variety
- Posted Feb 3, 2017
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Reviewed by
Dennis Harvey
Reasonably slick but empty, Eloise is no “Session 9” as far as haunted-former-mental-hospital horrors go. Heck, it’s not even a “Grave Encounters 2.”- Variety
- Posted Feb 3, 2017
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Reviewed by
Joe Leydon
The term “vanity project” doesn’t come close to adequately describing the hubristic folly that is Wheeler, an excruciatingly dull and self-indulgent faux documentary- Variety
- Posted Feb 3, 2017
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Reviewed by
Owen Gleiberman
The movie, which will be lucky to eke out a weekend’s worth of business, isn’t scary, it isn’t awesome, and it doesn’t nudge you to think of technology in a new way. But it does make you wish that you could rewind those two hours, or maybe just erase them.- Variety
- Posted Feb 3, 2017
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Dennis Harvey
This glossy doc uncovers very little conflict or depth in a personality more colorful than it is interesting, at least as presented here.- Variety
- Posted Feb 2, 2017
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Reviewed by
Guy Lodge
Where “Trainspotting’s” dive into the void was targeted, bristling with snarky anger at a Conservative system that provided few lifelines, “T2” — despite landing in a Britain once more under divisive Tory rule — is mostly content to let its characters alternately indulge and excoriate themselves.- Variety
- Posted Feb 2, 2017
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Peter Debruge
If romance-seeking audiences know what’s best for them, they’ll put some space between themselves and this movie.- Variety
- Posted Feb 2, 2017
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Reviewed by
Jay Weissberg
It’s hard not to appreciate the astute ways the script captures the moment when carefree childhood turns into the loss of innocence.- Variety
- Posted Feb 2, 2017
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Reviewed by
Nick Schager
If the doc’s ultimate argument is less than wholly persuasive, A Good American nonetheless paints a fascinating picture of Binney’s mind, and the way in which he first envisioned ThinThread as a giant neural network-like globe filled with graphically linked nodes.- Variety
- Posted Feb 2, 2017
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- Variety
- Posted Feb 1, 2017
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Reviewed by
Owen Gleiberman
What makes Oklahoma City a haunting experience is that the movie, in laying out the road that led to his humanity withering and dying, demonstrates a disquieting continuity between the anti-government wrath of Timothy McVeigh and the fervor of anti-government wreckage that has just been given a new credibility in America.- Variety
- Posted Feb 1, 2017
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Reviewed by
Dennis Harvey
The result here may not be fully revealing of his process, but it’s as close as we’re going to get.- Variety
- Posted Feb 1, 2017
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Reviewed by
Justin Chang
Lovesong makes a virtue of restraint as it traces a complex emotional history in two parts, and innumerable (and sometimes quite literal) shades of gray.- Variety
- Posted Jan 31, 2017
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Reviewed by
Peter Debruge
The connection they share isn’t the kind that would pass for conventionally romantic, and yet, theirs is a compelling love story all the same — one the filmmakers follow with open minds, focusing on the lead-up to and days immediately following their wedding.- Variety
- Posted Jan 31, 2017
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Peter Debruge
While his American competition practices the right to remain silent, McDonagh writes his clever, coal-black heart out, delivering another firecracker script.- Variety
- Posted Jan 31, 2017
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Reviewed by
Guy Lodge
This kooky-monster escapade is never less than arresting, and sometimes even a riot.- Variety
- Posted Jan 31, 2017
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Reviewed by
Peter Debruge
It’s not an easy sit, nor a terribly entertaining one, but in the hands of writer-director Marti Noxon, it delivers painful insights in a relatively fresh way.- Variety
- Posted Jan 29, 2017
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Reviewed by
Peter Debruge
In the end, it’s the ensemble’s collective attitude, plus the palpable chemistry between Patti and her friends, that defines the experience, not the stock desire to be discovered. Though if Patti Cake$ really did exist, this movie would certainly make her star.- Variety
- Posted Jan 28, 2017
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Reviewed by
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Reviewed by
Owen Gleiberman
The trouble with Newness — and the reason it’s shot in such a clinical vérité fashion — is that it’s a thesis movie, heady and ambitious yet overly thought out.- Variety
- Posted Jan 28, 2017
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Reviewed by
Alissa Simon
Providing certain vivid detail but rather lacking in vitality, Ekvtimishvili’s screenplay is stronger on sociology than drama.- Variety
- Posted Jan 28, 2017
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Reviewed by
Guy Lodge
Though it mostly resists contrived “opening-out” devices, and preserves the decidedly low-tech visualization of the play’s sci-fi premise, Michael Almereyda’s well-cast film never finds a suitably complex cinematic language for its tangle of intellectual and emotional ideas.- Variety
- Posted Jan 28, 2017
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Reviewed by
Peter Debruge
Audiences needn’t be intimidated: Manifesto may not adhere to any conventional narrative structure, but it’s compulsively watchable all the same- Variety
- Posted Jan 28, 2017
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Reviewed by
Peter Debruge
Haley and Basch have mistaken what the AARP calls “movies for grownups” for a kind of mushy feel-good pablum, throwing together a handful of familiar clichés in the hope that Elliott’s charm will carry the day.- Variety
- Posted Jan 28, 2017
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Reviewed by
Guy Lodge
Many will accuse Perry of navel-gazing here, but that’s partly the point: Golden Exits means to frustrate, even to abrade, in its coolly articulate portrait of cosseted people who want for nothing and vaguely desire everything.- Variety
- Posted Jan 28, 2017
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Reviewed by
Guy Lodge
Skipping some of the more predictable narrative obstacles we’ve come to expect from the coming-out drama, this sexy, thoughtful, hopeful film instead advances a pro-immigration subtext that couldn’t be more timely amid the closing borders of Brexit-era Britain.- Variety
- Posted Jan 28, 2017
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Reviewed by