Variety's Scores

Select another publication »
For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,133 out of 17777
  2. Mixed: 7,008 out of 17777
  3. Negative: 1,636 out of 17777
17777 movie reviews
view
per page
  1. In This Corner of the World
    Adapting Fumiyo Kono’s 2007 manga of the same title, director Sunao Katabuchi captures the manifold experiences of a housewife during WWII with beguiling intimacy and appealing hand-drawn illustration.
  2. Contemporary Color
    It’s not every documentary that can so exhilaratingly make us feel a part of something so special.
  3. The Last Laugh
    Pearlstein’s very deft assembly manages to raise all these ideas and others for viewer consideration while underlining that there are few, if any, definitive responses to them.
  4. The Freedom to Marry
    [A] solid yet unexceptional documentary.
  5. Beauty and the Beast
    It’s a lovingly crafted movie, and in many ways a good one, but before that it’s an enraptured piece of old-is-new nostalgia.
  6. Junction 48
    Issues are overly simplified and scenes are often poorly constructed (not helped by uneven editing), though Nafar is a charismatic performer. Ditto Qupty, and the energetic hip-hop scenes are welcome distractions. Visuals are spirited.
  7. Nakom
    There’s an air of authenticity as well as a pleasingly laid-back yet substantive narrative engagement to this polished effort.
  8. Wolves
    It’s a showcase for some fine acting and even finer basketball action, but neither are enough to cover for this story’s enervating formulaic construction.
  9. Lavender
    The film would be a routine affair if not for its baroque aesthetic gestures and a captivating turn from star Abbie Cornish.
  10. The Settlers
    The real achievement here is in going beyond the buzzwords of newscasts and talking points to convey a sense of what’s happening on the ground — and to give it a sense of urgency.
  11. Punching Henry
    Phillips, who has the everyman look of a younger John Heard, is such a sympathetic sad sack throughout Punching Henry that it’s occasionally discomforting to watch what happens to him. But that is a major part of this low-key comedy’s charm.
  12. The Ottoman Lieutenant
    Though the film ultimately hinges on a “forbidden” Muslim-Christian romance, almost nothing is made of the enormous hurdles that would be present in this time and place.
  13. Kong: Skull Island
    The surprise is that “Skull Island” isn’t just ten times as good as “Jurassic World”; it’s a rousing and smartly crafted primordial-beastie spectacular.
  14. The Shack
    The strangest thing about The Shack, and the reason it’s finally a so-so movie, is that all the rage and terror and dark-side vengeance that Mack has to learn to transcend is something we’re told about, but we never actually see him mired in it.
  15. The Women's Balcony
    Offering solid, middle-brow entertainment that borrows from Aristophanes’ “Lysistrata,” the film shows the relationships and tensions between different groups within Orthodox Judaism in Jerusalem, and provides a cautionary (and universally understandable) tale about religious fundamentalism.
  16. 4th Man Out
    [A] thoroughly ingratiating, touchingly heartfelt comedy.
  17. Table 19
    Almost everything that happens in this movie rings cloyingly false. It wants to make you laugh and cry, but you may be too busy cringing.
  18. Apprentice
    The movie feels a little too sparse and literal in places.
  19. Aroused by Gymnopedies
    "Gymnopedies” is an engaging and ultimately touching portrait of love, loneliness and loss of youth.
  20. Rock Dog
    Rock Dog is cluttered with incompatible subplots that never quite seem to belong in the same film.
  21. Bitter Harvest
    While Bitter Harvest will undoubtedly serve to raise awareness, there can be no doubt that the events deserve a more compelling and responsible treatment than this.
  22. Burning Sands
    The occasional heavy-handed or clumsy elements don’t seriously impair a film whose high spirits, talented cast and luridly intriguing subject consistently entertain, even if they seldom truly surprise.
  23. You're Killing Me Susana
    Somewhere buried deep within You’re Killing Me Susana is a commentary on loutish manliness, and the way in which romances are inherently fraught with tensions between individual and shared desires. Unfortunately, such notions are drowned out by all manner of irritating shenanigans.
  24. Step
    Without any fuss, Lipitz has made a film deeply rooted in intergenerational relationships between women.
  25. As You Are
    A promising and impressively self-assured debut for 23-year-old filmmaker Miles Joris-Peyrafitte, As You Are is crafted with the confidence and skill of a veteran, but also the youthful eye of someone not far removed from his protagonists.
  26. Have a Nice Day
    Liu’s storyline may be a slight and generic madcap gangster/hitman/thief movie, but the details of aesthetic design and character interaction flesh it out into something a little more wittily resonant, if not exactly deep. The pointed inventiveness of the carefully premeditated form doesn’t just compensate for the banality of the content, it becomes the content.
  27. Ana, Mon Amour
    Călin Peter Netzer’s follow-up to his Golden Bear winner “Child’s Pose” lacks that film’s directness and drive, and not only because this time he’s chosen to shuffle the sequence of events.
  28. The Young Karl Marx
    It’s dutiful, but it’s also superficial and polite, and it commits the genteel sin of the old biopics: It turns its hero into a plaster saint.
  29. Spoor
    The movie is murky and disjointed, held together not so much by what happens as by a vague atmosphere of obsession.
  30. On Body and Soul
    It’s to the credit of Borbély’s intelligent, melancholically understated performance that Maria remains sympathetic even as she becomes more of a condition than a character — and to the richness of the writer-director’s ideas that they move and intrigue even when they’re most artificially expounded.
Page:

Top Trailers

See all »
See all trailers »