Variety's Scores

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For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,142 out of 17794
  2. Mixed: 7,015 out of 17794
  3. Negative: 1,637 out of 17794
17794 movie reviews
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  1. Everything, Everything
    For the first hour or so, it is unabashedly sappy yet modestly engaging, buoyed by the low-key charm of its two leads. But then an implausible third-act reveal spoils the fun, and the movie never recovers.
  2. Lost in Paris
    Who wouldn’t want a picturesque trip to the French capital that delivers more laughs than a nitrous oxide leak near the hyena compound? In fact, I’d go as far as to promise that Lost in Paris offers the three most delightful sight gags you’ll see on screen all year.
  3. Becoming Bond
    Even Lazenby detractors can’t help but be charmed by the man himself, who may not have been much of an actor, but turns out to be a bloody good storyteller, and an awfully salty one at that — revealing sexual conquests that would make even Bond blush.
  4. Paint It Black
    As directorial debuts go, Amber Tamblyn’s Paint It Black is kind of a mess, but then, so are its characters, which makes the film’s raw, off-kilter style somehow right for the material.
  5. Get Me Roger Stone
    When you watch Get Me Roger Stone, the lively, fun, sickening, and essential new documentary, you realize that Atwater and Rove may have excelled at what they did, but there was — and is — only one king.
  6. Whisky Galore!
    Oddly stiff where Alexander Mackendrick’s original village farce was infectiously tipsy, Gillies MacKinnon’s interpretation is twee, tweedy and rather timid about putting its own stamp on a now-quaint story.
  7. Soul on a String
    Chinese director Zhang Yang (“Shower,” “Sunflower”) eschews the thrill of propulsive duels for a discursive allegorical approach, serving up picturesque visuals, highland-dry humor, and karmic plot twists.
  8. It Comes at Night
    It Comes at Night is a good, tight, impressive little exercise. I was held by it, but the movie, while tense and absorbing, is ultimately a tad forgettable, because it thinks it’s up to more than it is.
  9. Diary of a Wimpy Kid: The Long Haul
    An amiable, fast-paced entry that should win over fans.
  10. Legion of Brothers
    Its up-close portrait of heroic dedication in extreme situations has the dramatic immediacy and air of privileged access to impress both hawks and doves.
  11. Hell on Earth: The Fall of Syria and the Rise of ISIS
    A powerful and important documentary.
  12. Afterimage
    While this grim story is one worth telling, it’s a pity that in relating the bum’s-rush Strzeminski got in later life, Wadja couldn’t have communicated more of what sustains his legacy as a great artist and innovator.
  13. Abacus: Small Enough to Jail
    The movie is diligent and, to a degree, absorbing — a legal/business saga that’s also the story of a family in crisis.
  14. Harold and Lillian: A Hollywood Love Story
    Harold and Lillian: A Hollywood Love Story, directed by Daniel Raim, is a passionate and beguiling movie-love documentary that shines a light on two of the unsung artisan heroes of Hollywood.
  15. Katie Says Goodbye
    Even if first-time writer-director Wayne Roberts is sympathetic to the plight he’s chosen for the protagonist, his film never burrows deep enough under her skin to make the string of miserable scenarios connect in a meaningful way.
  16. AWOL
    Deb Shoval’s uneven first feature demonstrates greater assurance in conveying a sense of place (the filmmaker’s native northeastern Pennsylvania) than it does with narrative and character development.
  17. Stefan Zweig: Farewell to Europe
    This articulate, formally immaculate portrait proves less compelling in practice than it does in principle: Over-burdened at the outset with extraneous ceremonial detail and starchy speechifying, the film takes a dry, acolytes-only approach before later, more domestically focused chapters raise the body temperature of proceedings.
  18. Icaros: A Vision
    This trippy work maps the intersections of West and East, body and spirit, faith and terror with beguiling grace.
  19. The Last Shaman
    At once superficial and overblown, this documentary also often feels downright phony.
  20. The Wedding Plan
    The film nicely plays with the standards of romantic comedy.
  21. Kim Dotcom: Caught in the Web
    A giant data dump of diverse archival and interview materials shaped into an admirably cogent if cluttered two-hour whole, “Caught” provides a fascinating albeit extreme illustration of the intersection between fame, greed, copyright and technology in the internet age.
  22. The Challenge
    Loathe to mar his exquisite package with the least hint of vulgar commentary, Ancarani arrives at something that is at once luxuriously alluring and a little too like an advertisement for luxury products — dazzling, aloof, uncritical and fatuous.
  23. The King's Case Note
    Beginning brightly with goofy slapstick, irreverent humor and a dastardly plot to overthrow the monarch, the film squanders its early success in a second half marred by pedestrian pacing and ho-hum action scenes.
  24. Unlocked
    An anonymously enjoyable espionage thriller that, for purposes of memory, all but self-destructs the second the closing credits begin to roll.
  25. Tomorrow Ever After
    The movie’s one recurring joke stems from watching Shaina catch strangers off-guard, and it starts to wear thin by around the one-hour mark, when things start to turn dark.
  26. Illicit
    Illicit is too tepid to qualify as an erotic thriller, or even a guilty pleasure, and the performances range from over the top to tiresomely obvious.
  27. Everyone’s Life (Chacun sa vie)
    Everyone’s Life contains a few of the most effective individual scenes in the director’s recent filmography, as well as some of the most befuddling.
  28. 32 Pills: My Sister's Suicide
    Gripping and discomfiting, this first directorial feature by the veteran editor is the kind of diaristic inquiry that can seem self-indulgent but here sports a fearlessness that transcends vanity — at times it’s downright unflattering.
  29. Becoming Who I Was
    The endearing, guileless personalities of the two principals constitute much of the film’s appeal.
  30. Forbidden Games: The Justin Fashanu Story
    The short, mercurial, sometimes self-defeating life of professional soccer player Justin Fashanu is so packed with drama that “Forbidden Games,” Adam Darke and Jon Carey’s documentary about him, often feels like a narrative feature — one that engrosses even as its complex central figure defies full understanding.
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