Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. The movie, despite enthralling moments, is so self-intoxicated by its blissed-out vision of global healing that it’s a little soft.
  2. Its potent sense of place and underlying ideas never compensate for the tiresome millennial musings that constitute most of its runtime.
    • 70 Metascore
    • 70 Critic Score
    Viewers are left feeling that it's still a male-dominated profession, but that determined women like these might just effect some small change.
  3. The Motel offers a fresh take on characters and conventions, and compels interest with shrewd, sympathy-inspiring storytelling.
  4. It's a very small pic but engagingly played by a fine cast.
  5. A spellbinding, sensationally effective thriller with a complex moral center.
  6. A satisfying and funny, if ironic, comedy intended for lovers of both the beast and/or sophisticated laughs.
  7. Ambitious, well made but not exactly rousing.
  8. An unusually low-key Filipino drama whose neo-realist air generally triumphs over the script's violent, tearful contrivances.
  9. A moving, elegiac, deeply contemplative work that leaves the viewer not with a save-the-world checklist, but rather a spirit of hopeful reflection.
  10. This slacker prince (Hawke) comprises a sinkhole at the center of adaptor-helmer Michael Almereyda's otherwise compelling contempo update.
  11. Lacks an edge of danger or excitement that might have brought the subject alive in more than a cerebral way.
  12. Fresh, funny, exquisitely bittersweet tour de force.
  13. Helmer-poet Amie Siegel delivers a provocative, confident film.
  14. Loud, tedious and unattractive in every sense, this barrage of blood set during the Franco regime combines the helmer's customary cartoonishness with horror and ups it a thousand notches.
  15. Gushing more blood and possessing more stamina than any number of Hollywood hack-'em-ups, writer-director Na Hong-jin's pulse-pounding, mordantly funny genre piece is at times messily convoluted, yet serious and full-bodied enough to achieve a genuinely tragic dimension.
  16. Detailing the birth, life and death of America's first major urban housing project in St. Louis, Chad Freidrichs' The Pruitt-Igoe Myth combines concise but thoroughgoing sociological-historical analysis and elegant cinematic resources in service of an uncommonly artful example of film journalism.
  17. Stevens offers a couple of revelations that bring the documentary to a dramatically and emotionally satisfying conclusion — and, not incidentally, leave a viewer with the pleasing sensation of discovering a worthy individual.
    • 70 Metascore
    • 70 Critic Score
    Fatal Assistance is a powerful indictment of the aid process, though Peck lets Haitian politicos off too lightly, and the voiceovers would be better on paper.
  18. Where the film goes is both unexpected and necessary, since however grounded and relatable these thinly detailed characters might be, the movie doesn’t actually seem to be going anywhere.
  19. A mesmerizing glimpse into Sarno’s search for a sub-Saharan Walden and the implications of that choice.
  20. As the hours roll slowly past, it’s hard not to feel that this epic achievement in monotonous misery might have retained its impact at a fraction of the length, and that even our grimmest truth-tellers might well find themselves capable of saying more with less.
  21. Despite its familiarity, Chapter & Verse manages to make its material both fresh and authentic.
  22. Hepburn’s film eschews the expected emotional progression of a grief drama by focusing as much on continuing pain as sudden mourning.
    • 70 Metascore
    • 60 Critic Score
    Overly-long, it nevertheless carries sock appeal in suspenseful racing sequences and its principals in a realistically-developed marital romance score strongly.
  23. If terror is not particularly sought after, there is still sufficient tension, and downplaying the story’s fantastical aspect in favor of psychological conflicts lends the whole a persuasive pathos.
  24. The Thief Collector is a nimble and entertaining dissection of a crime. It’s also a portrait of art and obsession. But by the time it makes you say “Oh. My. God.,” it’s a movie that has used art to touch something essential about how strangers — or maybe I should just say the downright strange — walk among us.
    • 70 Metascore
    • 50 Critic Score
    Niagara is a morbid, cliched expedition into lust and murder.
    • 70 Metascore
    • 40 Critic Score
    Perhaps the film is a triumph of controlled and deliberate mediocrity, but it still closer resembles a clumsy carbon of a bad satire on the original.
  25. Hall and Gandersman compel enough interest to pull viewers through, even if they may find the fadeout less than satisfying.

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