Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. Prosaically straightforward but consistently interesting portrait of the maverick research scientist who was awarded a 2018 Nobel Prize in medicine.
  2. U – July 22 is designed to be as immersive as it is exhausting, and largely succeeds.
  3. Scripted by "The Best of Youth" duo who brought the post-WWII years into stark and moving light, pic offers a warm humor that illuminates the defiant vista of hope even when the proceedings turn tragic.
  4. Despite an excessively meandering final act, the drama's three intertwined stories have a cumulative impact, their affecting sadness matched by meticulously composed visual poetry.
  5. Memory invites debate, rather than imposing a specific interpretation. It’s also a film that lingers, shifting and expanding in significance, even as the details start to blur.
  6. The film makes its case powerfully, and the myriad parallel situations in which private commercial interests continue to trump environmental ones worldwide makes that viewpoint easy to accept as valid.
    • 71 Metascore
    • 70 Critic Score
    Car Wash uses gritty humor to polish clean the souls of a lot of likeable street people.
  7. Tangled is snappily paced and easy enough to get wrapped up in, propelled by a set of jaunty, serviceable songs from venerable composer Alan Menken and lyricist Glenn Slater.
  8. Its autobiographical elements are keenly felt, as Campillo grapples intelligently not just with the blind spots of his personal past, but those of his national heritage.
  9. The pleasure of Edge of Tomorrow is that it’s not an action movie first and foremost, but rather a cheeky little puzzle picture in expensive-looking blockbuster drag.
  10. Director Matteo Garrone's measured approach and soulfully humane focus combine to dignify the characters, allowing the tale of solitude, longing and sorrow to inch quietly under the viewer's skin.
  11. Fan, friend and documentarian Craig Highberger delivers the goods with rare clips of the inimitable Jackie in Off-Off Broadway shows written by the star. The shaky, blurry quality of this never-before-seen archival footage shot by the helmer only adds to pic's surreal shoestring mystique.
  12. While the result is sure to appeal to the star's fans, they may find this less-than-definitive portrait distractingly arty at times, while viewers attracted by such up-to-the-moment talents as Lady Gaga will wonder why the picture doesn't bother providing a little more explanatory background about that old guy she's singing with.
  13. Haynes, working from a script by Selznick, guides and serves the material with supreme craftsmanship. For a while, he casts a spell. Yet one of the film’s noteworthy qualities is that it creates a nearly dizzying sense of anticipation, and the payoff, regrettably, doesn’t live up to it.
    • 71 Metascore
    • 80 Critic Score
    Adding comedy lines, music, color and CinemaScope, Jerry Wald and Leo McCarey turn this remake of the 1939 Love Affair into a winning film that is alternately funny and tenderly sentimental.
  14. The issues come clashing together in an explosive package that, despite some snafus, remains fairly riveting to the end.
  15. Hacksaw Ridge is the work of a director possessed by the reality of violence as an unholy yet unavoidable truth.
  16. A top-notch production, exuberant period music and Hanks the actor in an important role cunningly disguise a rather slight and inconsequential narrative.
  17. A bluntly powerful provocation that begins as a kind of tabloid melodrama and gradually evolves into a fraught study of addiction, narcissism and the lava flow of capitalist privilege. [Unrated Version]
  18. The film benefits greatly from its ability to review events from the viewpoints of the men on the ground in Houston.
  19. Affording viewers a trip to the Chilean desert to gaze up at the crystal-clear sky, Cielo is a rapturous act of cinematic contemplation.
  20. In the piercing and perceptive documentary Divide and Conquer: The Story of Roger Ailes, it’s fascinating, in an outrageous and distressing way, to witness the moment when Ailes transformed the nation’s political landscape virtually overnight.
  21. The only perspective that’s missing here is that of Peep himself, and that hole at the center of the narrative gives the film a haunting impact.
  22. Ryoo ramps things up impressively once all hope of protection from local forces evaporates. Audiences are treated to half an hour of top-class car chases and shootouts as the group attempt to make it safely across town and onto a rescue flight.
  23. Jaw-dropping, sumptuous visuals, a lush George Fenton score, state-of-the-art technology and some of the oddest creatures ever seen without recourse to artificial stimulants.
  24. Seems so determined to reproduce the drudgery of police work, it's boring for the first hour, and only marginally more exciting for the second.
  25. No matter how much you want to like the film, something is missing: a spark, a shimmer, a thrust of discovery.
  26. This film offers an engrossing mix of history, investigation and activism.
    • 71 Metascore
    • 70 Critic Score
    Robert Towne's Without Limits reps a distinct improvement over Steve James' Prefontaine in the filmmaking department.
  27. 22 Jump Street hits far more often than it misses, and even when it misses by a mile, the effort is so delightfully zany that it’s hard not to give Lord and Miller an “A” for effort.

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